Viaje final

The story line is dull at the beginning. Yet it evolves wonderfully. The characters are wonderful. Robert Englund, Susan Sarandon and Henry Fonda are great together. The story takes place in a simpler time with simpler people. The scenery in the movie is gorgeous. Takes place over the road. You get to see many different places. There's funny parts that will make you laugh out loud and sad parts that may make you cry. It's a really peaceful movie. Although the ending is terrible as it leaves the story open and ends the story swiftly and tragically. The watcher is left to wonder what exactly happened to the characters.

"The Last of the Cowboys" (also known as "The Great Smokey Roadblock") is a film made in the final years of a great actor, Henry Fonda. While Fonda made some terrific movies during this time, the quality of the productions varied widely...from "On Golden Pond" and "Gideon's Trumpet" to crap like "Meteor" and "The Swarm". Sadly, "The Last of the Cowboys" is closer in quality to the latter two films.

John Howard (Fonda) is a sick man, as he's been diagnosed with cancer. However, instead of getting treatment, he leaves the hospital in order to 'steal' his 18 wheeler, as when he got sick the bank repossessed it. Now with his truck, he's out to make one final run. Along the way, he picks up a religious drifter (Robert Englund...definitely playing against type) and a group of prostitutes...and he's out to get them to Kansas City or get caught by the police trying.

This is a VERY meandering film and the plot is strange, as it's hard to tell whether they wanted it to be a lighter story or a compelling one about death. According to IMDB, some post-production tinkering de-emphasized the death and dying aspect of the tale to try to improve the marketability of the movie...and to capitalize on the success of films like "Smokey and the Bandit" (hence the name change for this film).

So is it any good? Well, it has a strike against it because it promotes the 'hooker with a heart of gold' cliche. The realities for such women sure are different than in this movie! And as for the story, it's sad to see Fonda in it as he's fine playing the old, dying man but the goofy avoiding the police aspect of the story didn't work so well with him in the lead.

Any henry fonda film is worth a look ...gary sandy shows what a real moron acts like when put on the big screen and embarrasses himself ... the women were delightful, and daina house was especially beautiful and bountiful ... loved eileen brennan too

It has to be said that this is a pretty terrible film. Nevertheless I watched it again recently and quite enjoyed it so I feel I ought to say something positive. First of all you would think that a film with a cast which includes Henry Fonda, Eileen Brennan, Dub Taylor and Susan Sarandon should have something going for it. The tone of the overall film is of a rather cartoonish comedy but the early scenes hint at something more substantial. Henry Fonda as Elegant John is ill and probably dying and the cross country drive he undertakes is his way of defying death. Yet this theme is never explored any further. Elegant John's reminiscences about meeting Eleanor Roosevelt in the Depression era clearly evoke Henry Fonda's role in John Ford's film "The Grapes of Wrath". Indeed when Elegant John picks up Beebo this exactly parallels the opening scene of "The Grapes of Wrath" when Tom Joad hitches a lift. None of this is played out in the rest of the film The women from the whorehouse are endearing and funny and if the film had stuck to playing out their adventures it might have been much more rewarding. But half way through the film something goes horribly wrong. Perhaps the filmmakers lost their nerve, ran short of funds or had the film cut to ribbons in editing but the latter part of the film bears no relation to what has gone before. The women virtually disappear without explanation. The irritating John Byner and Austin Pendleton characters appear and take over. This whole element of the film feels like a reshoot or reedit grafted on to the earlier picture. Pity. There is also, incidentally, a really excellent score by Craig Safan which deserved far better.

A dying trucker (Henry Fonda) throws caution to the wind by stealing back his repossessed semi and venturing his last haul across the country with a Bible-spouting sidekick (Robert Englund), a madam (Eileen Brennan) and her six girls.

"The Great Smokey Roadblock" (1977) was originally titled "The Last of the Cowboys" and was presumably changed to take advantage of the success of "Smokey and the Bandit." While this one focuses on a trucker and a band of prostitutes, it's just as entertaining as that more popular road farce and maybe a smidgen more.

The movie repeatedly points out that Fonda's character is 60 years old, but he was actually 71 during filming and looked it. Don't get me wrong, he looked good for his age and had his usual charisma, but he didn't look 60, unless he had lived a very hard life.

Curvy Daina House is the highlight on the feminine front, but I strangely found grumpy Alice (Mews Small) notable too. Susan Sarandon is also on hand before she made it big. Actually the entire female cast is entertaining because they're fleshed out as individuals.

The geography is disingenuous as Northern California is passed off for places like Missouri, the Smokey Mountains and the Carolina coast. Yet even big budget movies back then did this, let alone small flicks like this one.

The film runs 1 hour, 44 minutes, and was shot in Oroville, California.

GRADE: B-