La monja poseída

This is not a film for the occult horror film aficionado. "To the Devil...a Daughter" has already received a few whithering reviews that are all justified. Dennis Wheatley, the author of the book, condemned it because there was little resemblance to his novel and what appears on screen, except for the title. Currently available on wide screen 16X9 anamorphic transfer, the DVD contains a 24 minute documentary with recent commentary by Peter Sykes, the director, and Roy Skeggs, the producer. "To the Devil...a Daughter" is a well done film that demonstrates what a first rate director is capable of with a limited budget. This film turns out to be the horror film equivalent of "Casablanca" because the movie as originally scripted was not filmable. Hence, with the start of production, the script was continually being written on a day to day basis by Gerald Vaughan-Hughes, an uncredited screen writer. "To the Devil...a Daughter" followed the genre setting "The Exorcist" and "Rosemary's Baby" and was the last Hammer film because it was too little and too late.

"To the Devil...a Daughter" is one of the earliest Nastassja Kinski films and must have been seen by Roman Polanski who realized her potential. It is not a chessey film, but does have a few pieces of cheese in it. The most obvious one is the full frontal nudity scene of a very young Nastassja. Yes, it is cheesey, but from an editing view, is more shocking than titillating. In her first scene, it is apparent that there is more than a passing resemblance between Nastassja and Ingrid Bergman - innocent, clean beauties. In one of the scenes, Nastassja was having a problem actually getting the tears that the director wanted and there had been quite a few retakes. Richard Widmark said to the director, "when I say turnover, turnover, it's going to happen." Sykes started the film rolling and Widmark hit her right "in the chops" and the tears came and he said, "OK, now act." The cast is first rate and included Richard Widmark (who was pretty disgusted with the film and threatened to walk out on it), Christopher Lee (of horror film fame), Honor Blackman a renown actress at the time in Britain (known to American audiences as Pussy Galore of the James Bond "Goldfinger," and Denholm Elliot as the German bad guy in "Raiders of the Lost Ark."

It is best to watch "To the Devil...a Daughter" with no expectations and let the film naturally unfold, without preconceived mental baggage. If one is steeped in the occult traditions, then this movie is not for you because of its glaring errors - all made up by the afore mentioned screen writer. Otherwise, the mood of the picture is quickly set by Richard Widmark's,

"98% of so called satanist are nothing but pathetic freaks who get their kicks out of dancing naked in freezing church yards and use the devil as an excuse for getting some sex, but then there is that other 2%, I'm not so sure about them."

Christopher Lee's role as the maniacal, ex-communicated priest brings to mind the great performance of Boris Karloff as Imhotep in the 1932 "The Mummy," who had the supernatural power to project thought over space and time. "To the Devil...a Daughter" is well paced with its race against time.

To the Devil a Daughter (1976)

*** (out of 4)

At a book signing, occult novelist John Verney (Richard Widmark) is asked by a father (Denholm Elliott) to track down his daughter Catherine Nastassja Kinski). At first John thinks that the father is mixed up with the occult but it turns out that a Catholic priest (Christopher Lee) is wanting to use the girl in order to become Astaroth.

TO THE DEVIL A DAUGHTER would turn out to be Hammer's final movie (for a time) and it was a notorious flop that pretty much ruined the studio. I first watched this movie around a decade ago and I really thought it was bad. I thought it was a poor imitation of ROSEMARY'S BABY and that it was trying to cash in on countless Satanic films that were popular throughout the decade. There were elements to it that I liked so that's the reason I decided to revisit the film and this second time around I must admit that it worked on me.

With that being said, it's easy to see why so many people have such mixed reactions to the picture. Some call it a stellar horror film while others see it as a botched effort for the studio to try and do something serious. I think all of the elements are here for a classic film but it does fall a bit short of that. Having said that, there are still a lot of very good elements here including the fact that it's a very good looking film that manages to hold your attention throughout.

The Satanic elements have been done countless times before and there's not too many new things here but I think the film succeeds because of the atmosphere and the slow-burn pacing. It's funny but the first time I watched the picture I attacked it for its pacing but this second viewing had it working a lot better and I'm guessing it was because I was expecting it. I thought the film was rather brave at being slow-paced because by 1976 people were expecting things a lot faster so to have a film that takes its time was unique.

I also thought that the performances were wonderful with Widmark, Lee, Kinski and Elliott delivering extremely work. I thought Widmark did a really good job playing the type of tough guy that he was known for. Kinksi also deserves a lot of credit for her performance and Elliott steals the picture every time he's on the screen. Many people attack the ending, although experts in the field will tell you that the happenings would be destroyed so easily. That's fine but I think for the film it needed something a bit better.

TO THE DEVIL A DAUGHTER is a film that stirs a lot of debate and I can understand why as I've both hated it and grew to enjoy it.

Underrated thriller that despite being slow and meandering still manages a few nice shocks and is never less than interesting. This attempted to match The Exorcist for near-the-knuckle images and themes, and although it lacks that film's lasting power to haunt it does have a strong line in perversity that may surprise the most jaded unshockable viewer. Christopher Lee is great as the smiling, gentlemanly paganist - Natassja Kinski looks great and goes through the film like a day-dreaming naive child, which is exactly what she is supposed to be. Admittedly the creature at the end could easily have climbed out of a cornflakes packet as the depths of hell, but it doesn't ruin the film. Channel 4 recently showed a wide-screen version. It was well worth taping.

*POSSIBLE SPOILERS*

Father Michael Rayner (CHRISTOPHER LEE) was ex-communicated from the Church of England for attempting to bring a personification of the devil to Earth. Twenty years on and Rayner has settled in Germany with his devil-worshiping followers under the facade of the "Children of the Lord" cult. Rayner sends his godchild Catherine Beddows (NASTASSJA KINSKI) to England to join her father Henry Beddows (DENHOLM ELLIOT) for her 18th-birthday. Rayner intends to fulfil his old ambition and rebaptise Catherine into the service of evil. Henry who was forced into the cult's evil-doings because his wife was a member of the cult attempts to recant and places his daughter in the care of occult novelist Jim Verney (RICHARD WIDMARK) who must confront and destroy Rayner before he succeeds in making the devil walk the Earth in the form of an innocent girl.

TO THE DEVIL A DAUGHTER was Hammer's final horror film and the company's second attempt to bring one of Dennis Wheatley's occult novels to the screen. Wheatley was overjoyed by the company's filming of his novel THE DEVIL RIDES OUT (1968), but was apparently less pleased with Hammer's version of his popular TO THE DEVIL A DAUGHTER novel which Hammer had considered adapting for the screen as early as 1963. The film took a very respectable £13, 375 on it's opening week at the Odeon Leicester Square and it reached number three in the London Film Charts. On it's general release the film's takings were estimated at about £200,000.

Yet despite this success, Hammer's plans to film Wheatley's THE SATANIST were sadly scrapped. Thus continued Hammer's trip into oblivion which came to a head with an ill-advised remake of Alfred Hitchcock's THE LADY VANISHES in 1979.

TO THE DEVIL A DAUGHTER is a most enjoyable film. The script may be a little confused but the gore scenes are suitably erotic (more so than in most other Hammer films) and it benefits from good production values and an exemplary cast. Lee is excellent as the disgraced priest, a complete contrast to his portrayal of the Duc De' Richeleau in THE DEVIL RIDES OUT, while Richard Widmark shines as the hero. His performance is up to the standard of the Hammer heroes portrayed by Peter Cushing and Andre Morell even though his character only conflicts with Lee's once. The direction of Peter Sykes is good even if his other feature film credits like STEPTOE AND SON RIDE AGAIN (1973) may cause some initial doubts. Hammer purists consider this to be the company's worst film. It is more graphic than the earlier Hammer horrors and more or less ignores all the traditions of the company's earlier films, which makes it all the more better.

An American occult novelist (Richard Widmark) battles to save the soul of a young nun (Nastassja Kinski) from a group of Satanists, led by an excommunicated priest (Christopher Lee), who plan on using her as the representative of the Devil on Earth.

As a White Zombie fan, I was thrilled to hear the Latin of the excommunication scene and finally know where one of their best songs took its clips from. That alone makes the movie satisfying (though it hardly carries the entire film).

Despite being a Hammer film and featuring Christopher Lee, the film does not seem well-liked by many people. IMDb rates it below a 6 and Rotten Tomatoes has it holding a 17% approval rating. I feel obligated to defend it, if even just a little bit. I mean, wow, what a truly creepy and disturbing birthing ritual -- the blood, the bondage, Lee's diabolical grin... Oh, and that other ritual...

I would say this film is a winner, despite the harsh criticism people seem to have for it. Some parts are a bit slow or bland, but the overall story is interesting and the imagery is fascinating. A lot of work was put into this one.