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An American occult novelist (Richard Widmark) battles to save the soul of a young nun (Nastassja Kinski) from a group of Satanists, led by an excommunicated priest (Christopher Lee), who plan on using her as the representative of the Devil on Earth.

As a White Zombie fan, I was thrilled to hear the Latin of the excommunication scene and finally know where one of their best songs took its clips from. That alone makes the movie satisfying (though it hardly carries the entire film).

Despite being a Hammer film and featuring Christopher Lee, the film does not seem well-liked by many people. IMDb rates it below a 6 and Rotten Tomatoes has it holding a 17% approval rating. I feel obligated to defend it, if even just a little bit. I mean, wow, what a truly creepy and disturbing birthing ritual -- the blood, the bondage, Lee's diabolical grin... Oh, and that other ritual...

I would say this film is a winner, despite the harsh criticism people seem to have for it. Some parts are a bit slow or bland, but the overall story is interesting and the imagery is fascinating. A lot of work was put into this one.

In London, the occult novelist John Verney (Richard Widmark) is contacted by a stranger named Henry Beddows (Denholm Elliott) during a lecture in a private gallery of his friends David Kennedy (Anthony Valentine) and Anna Fontaine (Honor Blackman). Henry asks John to meet his daughter, the nun Catherine Beddows (Nastassja Kinski), in the airport since she is coming from Munich and lodge her in his apartment since Henry has had a problem with Satanists and he would like to protect his daughter. In return, John could write a book with his experience with the Satanists.

John brings Catherine to his apartment and sooner he learns that she belongs to the church "The Children of Our Lord" from Germany, and she will be eighteen years old on the All Hallows Eve. While she is sleeping during the night, John realizes that Catherine, and not her father Henry, is actually in danger. Sooner he finds that the excommunicated Catholic priest Father Michael Raynem (Christopher Lee), who is Catherine's godfather, and a group of Satanists that worship the Devil plan to use Catherine to become Astaroth through a ritual. John visits the bishop, who is his friend, and asks permission to read the same pages of The Book of Abramelin that Father Michael had read in the 50's. Now John battles against the powerful Father Michael to save the life and soul of Catherine.

"To the Devil a Daughter" is the last film from Hammer with a promising story and a great cast with Richard Widmark, Christopher Lee, Nastassja Kinski and Denholm Elliott. Unfortunately they are wasted in a lame screenplay with many flaws and a disappointing conclusion. The gorgeous Nastassja Kinski (officially born on 24 Jan 1961, but sources tell that she was born in 1959) naked does not seem to be only fifteen years old; seventeen would be more acceptable. My vote is five.

Title (Brazil): "Uma Filha para o Diabo" ("A Daughter to the Devil")

In London, an occult novelist (Richard Widmark) is asked to protect a man's daughter, a young nun (Nastassja Kinski), from a cult of satanists led by a towering man who seems to possess supernatural powers (Christopher Lee). They require her for some diabolical ritual. Honor Blackman has a peripheral role.

The story of "To the Devil a Daughter" (1976) is loosely based on Dennis Wheatley's 1953 novel. It was Hammer's answer to American horror hits like "The Exorcist" (1973) and "Rosemary's Baby" (1968), but Wheatley was furious with the numerous changes and called the film "obscene."

It's a slow-burn occult-oriented mystery with good locations and a notable cast. Producers seemed to have more money to work with in this regard than most Hammer films. Speaking of Hammer, "To the Devil a Daughter" doesn't FEEL like a Hammer picture from the '60s and early '70s, which is a nice (and unsuspected) change, I guess.

For those who care, Kinski is shown completely naked from the front near the end, which was/is controversial since she was still 14 years-old during shooting, almost 15. Unfortunately Lee is also show in the nude, albeit from behind. One thing I never cared to see in life was Christopher Lee's butt (actually, it was his stunt double, Eddie Powell).

There's a fairly shocking and obscene "devil baby" sequence. The creators obviously wanted to take "Rosemary's Baby" to the next level. In any case, they did a good job with the infant F/X, at least for the mid-70s.

While the mystery is sometimes interesting the story is flat and the last act somehow doesn't work. Yes, they throw in some bizarre things - the aforementioned "devil baby" scene and a wild satanist orgy (which is more silly than shocking) - but I was left feeling disappointed.

This was Hammer's penultimate film and their final horror production. Surprisingly, "To the Devil a Daughter" was a hit and made lots of money, at least in Europe, but Hammer Studios had debts to pay and the movie's success couldn't save 'em.

At the end of the day, it's okay at best, but not as good as flicks like "Bay Coven" (1987), "The Crimson Cult" (1968), "The Devil Rides Out" (1968) and "Race With the Devil" (1975).

The DVD includes an informative and entertaining 24-minute "making-of" documentary that discusses the film and the demise of Hammer Studios called "To the Devil... The Death of Hammer." It features interviews with Lee, Blackman, the director, the producer and many more. By all accounts Widmark was arrogant and a real bastage to work with. The Hollywood "star" frequently insulted the English filmmakers (calling the picture a "Micky Mouse production"), walking off the set, arguing, brawling and kicking over expensive equipment (!). Every aspect of the movie is addressed, including changes from the novel, Wheatley's objections, the ending's failure, etc.

Needless to say, the documentary is way more compelling than the film itself and is available on Youtube for those interested.

The film runs 1 hour, 35 minutes, and was shot mostly in the greater London area of England, including Elstree Studios, with a bit in Bavaria, Germany.

GRADE: C-

*POSSIBLE SPOILERS*

Father Michael Rayner (CHRISTOPHER LEE) was ex-communicated from the Church of England for attempting to bring a personification of the devil to Earth. Twenty years on and Rayner has settled in Germany with his devil-worshiping followers under the facade of the "Children of the Lord" cult. Rayner sends his godchild Catherine Beddows (NASTASSJA KINSKI) to England to join her father Henry Beddows (DENHOLM ELLIOT) for her 18th-birthday. Rayner intends to fulfil his old ambition and rebaptise Catherine into the service of evil. Henry who was forced into the cult's evil-doings because his wife was a member of the cult attempts to recant and places his daughter in the care of occult novelist Jim Verney (RICHARD WIDMARK) who must confront and destroy Rayner before he succeeds in making the devil walk the Earth in the form of an innocent girl.

TO THE DEVIL A DAUGHTER was Hammer's final horror film and the company's second attempt to bring one of Dennis Wheatley's occult novels to the screen. Wheatley was overjoyed by the company's filming of his novel THE DEVIL RIDES OUT (1968), but was apparently less pleased with Hammer's version of his popular TO THE DEVIL A DAUGHTER novel which Hammer had considered adapting for the screen as early as 1963. The film took a very respectable £13, 375 on it's opening week at the Odeon Leicester Square and it reached number three in the London Film Charts. On it's general release the film's takings were estimated at about £200,000.

Yet despite this success, Hammer's plans to film Wheatley's THE SATANIST were sadly scrapped. Thus continued Hammer's trip into oblivion which came to a head with an ill-advised remake of Alfred Hitchcock's THE LADY VANISHES in 1979.

TO THE DEVIL A DAUGHTER is a most enjoyable film. The script may be a little confused but the gore scenes are suitably erotic (more so than in most other Hammer films) and it benefits from good production values and an exemplary cast. Lee is excellent as the disgraced priest, a complete contrast to his portrayal of the Duc De' Richeleau in THE DEVIL RIDES OUT, while Richard Widmark shines as the hero. His performance is up to the standard of the Hammer heroes portrayed by Peter Cushing and Andre Morell even though his character only conflicts with Lee's once. The direction of Peter Sykes is good even if his other feature film credits like STEPTOE AND SON RIDE AGAIN (1973) may cause some initial doubts. Hammer purists consider this to be the company's worst film. It is more graphic than the earlier Hammer horrors and more or less ignores all the traditions of the company's earlier films, which makes it all the more better.

"To The Devil A Daughter" of 1976 is on of the last films from the great Hammer studios, and, as it seems, it was a disappointment to many of my fellow Hammer fans. For understandable reasons, since this is the second of two Hammer films about Satanism and black magic based on novels by Dennis Wheatley. Both films star Christopher Lee and the first, namely "The Devil Rides Out" of 1968 is easily one of the most brilliant films ever released by this great Production Company. And "To The Devil A Daughter" can not nearly compete with "The Devil Rides Out", but, as far as I am considered it is still a creepy film that is more than worth watching for a Horror fan.

The performances are exceptional, and I am not only talking about the great Christopher Lee. Lee is brilliant as always, of course, but the cast includes quite a bunch of other great actors. Richard Widmark also delivers a great performance and so do Denholm Eliott, Michael Goodliffe and the great Honor Blackman. Young Nastassia Kinski is also exceptional in one of her very first roles. The cinematography is great, and the film is often very eerie, but it sadly lacks the wonderful Gothic atmosphere that Hammer fans love so much. The film has atmosphere, no doubt, but sadly not the typical Hammer-style. This may be the main reason why many fellow Hammer fans are disappointed with the film. And it was also the lack of Gothic elements that I disliked about the film. But even though it is definitely one of the lesser films from Hammer and it may disappoint on a certain level, the film is definitely a creepy flick that fans of the studios should not miss. If you expect a shining finale to 20 years of brilliant Hammer rule, you run risk of being disappointed. Just expect a creepy little film with a great cast and enjoy!