El inspector de San Francisco Harry Callahan tiene que desmantelar una organización terrorista formada por veteranos de la guerra de Vietnam junto con su compañera la inspectora Kate Moore, ... Leer todoEl inspector de San Francisco Harry Callahan tiene que desmantelar una organización terrorista formada por veteranos de la guerra de Vietnam junto con su compañera la inspectora Kate Moore, con la que no está contento de trabajar.El inspector de San Francisco Harry Callahan tiene que desmantelar una organización terrorista formada por veteranos de la guerra de Vietnam junto con su compañera la inspectora Kate Moore, con la que no está contento de trabajar.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
Reseñas destacadas
Eastwood laconically pulls it off with dominant ease and certain authority of truly delving into this character (as now there's more to that monomaniacal search for one's own justice), as his hands out punishment (against a bunch of terrorists who call themselves 'The People's Revolutionary') and has time to let fly what he really thinks. Copping the cynical barbs are amusing support performances by Harry Guardino, John Crawford and Bradford Dillman. The bad guys here aren't overly memorable, but the DeVeren Bookwalter bestows a steely glance and has a quietly dangerous psychotic air to him. Showing up again, but in another different character is the wonderful Albert Popwell.
I never tire of the San Francisco locations (where most of the films are shot), and the camera superbly details the on-screen action and striking background features. What I like about the ending of these earlier 'Dirty Harry' films, was how they weren't afraid to end on such an powerful note involving something represented visually to express the mindset, as the camera slowly zooms out and the harrowing score cues in. On the point about the music. I would say I was a little put off by the racy and bouncy jazz score arrangement of composer Jerry Fielding (who by-the-way has done some magnificent scores for films of Sam Peckinpah, Michael Winner and Clint Eastwood) just didn't have the stinging, sombre and self-reflecting quality of Lalo Schifrin's efforts. That's not to say it was bad or felt out of place, because it didn't with the feel that this one opted for. But a darker or more subtle take could've done it wonders since Fielding has chalked up some jarringly bold pieces in other films.
The script has some political context (home-grown terrorism, political correctness and equal-gender opportunity), but always stays true to the story than trying to undermine or overdo it. While it should be predictable, it does keep one step ahead and offers a surprise or two.
An up-to-par sequel.
After taking charge and cleaning up a hostage situation in a way that only `Dirty Harry' can, Harry (Eastwood) is assigned to a desk job in personnel. But when his partner, Frank DiGiorgio (John Mitchum) goes down on the job during the robbery of a munitions warehouse, Harry is back on the street, but with a new partner, Kate Moore (Daly), one of the first female inspectors in the country. And Harry puts her through her paces as they attempt to track down this particularly volatile gang, who seemingly put little value on human life as they cut their swath through the city of San Francisco and pursue their own `for the people' agenda, which in reality means they want to get their hands on as much cash as possible, and plan to hold the city hostage to do it. But they had better think again; because when they took down Frank, they inadvertently provoked the ire of Inspector Callahan himself, who does not take kindly to their sort to begin with.
James Fargo is in the director's chair for this one, and he comports himself well, recapturing all of the attitudes and elements that made the first two `Dirty Harry' films so successful. Fargo sets a good pace and keeps the story on at least an equal footing with the action, which keeps this one involving. Giving Harry a female partner puts some added interest into the mix as well, in light of the fact that this film was made in an era in which women were just beginning to emerge in such positions, on the screen or otherwise. `Cagney and Lacey,' for instance, was still some five or six years away, and Kathleen Turner's `V.I. Warshawski' wouldn't make an appearance until 1991. Initially, the film takes something of a patronizing attitude toward her, but Harry treats her as an equal from the beginning, and in the end, Inspector Moore emerges as a strong character, gender aside. Most importantly, that is not the focus of the filmmakers here, and the fact that Moore is a woman is little more in the overall scheme of things than a footnote in cinematic history; Moore is just another character in the `Dirty Harry' saga, and she's a good one (especially when compared to Harry's partner, Al Quan-- played by Evan C. Kim-- in `The Dead Pool'). And credit Fargo with insuring that it all blends together naturally within the context of the story, as well as the fact that he keeps the relationship between Callahan and Moore on task, and allows it to develop quite credibly. All in all, it's a good, collaborative effort from all concerned.
What really gives this one that ring of authenticity, however, is that Clint Eastwood is in top form, and even in his third outing as Harry seems more immersed in the character than ever. And, in the final analysis, story aside, it's the `Dirty Harry' character that makes these films so popular and successful. Creating a cinematic icon is no easy task, and that's precisely what Eastwood has done with Harry; and it's gratifying to see that he is willing to give that 110% at this stage of the game, in order to maintain the credibility of the character and the films, as well. A lesser actor would have taken this kind of success to the bank by now, while possibly allowing the character to slip into caricature rather than being concerned with keeping it real and convincing. It demonstrates what a pro Eastwood is, and why he commands the kind of respect afforded him within the industry.
Taking on the role of Kate Moore had to be a challenge for Tyne Daly, and happily, she succeeds quite well with it. She makes her character convincing by allowing her to develop in a `real time' manner; she doesn't just jump in there, full blown and ready to take on hardened criminals. Initially, she displays some intimidation in Harry's presence, which gives their relationship some realism from the beginning. After all, Harry IS an intimidating guy; add to that the fact that this is a new job for Moore, which in reality would create a level of discomfort for anyone, anywhere. And Daly has tapped into all of that with her portrayal of Moore, making her a very believable character, and one of the most memorable from among the five `Dirty Harry' films.
The supporting cast includes Harry Guardino (Lt. Bressler), Bradford Dillman (Capt. McKay), DeVeren Bookwalter (Bobby Maxwell), John Crawford (The Mayor), Samantha Doane (Wanda) and Albert Popwell as `Big' Ed Mustapha (look for Popwell in the original `Dirty Harry' as the Bank Robber; in `Magnum Force' as pimp J.J. Wilson; and again in `Sudden Impact' as one of Harry's partners, Horace). A well made and entertaining film, `The Enforcer' keeps the `Dirty Harry' series alive, well and on solid ground; in retrospect, it seems a shame now that Eastwood waited seven years to make the next installment, `Sudden Impact,' as with the dreadful `The Dead Pool' in 1988, it all ended with barely a whimper. The first four, however, more than make up for it-- and that's the magic of the movies. 8/10.
This time around Harry's up against a rather dull group of civilian terrorists. The enemies are weaker than in "Magnum Force" where they weren't nearly up to the psychotic Scorpio of the original. He's assisted by a female partner this time around, which provides for some amusing non-PC moments as Harry makes disparaging sexist remarks.
The problem is it's all getting a bit formulaic. The formula does work fairly well, but I'd like to see some more creativity employed. Harry does something wild to get his guy. Harry gets into trouble. Harry is called back because only he can save the day. Harry saves day but with a cost. The villains don't help by being unmemorable clichés, espousing the usual diatribe about being for the people. Harry is again ably played by Eastwood (the glove fits here) but .. there's nothing amazing about any of the other roles. All slip away from memory.
"The Enforcer" isn't a bad movie. It's just... an alright movie. It's worth catching if yer a fan of the series, but it's all a bit forgettable. 5.7/10
¿Sabías que...?
- CuriosidadesWhen Harry meets Uhuru leader, Mustapha (Albert Popwell), he asks "Where do I know you from?" Popwell played a bank robber in Dirty Harry (1971), a pimp in Magnum Force (1973), and Horace in Sudden Impact (1983). He didn't appear in The Dead Pool (1988).
- PifiasThe U.S. Army sergeant demonstrating the M72 Light Anti-Tank Weapon stated that the projectile can penetrate armor plating up to 3/4 of an inch. M72 warheads, in real life, can penetrate up to five inches of armor plating.
- Citas
[Callaghan learns he is being transferred to Personnel]
Harry Callahan: Personnel? That's for assholes!
Capt McKay: I was in Personnel for ten years.
Harry Callahan: Yeah.
- Versiones alternativasHarry Callahan's character name becomes Harry ''Callaghan'' in the Italian version and titles because the local distributor thought it sounded better.
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Harry l'Executor
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 9.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 46.236.000 US$
- Recaudación en todo el mundo
- 46.236.000 US$