La noche de los muertos vivientes

Finally after all these years watched the cult hit classic of the now late George A. Romero's "1968's" "Night of the living Dead". And for it's time this low budget independent picture was a masterpiece that helped change the landscape and gave upcoming horror films a new path to follow. For 1968 and being in black and white it had plenty of gore, death, and blood. And even a few twists and turns in the plot were found.

Set in Pennsylvania in a small farm town the nearby graveyard starts to come alive and one by the dead have risen! And oddly enough this is a panic and epidemic that is all over the country!

It's a battle of will and determination for survival against the walking undead! Many will not like this film when comparing today's standards of special effects, graphics, and "CGI" yet one can see that this old classic was a gateway to current hits like "The Walking Dead".

This is "the" film that changed the way zombie films were created - more horrifying than ever before. Almost all zombie films that came after this one were patterned after this movie. "Night of the Living Dead" is the most iconic zombie film ever made.

The movie is outstanding for it's genre and film type. I feel the black & white really enhanced this flick - it gave it an eerier effect than a colour film ever could. The B&W gave the zombies an almost ghostly and most definitely a ghastly appearance. I think if this movie would have been in colour then it would not have the strong appeal and overall creepiness to it that the B&W gave.

This is a wonderful late at night film that I would highly recommend to fans of the horror genre. If you have not seen this film yet then you should find a copy to rent, buy or borrow because you will not be disappointed.

8.5/10

A car drives up a road, towards a graveyard. Cut to the graveyard, a woman and her brother have brought flowers to their mother's grave. Soon the brother starts taunting his sister, saying: "They're coming to get you, Barbara". Barbara laughs it off and after her brother runs away, she heads to the seemingly innocent man visiting a family member's grave to apologize, and out of nowhere he grabs her. Her brother attempts to fight him off but ends up being killed in the process and Barbara escapes to a farmhouse nearby.

That's how this incredible, highly influential masterclass in horror film making begins. What is still so fascinating about this film is that it retains its ability to genuinely, truly scare the crap out of you. It's not just a 'jump moment' film, George A. Romero sets the mood perfectly with a sublime script and truly effective use of music. As far as modern low budget horror films go, this is nearly the best of them, surpassed only by Sam Raimi's masterpiece "The Evil Dead".

"Night of the Living Dead" isn't scary because of the zombies (although the flesh eating sequences are still among the greatest and most horrifying horror scenes ever made). The film is still effective because it all has a feeling of impending doom. It seems hopeless, disturbing, terrifying because of the claustrophobic mood it sets. It's not the zombies that scare us, it's the idea of being trapped in a small area with nowhere to go and death itself standing right outside your door. What a brilliant film!

8/10

This landmark 1968 horror-shocker is a great example of what can be done with a limited budget, a simple idea, and some dedicated and talented participants. Very nicely shot, mostly well acted, NOTLD grabs your attention from the very beginning to the very end - and what a classic end it is.

The story begins with Barbara (Judith O'Dea) and her brother visiting the grave of a friend of their mother, and takes off almost immediately, as they are attacked by a horde of cannibalistic zombies. Narrowly escaping, but losing her emotional balance in the process, Barbara escapes to a house a bit farther down the road where she meets Ben (Duane Jones), the hero of the film. They discover a family with a sick little girl and a young couple in the basement of the house and they all get to work barricading themselves in and preparing weapons and other defenses. The rest of the story concerns the group dynamics between these survivors as the dead close in on their refuge, the story of what is going on in the rest of the USA - revealed through TV reportage and radio broadcasts, and sheer survival. The human side of this film is an interesting and accurate character study concerning what happens to people whose very lives are threatened.

The horror of this film is, unlike a lot of its recent descendants, less a matter of blood and gore than a matter of the real active horror of realistically depicted scenes of murder, death and cannibalism. Though the black and white footage involving blood and gore is certainly effective, there may not be quite enough of it for today's average horror fan. The photographic techniques of this film are innovative and powerful - showing just enough of the sheer hideousness of the film's basic concepts to disturb viewers, but not enough to allow them to detach from the film's protagonists.

I strongly recommend this film to anybody interested in the art of film making, and to those who enjoy the horror genre, though it is hard to imagine any serious horror fan who hasn't already seen this.

The Shining, The Exorcist and The Omen are all films that owe some of their stylistic approach to this film. This is the film that re-wrote the rules of the horror genre as it went along, whilst acting as both social critique and fond homage to 'The Birds' as well.

Romero set in place a steady breakdown of all our assumptions of the horror film, which he then utilised to full effect through the rest of this film and the two superb sequels that followed.

This is perhaps one of the greatest low budget cult movies ever made, certainly one of the most influential, and in its brutally harrowing documentary style conclusion a harsh statement on American racial attitudes. A statement which is as relevant today as it was over thirty years ago.