Jornada a Shiloh

This movie leaves a lot to be desired by history buffs. As it does not exactly follow the true story of the Battle of Shiloh, Pittsburgh Landing to you real Yankees. But, inspite of that it is an interesting film. It is well worth watching if you enjoy any of the other westerns from this era. It is also worth it to see the actors that are in it before they became big stars. The first time I saw it, I missed the beginning and didn't know who anyone was until the end!

I had the impression that Universal pushed this out in Australia before anywhere else. They had no printing on it and I hadn't heard of the film when it hit the city grind house. The people I saw it with were gobsmacked.

As JOURNEY TO SHILOH rolled on, we kept on seeing things that we hadn't encountered in the thousands of westerns we'd seen run through this system - the gamblers with identical pistols under the table, pointed at the kid, the Southern blacks urging the Confederate troops on and the way the plot gets stuck into fatuity of gung ho youngsters rushing into the military. It took a long while to get from here to BORN ON THE 4TH OF JULY.

It also ran to some nice pieces of dialogue - the saloon hoons telling the kids they should have scraped the meat off their leather jackets.

I thought William Hale was going to be a major player, saw his shorts GRAND CENTRAL MARKET and THE TOWERS and contacted him, learning that the dodgy stock footage was forced on the production by the producer, who Hale thought wanted to impose bogus scale on it.

The bonus is that all those faceless juveniles turned into movie stars and one of them stayed one.

This one surfaced the same time as Wadja's POPIOLI/ ASHES, which also deals with young men going to war. Hale's film was not outclassed.

"Journey to Shiloh" (1968) details the story of seven youths from Concho County in near-West Texas who travel across the Mississippi to join the Confederate Army and kick some Yankee arse. While they intend to ride to Richmond, Virginia, they end up hooking up with Braxton Bragg's Gulf Coast outfit and fighting in Shiloh, Tennessee. The male ingénues learn a lot on their long journey and their introduction to soldiering and war. Who lives and who dies?

James Caan plays the main protagonist, "Captain" Buck Burnett, while the other six "teens" (all well into their 20s) are Michael Sarrazin, Don Stroud, Jan-Michael Vincent, Michael Burns, Paul Petersen and, believe it or not Harrison Ford, a full nine years before his breakthrough with Star Wars, but don't get too excited as he gets the least screen time of the bunch.

On the downside, Universal was huge on TV movies at the time and so "Journey to Shiloh" looks like a TV movie; in fact, it was directed by one of their TV movie directors. So don't expect the cinematic scope of contemporaneous Westerns, like "Duel at Diablo," "Bandolero!," "Hang 'Em High" and "Shalako." It looks serviceable, but also phony and stale. A big part of the phoniness is due to the fake Southern countryside, as the movie was shot in Agoura and Thousand Oaks, California, but takes place in East Texas, Louisiana, Mississippi, Tennessee and adjoining regions. No matter how you slice it, California doesn't look like the deep South, not to mention the studio sets. Another issue is the movie's cartoony vibe. Things that would ordinarily take much longer occur with the quickness of a comic book.

Despite these glaring flaws, I found myself ignoring them in favor of the story, particularly as it moved along. You feel like you get to know most of the gang by the end of the movie, Harrison's character being the biggest exception. The "boys" grow from wide eyed youngsters to hardened men over the course of the movie, the biggest rude awakening of course being their baptism into soldiering and war.

Speaking of which, I really enjoyed the last third of the film that involves the youths joining up with Bragg's brigade, the ensuing warfare, deaths, injuries, possible desertion and aftermath. Although decidedly comic booky the movie offers a unique glimpse of being a Confederate soldier.

The film features no less than four beauties, albeit all relatively short roles: Tisha Sterling as Airybelle Sumner; the un-credited Susanne Benton as the blond saloon girl, Lucy; Brenda Scott as the brunette saloon girl who falls for Buck; and a nurse (Eileen Wesson).

FINAL WORD: Someone criticized "Journey to Shiloh" for its obvious low-budgeted faults by pointing out that it's no "Magnificent Seven" or "The Wild Bunch." While this may be technically true I found myself enjoying "Journey to Shiloh" more than these heralded Westerns. Yes, the movie has the unmistakable gloss of one of Universal's factory-made television movies, but it's strong in characters and story, cartoony or not. This is likely because the movie's based on Henry Wilson Allen's excellent novel (aka Will Henry). Some call it an "anti-war movie," but this isn't really true; it's simply a "showing-soldiering-and-war-the-way-it-really-was" movie.

The film runs 101 minutes.

GRADE: B

Journey to Shiloh is directed by William Hale and adapted to screenplay by Gene L. Coon from the novel written by Will Henry. It stars James Caan, Michael Sarrazin, Brenda Scott, Albert Popwell, Harrison Ford, Jan-Michael Vincent, Robert Pine and Noah Beery Junior. Music is by David Gates (supervision Joseph Gershenson) and Technicolor cinematography by Enzo Martinelli.

Seven young Texans journey east to fight for the Confederacy in the Civil War. Full of ideas of noble glory for the war effort, the group have their eyes rudely opened by the prejudice and snobbery they encounter along the way.

Rock of Ages.

Film is bookended by a cheesy song that first tells of the young men setting off for the journey, then latterly of what became of them upon their final destinations. Throw in some pretty wooden acting away from the lead player and mix in a score that sounds like it belongs in the Pink Panther cartoon show, well you would naturally expect the film to be something of a disaster? Yet there is much to recommend here for the discerning fan of Civil War yarns.

The Pensacola Light Blues.

Picture gets its strength from the interest garnered by the source story and the lead performance by a youthful, wig wearing, Caan. Story is potent as an anti-war piece, the parallels with the then current Vietnam War, and the feelings running high at that time, are hard to ignore. Here the lads have their ideals punctured by events that happen out on the trail. Firstly some in fighting upsets the equilibrium and this sets the tone for the rest of the picture. An encounter with a runaway slave, and the aftermath of said encounter, really puts a serrated edge on the plotting. Young men off to be brave and fight the good fight, do they know what for? They then are surprised by public resistance to their bravado, you see not everyone wants a war, lads.

Cos we're fixin to shove that there General Grant and them blue bellied soldiers of his-plum into Lake Erie.

A pointless romantic interlude threatens to derail the picture, but the makers overcome it by dropping in some good action. A bar room brawl at Munroe is most enjoyable, and then once the guys find themselves enlisted into the Pensacola Light Blues, with Beery Junior arriving and putting his mark on the picture, we move onto the horrors of war. Here we lurch onto The Battle of Shiloh (AKA: Battle of Pittsburgh Landing) which is resplendent with artillery galore and much flinging around of stunt men. It's well constructed but sadly too short in length. Filmed out of Agoura in California, the scenery is an extra bonus and an enjoyable character accompaniment as story unfolds.

All told it's a mixed bag of a viewing, but the good far outweighs the bad to make this a sleeper of an Oater worth seeking out. While future stars of film and TV taking tentative steps in the acting world also holds a high interest factor here. 7/10

James Caan is the star of this interesting but far from great movie. Off his role in El Dorado with the Duke & Mitchum I suppose he earned the role as chief Buck. It's a film about the loss of youth and growth into manhood. It's unclear just how experienced Caan is, particularly with the ladies, but clearly he is capable of Caaning his way into the best bed in Shreveport. The love scenes are handled with more romanticism and yes love, than you'd expect in a near B film.

The film does seem to reflect the unhappiness and questioning of the then ongoing Viet Nam war, yet our band of 7 from Texas for the main, soldier on until death accomplishing nothing but filling their duty and being honorable men. They come to question slavery and therefore the basis of the war but aren't able to do anything about it. In that sense the film is believable. I like Caan's performance although not his haircut. He is the strong, silent type but with plenty of charm.

It's his movie and he does alright. A great cast of actors not yet at their peak.