Mercenarios sin gloria

"Play Dirty" is one of those rare films that reassures you that some filmmakers are willing to try something different with a tired genre. The World War Two epic has been done a thousand times, but this one is different. Michael Caine is his brilliant self, supported ably by Nigel Davenport and Nigel Green in this film which has drawn comparisons to the "Dirty Dozen" but, I believe, strikes ground of its own. Andre de Toth directs with a style that was well before its time, giving this film something others lack - longevity. A top flick worth seeing. *Three and a half stars*

After a string of failures, Col. Masters is given one last chance by General Blore with his information taken from behind enemy lines, which involves blowing up a Nazi fuel depot in North Africa. Masters gets a seven-man unit of criminals ready, led by mercenary Captain Leech, but Blore wants a British officer in charge and Captain Douglas with his oil experience gets picked. After they head off, we learn that they're a decoy for another patrol to fulfil the assignment, but this is unknown to them. Leech and Douglas clash over who's in command, but Leech sees Douglas' honoured methods aren't well suited for their situation and lets Douglas string them along, as there's a money reward for him if he returns back with Douglas alive.

What hits me straight away is the comparisons to Robert Aldrich's 1967 film "The Dirty Dozen", which gets unfairly lumped onto this feature. Honestly this low-key WW2 British production has some similarities, but it has its own story to tell and it's a real good one too. Andre De Toth's direction is resourcefully efficient and randomly unpredictable in detailing the plight.

What George Marton's originally cunning story does, is leave behind all of those slapdash clichés. Looking for something more compact, taut and venomously scathing. It's so open minded, it's hard to tell what's going to occur next and while there might not be much background to these characters. This shows how expendable these men are when at war, but the lack development can be put down to the character themselves. Their here for the present, and they got a job to be done and there's not time for personal insight, because they just don't care. The custom pattern that occurs in a jaggedly slow tempo feels deliberate by trying to get the viewer to experience the rugged path that could lead to their impending doom, before even encountering the enemy. These are the moments when the tension really holds up. Glory and principal is discarded in very cynical fashion, in favour of primal instinct for one self. These are a unlikeable bunch. Exciting entertainment this is not, because it stays pretty level with the film's natural grit, devious intentions and lack of reasoning for the mission. Thrown in are one or two daring and unusual aspects, like the two candidly gay Arabs. The bone-dry script (penned by Melvyn Bragg and Lotte Colin) simply grits its teeth with bitter, ironic and stern dialogues that snaps with tersely realism. You can just see why this wasn't a commercial success (say like Aldrich's war film), and the sourly unrewarding and sudden conclusion is the icing on the cake. I liked this final curve-ball.

The harshly barren and dusty terrain depicts the unsparing tone of the film superbly with Edward Scaife's illustratively expressive camera-work skilfully mixing its scenic and upfront shots within the aim of the story's actions. Michael Legrand's understated music score is goes by virtually unnoticed, but this only heightens the tension because there's no real cues. Most of the music comes from a radio playing on the journey. De Toth gustily demonstrates convincing action scenes. They might be quick and few, but when they happen it's chaotic, rough and relentlessly staged with conviction. Just look at the eruption of explosions towards the dying end. His pacing can be off and get rather padded, but he never loses what his trying to say within these scenes and actually they probably add more to wearily sparse tone. Michael Caine and Nigel Davenport do a serviceable job in their parts and the pair's edgily unsure relationship is quite a compelling one. Caine's professionally stout and well-judged performance as Captain Douglas works fine and a slyly hard-boiled performance by Nigel Davenport as the rogue Captain Leech is that of high quality and the pick of the lot. Living it up in minor roles are Nigel Green and arrogantly gusto turn by Harry Andrews. The rest of the support roles pale in the light of the two leads. However they are solid and gritty performances that fit the mould.

This one undeservedly gets left in the dark, but this hardy effort is a well made and acted war piece due for rediscovery. Recommended.

Play Dirty surprises because of how 'dirty' it actually gets, and how it doesn't give any easy beats for its characters. It follows the seemingly usual tropes of the men-on-a-mission war flick, where a group of men are selected practically on the basis that they won't succeed in their mission, and that the end goal is to blow something up. But unlike The Guns of Navarone or the Dirty Dozen, Play Dirty puts the position of the British army in this desert scene as greedy and malicious and really only caring about getting to the oil, and surely before the 'decoy' team gets there. It's entertaining but it's not what exactly one would call 'fun' like Navarone. It's a story of unheroic men doing some heroic things and always for the almighty dollar.

In the film, Michael Caine is a Captain Douglas in the army- he doesn't look entirely like the army type and no wonder since he was formerly a Petro-exec- who is put in charge of a group to go through rocky terrain in the North African desert to bomb an oil field. Only big snag is that this isn't the first time the mission has been attempted, and Captains have died already. With this in mind, the head guy puts Cyril Leech (Nigel Davenport) in charge to make sure the Captain is kept alive - at a good cost of two thousand pounds. This doesn't mean that Cyril won't get sometimes in the way of the Captains orders, like when they need to pull up their trucks over a rocky mountain ridge and he refuses to unload the trucks. It's an uneasy partnership with their fellow soldiers also not always sure who to follow, especially when coming into some enemy territory, or when they come upon a 'fake' enemy outpost in a sandstorm.

Andre De Toth's film is rough and tough, as any men-on-a-mission war film should be, but it has something extra to keep one interested. This is the guts to keep things rightfully violent and shocking (when a mine goes off at one point as another mine is being diffused, it's one of those moments you'll jump in your seat even at home), and at most mildly amusing. The characters aren't very colorful or even terribly memorable, although Caine and Davenport are both fantastic in their parts, often fantastic at being understated (as Davenport's Captain says, "look, listen, don't move, that's the way you survive"). The action is also intense enough but moves at that pace where suspense is genuinely built like in the climax among the oil barrels and the barbed wire. Even a scene involving an attempted rape is shown without any punches pulled, until the one oddly-effective laugh had at the outcome of the scene.

It's a forgotten little wonder of the world war two movie, and it's more bitter than sweet with its view of the buck-stops-here mentality of wartime - or rather, as a character points out, how war is "a criminal enterprise", hence having a guy like Cyril, who was in prison for fifteen years until being put to use on the mission. Play Dirty doesn't get really going until twenty minutes in, but once it does it doesn't play safe. 8.5/10

Somewhat similar to "The Dirty Dozen," in that its plot features a group of convicts recruited for a deadly mission during WW 2, this fast paced war epic is much more stylish and unpredictable than that crudely made, if undeniably entertaining, Robert Aldrich blockbuster. With great performances from Michael Caine and Nigel Davenport, as well as able support from a cast of fabulous British actors, the film features one terrific action sequence after another, with plenty of surprises in store. To say anything more would surely ruin many of those surprises for the unsuspecting viewer, but it should be noted that the story comes to a screeching halt with what is possibly the greatest and most hilarious "Ooops!" in film history.

After yet another failed covert operation, a specialist unit is given one last chance to show success to account for losses. When the commander learns of an oil station many miles behind enemy lines it is selected for the mission. Capt Douglas is chosen to head the team of ex-criminals to carry out the destruction. However a large military unit is sent out behind them. When the military unit are all killed, Douglas is forced to abandon his training and become a little more like the un-gentleman-like Capt Leech, and play dirty.

I had only seen this film once almost 15 years ago and had reasonable memories of it. I watched it again today because of this memories and it goes to show that a good end to a film can wipe out everything else that you could remember. I loved the ending to this film – I won't even talk about why in case I spoil it because it loses it's impact after seeing it once. However the rest of the film isn't up to the same sort of value. As it is, the plot is very much a version of the Dirty Dozen but in reality it doesn't have any training or recruiting that film does but instead leaps straight into `the action'. I say `action' because, although it sustains the interest, it is a rather plodding film that is consistent but has no high points as a result.

The story is good but the delivery is one that is clearly meant to make a point rather than entertain in the way Dirty Dozen does. Caine is good in the lead – one of his `young officer' roles a la Zulu. However he doesn't have much in the way of chemistry with xxxx, really there needed to be a lot more friction and sparks between the two, sadly the tension between the two was only very basic. It is mostly Davenport's fault as I found him to be lacking in real screen presence. He easily had the best character but failed to dominate with it – also I found it distracting that he looked a little like Sean Connery, I assumed that Sean was unavailable. The support cast are unmemorable – whereas many people can name all the dirty dozen, none of these really make an impression – only the gay pair stick but mainly because of how surreal it feels in the setting.

Overall this is an OK film with a good ending. It is consistently fair and never really dips above or below that standard. Worth a watch once but don't expect it to bare anything other than a passing resemblance to the Dirty Dozen – certainly not in the same league entertainment wise.