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Annie Hall

  • 1977
  • 18
  • 1h 33min
PUNTUACIÓN EN IMDb
7,9/10
286 mil
TU PUNTUACIÓN
POPULARIDAD
3504
521
Woody Allen and Diane Keaton in Annie Hall (1977)
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2 vídeos
99+ imágenes
Comedia románticaComediaRomance

Alvy Singer, un comediante judío divorciado, reflexiona sobre su relación con su examante Annie Hall, una aspirante a cantante de club nocturno, que terminó abruptamente, al igual que sus an... Leer todoAlvy Singer, un comediante judío divorciado, reflexiona sobre su relación con su examante Annie Hall, una aspirante a cantante de club nocturno, que terminó abruptamente, al igual que sus anteriores matrimonios.Alvy Singer, un comediante judío divorciado, reflexiona sobre su relación con su examante Annie Hall, una aspirante a cantante de club nocturno, que terminó abruptamente, al igual que sus anteriores matrimonios.

  • Dirección
    • Woody Allen
  • Guión
    • Woody Allen
    • Marshall Brickman
  • Reparto principal
    • Woody Allen
    • Diane Keaton
    • Tony Roberts
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,9/10
    286 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3504
    521
    • Dirección
      • Woody Allen
    • Guión
      • Woody Allen
      • Marshall Brickman
    • Reparto principal
      • Woody Allen
      • Diane Keaton
      • Tony Roberts
    • 604Reseñas de usuarios
    • 164Reseñas de críticos
    • 92Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 4 premios Óscar
      • 32 premios y 9 nominaciones en total

    Vídeos2

    Official Trailer
    Trailer 2:12
    Official Trailer
    'Emperor' Star Kat Graham Was Inspired by This Hollywood Icon
    Video 3:46
    'Emperor' Star Kat Graham Was Inspired by This Hollywood Icon
    'Emperor' Star Kat Graham Was Inspired by This Hollywood Icon
    Video 3:46
    'Emperor' Star Kat Graham Was Inspired by This Hollywood Icon

    Imágenes214

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    Reparto principal88

    Editar
    Woody Allen
    Woody Allen
    • Alvy Singer
    Diane Keaton
    Diane Keaton
    • Annie Hall
    Tony Roberts
    Tony Roberts
    • Rob
    Carol Kane
    Carol Kane
    • Allison
    Paul Simon
    Paul Simon
    • Tony Lacey
    Shelley Duvall
    Shelley Duvall
    • Pam
    Janet Margolin
    Janet Margolin
    • Robin
    Colleen Dewhurst
    Colleen Dewhurst
    • Mom Hall
    Christopher Walken
    Christopher Walken
    • Duane Hall
    • (as Christopher Wlaken)
    Donald Symington
    • Dad Hall
    Helen Ludlam
    • Grammy Hall
    Mordecai Lawner
    • Alvy's Dad
    Joan Neuman
    • Alvy's Mom
    • (as Joan Newman)
    Jonathan Munk
    • Alvy - Age 9
    Ruth Volner
    • Alvy's Aunt
    Martin Rosenblatt
    • Alvy's Uncle
    Hy Anzell
    Hy Anzell
    • Joey Nichols
    • (as Hy Ansel)
    Rashel Novikoff
    • Aunt Tessie Moskowitz
    • Dirección
      • Woody Allen
    • Guión
      • Woody Allen
      • Marshall Brickman
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios604

    7,9285.7K
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    Reseñas destacadas

    tfrizzell

    Woody Allen at His Best, Funniest and Most Interesting.

    "Annie Hall" is a brilliant romantic comedy that could have only been made by Woody Allen (Oscar-winning in directing and writing, nominated in acting). Allen stars as a Jewish stand-up comic who falls in love with aspiring actress Diane Keaton (in a well-deserved Oscar-winning turn as the titled character). Their relationship is explored throughout the course of the film in a gentle and warm-hearted way. Allen's unique views and brand of humor are prevalent from start to finish and the film is clearly made in the 1970s as many issues from that time period are explored as the film progresses. "Annie Hall" is simple in many ways, but deals with romantic issues in complex ways and the film is just so intelligent that it is near impossible to dislike. Woody Allen is brilliant as he usually is. Diane Keaton hit super-stardom as well with her role. The supporting cast includes the likes of Carol Kane, Shelley Duvall, Tony Roberts, Christopher Walken and Colleen Dewhurst. Look for an unknown Jeff Goldblum as an extra during the Los Angeles sequence. 5 stars out of 5.
    7Xstal

    The Horrible & The Miserable...

    Another world according to Woody, with some especially acute observations and witticisms about almost everything, but always with an exceptionally pessimistic pass. Flows fluently from beginning to end, seldom comes up for air and leaves us with an overflowing half full glass of confusion, misery and despair but always with perspective and a few chuckles.
    7bkoganbing

    Alvy and Annie

    Woody Allen's masterpiece with favorite co-star Diane Keaton has Allen casting himself as New York born comedian Alvy Singer and his relationship with Keaton in the title role. Annie Hall is one of those films you can watch four or five times and pick up a bit of humor and/or philosophy that you missed the first time.

    Allen is playing himself in Annie Hall, a successful comedian who spends most of his time psychoanalyzing himself and all around him. He can't make any relationship permanent.

    Along comes Keaton and it looks like this is the one, but there's always pitfalls when you deal with a walking neurosis like Allen.

    Both Woody and Diane fit so naturally in their parts you think you are peeking in on a home movie. Annie Hall won for Best Picture, Best Actress for Diane Keaton, and Best Director and Best Original Screenplay for Woody Allen. Best in the supporting cast is Tony Roberts as Allen's sidekick actor buddy.

    This really is a timeless classic. It's humor has no temporal limits. Annie Hall can be made today with the same script and you wouldn't lose a scintilla of humor.
    9ackstasis

    "That was the most fun I've ever had without laughing"

    Alvy Singer (Woody Allen) is something of a hopeless romantic. A cynical, death-obsessed New York Jewish comedian, Singer has never been able to maintain a steady relationship with a woman. He has been married twice, and divorced twice. He broke up with one woman because of their disagreements over the "second shooter" conspiracy of John F. Kennedy's assassination, or perhaps that was just his excuse. To paraphrase Freud, possibly Groucho Marx, he simply "would never want to belong to any club that would accept someone like him for a member." He doesn't drive because he is paranoid about driving; he has been seeing a psychiatrist for the past fifteen years, though these appointments were long ago reduced to simple "whining" sessions. There is an inherent uncertainty in everything that Singer says – as though he really knows what he's talking about, but he can't convince himself that he's got it right.

    When he accompanies a friend (Tony Roberts) to a tennis game, Singer's first and foremost concern is that the club will deny him entry because he's a Jew. However, that fateful game serves forth something so much more significant and life-changing – he comes to meet the ditsy and exuberant Annie Hall (Diane Keaton). Despite clearly having very little in common, something clicks between the two eligibles, and they embark on a tumultuous years-long relationship that will inevitably fail to materialise into anything further. Erupting with clever dialogue and witty cultural references, 'Annie Hall's' script is one of the best you'll ever see. Not only is the conversation entertaining to listen to, but – even with all the talking to the camera and interacting with random extras – it actually manages to seem startlingly realistic. This is no small thanks, of course, to the main actors, who embody their characters so perfectly that we're unsure if they are acting or merely playing themselves.

    Though he had previously released a few well-received, light-hearted affairs, it was 'Annie Hall' that blasted writer/actor/director Woody Allen into the realms of super-stardom. In an uncharacteristic move for the Academy, Allen's film won four 1978 Oscars, including Best Actress (Keaton), Best Original Screenplay (Allen, Marshall Brickman), Best Director (Allen) and Best Picture – not undeservedly, though millions of 'Star Wars' fans would, I'm sure, disagree. Having revisited 'Annie Hall' for the first time in a year, having since enjoyed many of Allen's other films, I am genuinely amazed at his transition from silly comedian to insightful observer on human relationships. Of course, a noticeable evolution in his film-making style is evident in both the science-fiction 'Sleeper (1973)' and the Russian historical spoof 'Love and Death (1975),' but neither boasts the the intelligence nor the sophistication of this film, which wholly discards the Chaplin-like slapstick of Allen's previous films and adopts the Tracy-Hepburn screwball comedy of a decade later.

    Originally slated – and filmed, in fact – as a New York murder mystery with a romantic sub-plot, 'Annie Hall' was taken by editor Ralph Rosenbaum and cut down (massacred, if you will) into the modern, witty 1970s screwball comedy that we still enjoy today. It is truly amazing that such an extensive post-production reshaping had no obvious ill effects upon the general flow of the film, though the structure in itself is so hectic that we probably wouldn't notice it, anyway: Allen frequently cuts forwards and backwards in time, his modern characters are able to revisit and discuss the past, characters in split screens interact, Allen regularly breaks the "fourth wall" and addresses the audience directly. Some of the discarded murder mystery elements from 'Annie Hall' were later incorporated into another Allen film, 'Manhattan Murder Mystery (1993),' which also co-starred Keaton.

    Aside from Allen and Keaton, numerous smaller roles provide a crucial framework for the overall structure of the film. Tony Roberts is Rob, Singer's old friend and confidant. Paul Simon (of Simon and Garfunkel) plays a record producer who takes a keen interest in both Annie and her singing. Shelley Duvall is a reporter for 'The Rolling Stone' magazine, and a one-time girlfriend of Singer. There are also tiny early roles for Christopher Walken (as Annie's somewhat disturbed brother), Jeff Goldblum (who speaks one memorable line at a party – "Hello? I forgot my mantra") and Sigourney Weaver (who can be briefly glimpsed as Singer's date outside a theatre). Two slightly more unusual cameos come from Truman Capote (as a Truman Capote-lookalike, no less) and scholar Marshall McLuhan (whom Singer suddenly procures from behind a movie poster to declare to a talkative film-goer that "you know nothing of my work!").

    Easily the most innovative and energetic of the films I've so far seen from Woody Allen, 'Annie Hall' is a spirited glimpse at the incompatibility of human beings, and a cynical yet bittersweet meditation on the falsity of the perfect romantic Hollywood ending. It is also a considerable comedic achievement, and Allen would repeatedly recycle his trademark neurotic New Yorker screen persona, most notably in 'Manhattan (1979),' but never with more success than this premium outing in excellence. The engagingly-convoluted storyline moves with such briskness that you don't realise just how very little happens, and that, by the film's end, our characters are exactly where they were at the beginning. Nevertheless, Allen manages to say something significant about human relationships – they're totally irrational, crazy and absurd, but we keep attempting them because of what they give us in return. Or, at least, what we think they give us.
    8Sylviastel

    One of Woody's best!

    Okay, Woody Allen could be annoying sometimes and is heavily neurotic even in this film which he wrote and directed. The film is somewhat autobiographical about his relationships with a WASP woman named Annie Hall played by Diane Keaton in her Oscar winning role. Woody plays himself in the film even with a different name. Even though it's a short film, the story moves quickly and you have to be alert for some of the humor about the relationship between men and women. The supporting cast includes Tony Roberts, Paul Simon, Carol Kane and others. Woody's hatred of Los Angeles and all things Californian is well-known and documented. He is out of touch when he is away from New York City where he is equally neurotic. As a couple at first, Woody and Annie get along great but slowly Woody's own negativity creeps into the relationship. Annie starts seeing a therapist and their relationship unravels. When Annie's promising career as a cabaret singer rises, Woody becomes threatened and goes to Los Angeles to bring her back.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Truman Capote: The passerby Alvy refers to as "the winner of the Truman Capote look-alike contest" is, in fact, the real Truman Capote.
    • Pifias
      In the final credits, Christopher Walken's name is misspelled, reading as "Christopher Wlaken".
    • Citas

      Alvy Singer: Hey listen, gimme a kiss.

      Annie Hall: Really?

      Alvy Singer: Yeah, why not, because we're just gonna go home later, right, and then there's gonna be all that tension, we've never kissed before and I'll never know when to make the right move or anything. So we'll kiss now and get it over with, and then we'll go eat. We'll digest our food better.

    • Versiones alternativas
      In the beginning of the film, Alvy Singer paraphrases what is ostensibly a quote from comedian Groucho Marx. When the movie was dubbed in socialist Hungary, the quote was instead attributed to Buster Keaton at the strict insistence of the dubbing studio, for fear that audiences might confuse Groucho Marx with philosopher and socialist figure Karl Marx.
    • Conexiones
      Edited into Intimate Portrait: Diane Keaton (2001)
    • Banda sonora
      Seems Like Old Times
      Music by Carmen Lombardo

      Lyrics by John Jacob Loeb

      Sung by Diane Keaton (uncredited), accompanied by Artie Butler (uncredited)

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    Preguntas frecuentes23

    • How long is Annie Hall?Con tecnología de Alexa
    • Why does Rob keep calling Alvy "Max"?
    • Is 'Annie Hall' based on a book?
    • How does the movie end?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 22 de febrero de 1978 (España)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Alemán
    • Títulos en diferentes países
      • Anhedonia
    • Localizaciones del rodaje
      • Beekman Cinema - 1254 2nd Avenue, Manhattan, Nueva York, Nueva York, Estados Unidos(Cinema showing Ingmar Bergman's Face to Face - Alvy waits for Annie and is recognised from television)
    • Empresas productoras
      • Jack Rollins & Charles H. Joffe Productions
      • Rollins-Joffe Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 4.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 38.251.425 US$
    • Recaudación en todo el mundo
      • 38.289.445 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 33min(93 min)
    • Color
      • Color
    • Mezcla de sonido
      • Mono

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