Won Ton Ton, el perro que salvó a Hollywood

What can you say about a film that feels like a graduation exercise by the B-grade film students out of UCLA? "A, for effort." Now, not to get too side tracked here, but if SF State Students had done this film, it would have been all artsy and existential, but I digress.

"Won Ton Ton" is a nod to old Hollywood, and sends up the old classic system before the Golden Age of Hollywood. This was the period when visual gags and formulations that we see in today's films were forged and put on the screen for the first time for all to see. Pretty starlets in chorus lines, stage hands pretending to be big shots to take advantage of pretty young ladies, double dealing and creative bookeeping tinsel-town style, movie moguls and classic vaudeville actors are all showcased here.

One is hard pressed to malign the film, but let's face it, it's got charm but also some issues. The thing that somewhat torpedoes this film is the post production. The sound is raw. It's all scratch track (or mostly), and it gives the film a kind of amateurish family film feel, which makes it hard to accept the visual cues and other gags the movie trying to convey. There's some looped sounds, but one wonders why the post isn't a bit more refined.

For all that it's actually quite an endearing film. Certainly not the best, but definitely a charmer. A lot of classic faces from the 50s and 60s make cameos, and the lines they deliver are good, but the film is somewhat misdirected, and Bruce Dern (as good an actor as he is) seems somewhat odd for the role.

The film, as much work was put into this thing, seems a little on the low budget side. Still, after having viewing it after 30+ years later, I can still warm up to it some. It's really a film for industry insiders with as flare for their own history..

Then, there's the dog (or series of dogs used for the lead). This film and a few other shows popularized the German Shepard, and we see here the showcasing and capitalization of the Bavarian hound. Well, they say never work with children or animals, but Won Ton Ton holds its own in a low budget off-beat homage sort of way.

If you're a real Hollywood aficionado, then this film might satisfy. Otherwise maybe see it once, and then pass it off to a friend. :-)

I'm not surprised that someone who was in high school when this came out didn't appreciate it. It is of course as much a farce as Mad Mad Mad Mad World, but it has become a cult film for old movie buffs, because it has the most impressive cast of old movie stars, supporting actors, bit players and celebrities of any movie ever made. Movie buffs and clubs have had parties where they show the film and have people list as many players as they can identify. Don't believe it? Mouse up the whole supporting cast and feast your eyes!

My friend knew I was a fan of Michael Winner, as previously I lent him a copy of "SCREAM FOR HELP". So he returned the favor with the polar opposite "WON TON TON THE DOG WHO SAVED HOLLYWOOD". This was one of those films I heard of, but never went out of my way to see. Watching it was eye-boggling, as I couldn't believe what I was seeing. It's the "Where's Wally" of Hollywood filmmaking, as star after star after star of golden age cinema show up in small and at times, unimportant roles. Just looking at that cast listing, is a curiosity, but what a waste. Still all of this does become a distraction, with it simply being a hyperbolic hodgepodge of situational humor done at a frenetic pace. It's obviously trying for that charming old-school slapstick comedy of errors and mischief, yet the scatterbrain energy, comic interplay and running gags begin to wear out its welcome. When you think it can't get any more ridiculous, it does, but that's when it kind shows up the shortcomings and lack of variety. It's very shallow, but I could be possibly missing something? A social commentary of the infatuating highs and devastating lows that makes Hollywood what it is? Nah, it's just an aspiring showbiz tale of a gal (Madeline Kahn), a guy (Bruce Dern) and a dog in twenties Hollywood consisting of numerous in-jokes and animated performances. The amusingly gleeful Madeline Kahn and an exaggerated Ron Leibman do steal most of the scenes. Well that's when Won Ton Ton is not doing his thing. It might be a train wreck, but it had its moments. Or you'll be pondering what were they thinking?

EVERY movie nut has a few in his collection that he hides from his friends... films that "aren't cool", trashy films with no redeeming social value, outrageous films with no importance whatever. Films that you secretly watch from time to time just because they're FUN!

I'll come clean here... ROCKY HORROR PICTURE SHOW, POOTIE TANG, SILENT NIGHT DEADLY NIGHT, CANDY and ROCK & ROLL HIGH SCHOOL are among MY Guilty Pleasures.

An outstanding member of my back-of-the-shelf collection is WON TON TON, THE DOG WHO SAVED Hollywood.

This one is DEFINITELY for those folks whose knowledge of American cinema goes back a LONG way... back to the Mack Sennett comedies, and to the days before Hollywood became a multibillion dollar Money Machine. It's a sort of Love Letter to the silent screen stars of the 1920's; they appear in a copious number of cameos here. If you don't know who the Ritz Brothers were, you won't get this film!

Madelein Kahn literally steals the show from a somewhat dopey German Shepard, a MAJOR achievement for ANY actor or actress! There's an old stage saying that one should NEVER work with kids or animals; they'll steal your scenes every time without even trying. Kahn MORE than held her own, even successfully stealing scenes from the pooch. Check out the scene where the roast chicken falls off of the delivery truck, and Kahn and Won Ton Ton fight over possession of it. She just DUSTED the dog, and overall HE comes off as the comedic straight man!

The only other recent actor that comes close to this level of thespian gallantry and sheer talent is Jim Bellushi in his performance in K9... he's ANOTHER screwball comedian who can pull it off successfully.

Bruce Dern's performance is somewhat wooden. Dern's persona literally radiates instability and danger... NOT good for comedy. He's gamely going through the motions here; it quickly becomes painfully apparent that Dern, as fine an actor as he is, has NO potential in comedic roles.

Art Carney does his usual masterful job of playing a curmudgeonly movie producer, constantly shooting down Dern's half baked movie ideas ("There's this little girl in Kansas, see, and a tornado takes her and her house to this magic land, somewhere over the rainbow...").

One of the unsung heros here is Ron Liebman; he shows a flair for subtle comedy that's totally unexpected.

It's not a film for everyone; a LOT of folks will HATE it. But.. if you love the REALLY old movies, and you can FIND it, WON TON TON is good for an evening's entertainment.

Won Ton Ton, The Dog Who Saved Hollywood is by far a comedy masterpiece, but it stars the lovely Madeline Kahn in a truly hysterical performance. She rises so above the material. She possesses the same kind of movie magic of the screwball comediennes of the 30's and 40's and even comes off much better. I think if Madeline Kahn were a star in those days we would have had at least 100 films starring her. But when she made her film debut in 1972 she was a true Hollywood find. After all her first four movies are all now classics and two considered masterpieces. Not to mention two Oscar nominations. But with all that greatness the movie studios offered her parts in so-so comedies. I mean she made some more very good films, but not up to her first four. She was as beautiful and extremely talented as all her peers of the day. I always felt she was one day going to get her Academy Award in her older years, but unfortunately she died much too soon. Bruce Dern, Art Carney, Teri Garr, Phil Silvers, Ron Liebman, Nancy Walker and so many stars from the past appear in this take off on Rin Tin Tin. Paramount has yet to release it on DVD. 2006 is here today and its the films 30th anniversary. I wish they would release it for us all to enjoy and cherish a underrated performance from Madeline Kahn.