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IMDbPro

Diabolik

  • 1968
  • 18
  • 1h 45min
PUNTUACIÓN EN IMDb
6,5/10
7,7 mil
TU PUNTUACIÓN
Diabolik (1968)
Ver Official Trailer
Reproducir trailer1:07
1 vídeo
99+ imágenes
¿CrimenAcciónComediaSuperhéroes

Añade un argumento en tu idiomaA master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.A master thief and his sensual lover pull off heist after heist, all while an envious coalition of cops and gangsters is gunning for them.

  • Dirección
    • Mario Bava
  • Guión
    • Angela Giussani
    • Luciana Giussani
    • Dino Maiuri
  • Reparto principal
    • John Phillip Law
    • Marisa Mell
    • Michel Piccoli
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    7,7 mil
    TU PUNTUACIÓN
    • Dirección
      • Mario Bava
    • Guión
      • Angela Giussani
      • Luciana Giussani
      • Dino Maiuri
    • Reparto principal
      • John Phillip Law
      • Marisa Mell
      • Michel Piccoli
    • 124Reseñas de usuarios
    • 89Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 1:07
    Official Trailer

    Imágenes280

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    + 273
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    Reparto principal55

    Editar
    John Phillip Law
    John Phillip Law
    • Diabolik
    Marisa Mell
    Marisa Mell
    • Eva Kant
    Michel Piccoli
    Michel Piccoli
    • Inspector Ginko
    Adolfo Celi
    Adolfo Celi
    • Ralph Valmont
    Claudio Gora
    Claudio Gora
    • Police Chief
    Mario Donen
    Mario Donen
    • Sergeant Danek
    Renzo Palmer
    Renzo Palmer
    • Mr. Hammond
    Caterina Boratto
    Caterina Boratto
    • Lady Clark
    Lucia Modugno
    Lucia Modugno
    • Prostitute
    Annie Gorassini
    Annie Gorassini
    • Rose
    Carlo Croccolo
    Carlo Croccolo
    • Lorry Driver
    Lidia Biondi
    Lidia Biondi
    • Policewoman
    • (as Lidia Biondi C.S.C.)
    Andrea Bosic
    • Bank Manager
    Federico Boido
    Federico Boido
    • Joe
    Tiberio Mitri
    • Valmont's Henchman #1
    Isarco Ravaioli
    • Valmont's Henchman #2
    Giorgio Sciolette
    • Dr. Ferrar
    Terry-Thomas
    Terry-Thomas
    • Minister of the Interior
    • (as Terry Thomas)
    • …
    • Dirección
      • Mario Bava
    • Guión
      • Angela Giussani
      • Luciana Giussani
      • Dino Maiuri
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios124

    6,57.6K
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    Reseñas destacadas

    7clivey6

    How to enjoy this film

    Watching the featurette that accompanies this DVD did help me to appreciate this movie more. Namely, that Diabolik (pronounced Dee-abolik in the Italian) is an anti-hero thief rather than a government sponsored spy and is all about 'sticking it to The Man' as befits the 1960s counterculture. Being Italian, it also contrasts with the American idea of a superhero. The Italians lost the last war, they had Mussolini and no faith in the government. This anti-hero is on the same page, whereas Superman is all in favour of the President. I suppose this is the superhero's answer to Burlesconi.

    Point no 2: unlike Fleming's James Bond, Diabolik is based on a comic strip hero and many of the shots mirror that panel shape in the way they're framed: the shot of the couple talking, reflected in the rear view mirror of a car, for instance. For all that, the style is more dynamic than other comic-based films like Barbarella.

    Otherwise, it's astonishing how many scenes anticipate similar ones in Bond films, from the opening helicopter car chase along the winding mountaintop road which predates that of The Spy Who Loved Me by nine years, along with other scenes that pop up in Moonraker, For Your Eyes Only, A View to A Kill and GoldenEye.

    Sadly Diabolik (played by John Philip Law, who was the angel in Barberella) is a humourless blank, a charisma-free zone who scarcely utters a witticism in the entire film. I think the only reason such lusty or promiscuous attitudes prevailed in the 1960s is because the likes of Sean Connery and Michael Caine put a positive spin on it.

    This is a guy in superhero guise who has no alter ego - and therefore no social life. Batman has Bruce Wayne, Superman has Clark Kent. He is just Diabolik and when he retreats to his lair to bang his bird, fine, but he doesn't actually have any mates at all so it's hard to connect with him. It's like if Superman decided to not bother to save lives but just went on Viking-like pillages once in a while, holing up in the Fortress of Solitude every so often to shag his mistress and count the cash.

    The anti-hero and his girl are so unlikeable and ruthless that you do feel excluded from their activities. They remind me of the charmless pair from Topaki, though the film has more to offer than that and is superior to many Bond knock-offs of the day.
    9Coventry

    Bad movie?!? Yeah right...More like terrific movie!

    Unbelievable! The majority of comment-authors here on this site haven't got the slightest clue how far the brilliance of this film reaches...Here you have one of the coolest, most ingenious productions ever, and they're calling it "awful" and an ideal climax for the Mystery Science Theater?!? Aren't there any people left who appreciate sweet pop art? Or a healthy dose of delightful kitsch? Danger: Diabolik is a cult masterpiece and part of the greatest achievements of the brilliant director Mario Bava (or God, like I tend to call him). Bava easily is one of the most diverse directors who ever lived and delivered horror classics, solid thrillers, old-fashioned westerns and ... Danger Diabolik! A film that can't possibly be categorized entirely. Pivot figures are a young, vital couple of criminal masterminds. They steal from innocent people as well as from dangerous maffiosi, while killing innocent bystanders. Our funky couple single-handedly takes away billions that belong to the government, and then cheerfully retire in their underground lair in order to make love on top of a pile of money! It comes this far that the police cooperates with the entire gangster-network in order to finally arrest them...but our hero always is multiple steps ahead of them. Danger Diabolik introduces more kinky gadgets than 20 James Bond films ever could and the amount of creativity in just endless. The used scenery and experimental cinemathograpy mark this film with an undeniable cult-status that even impressed Mike Myers! Just compare this film with the Austin Powers trilogy!! Add to this a dazzling soundtrack and a ravishing siren (Marisa Mell) and you've got yourself an intolerably misunderstood cinema milestone. If you're a tiny bit open-minded and/or a bit less prejudiced on non-American films, you just HAVE TO see Danger: Diabolik.
    8possum-3

    Stylish adaptation of a popular Euro Comic

    Another great visual piece by the great Bava, this film is a faithful adaptation of the popular European comic about the anti-hero master criminal Diabolik. Almost overdosing on intense 60s color and style, the film moves through comic-style adventures with considerable European flair and well captures the atmosphere of the original material and the time.

    (Yes, I understand that this made the last installment of Mystery Science Theater 3000, and I'm a MiSTie myself. But Diabolik is a good film, whether it has riffing potential or not.

    Say you never heard a thing about Batman (as so many seem to never have heard a thing about Diabolik)--if you saw the 1988 Batman film, you'd think it was pretty stupid and over the top, wouldn't you? Unrealistic? Stupid, even? Maybe even think that the main character wasn't much of a hero, so dark, so sinister? And if you think that a lot of 'stylish' 90's films with their music-video montages aren't going to look dated in twenty years, you're kidding yourself. I'd advise supposed 'reviewers' to stop being such contemporist snobs.)
    5iago-6

    Brother film to Barbarella

    Austin Powers simply couldn't have existed without this film, an Italian production (produced by the estimable Dino De Laurentiis, who also brought us Barbarella, Amityville II: The Possession, Orca, the 1976 King Kong, and numerous other cheesy gems). With it's swingin' 60s sets, outfits and attitude, this movie (and Barbarella) is essential viewing for those curious about the origins of Austin Powers. In fact, this movie can be seen as a sort of companion piece to Barbarella, as it shares a very similar tone and look, as well as one of the stars, John Phillip Law. Yes, ladies and gentleman, it's Pygar, here without his wings and in tight black leather.

    Unlike Barbarella, which comes off as far more cheesy than its makers intended, this one has its tongue firmly in cheek from the start, and never seems to lose control. Diabolik steals whatever the biggest loot around is, seemingly for the thrill of it, and the way it seems to enhance sex with his fabulous girlfriend Eva. They enjoy having sex on a spinning round bed with 10 million dollars in cash splayed all over it. I suppose I would, too, if anyone were ever to ask. They never do. Anyway, they perpetrate a number of crimes, making Scotland Yard look like fools in the process, and that's pretty much the movie.

    The sets and costumes are--there's no other word--fabulous. And what really makes this movie fun is how freely the director will just stop everything to show how cool a set is, how outrageous an outfit is, whatever. He really shows how fun it would be to be Diabolik, and Diabolik himself seems to really enjoy what he does, which makes the film enjoyable for everyone.

    The DVD for this film includes a Beastie Boys video that cleverly interweaves shots from the film with the boys playing Diabolik and various others, which is all based on a sequence from the film. There's also a documentary, which I didn't watch. Amazingly, the trailer gives away the very end of the movie! It's inexplicable.

    Not much more to say about it. The plot is so simple you can very clearly follow it even with the movie on silent fast-forward, but the point is not so much the story as the look, clothes, and attitude. And it's got all of those in spades.

    --- Check out my website on bad and cheesy movies, Cinema de Merde. Find the URL in my email address above.
    bennozoid1

    An often derided movie that deserves to be seen.

    I first saw 'Danger:Diabolik' on British television when I was 5 years old, peeking from behind the sofa when I was supposed to be in bed fast asleep. The next morning I thought the whole experience had been a vivid and bizarre dream. The film has fascinated me ever since.

    Mario Bava's film is a hallucinatory, artistic, but undercooked and under-budgeted concoction which never quite coheres into the film we want it to be. 'Danger: Diabolik' nonetheless conjures up some masterful cult moments that richly reward the intrepid viewer who is willing to brave (and embrace) some ropey filler scenes and awful dubbing.

    The magic of this film is sometimes missed by the casual viewer, and many of those who I have lent my copy to have simply stopped watching half way through, as the plot gets bogged down in the muddled, leaden Valmont scenes.

    The magic of this film for me lies in this childhood connection that I have. Diabolik is indeed (as many viewers have pointed out) amoral and selfish. He kills people and lives only for his hedonistic indulgence. But this isn't really the point. Diabolik's greed is a metaphor of all our material greed and fantasies of self-indulgence [for more on this, see the definitive article on 'Danger:Diabolik' on the 'dvd savant' website] Diabolik, in all his piecing glances, hystrionic leaping, minimal dialogue, fetishistic costumes, and designer love parlours is very much like an irrational, inexplicable dream that we read our own meanings and desires into. Diabolik is a hypnotic, mysterious figure beyond judgement and law; he's not a real person in any way, and is not supposed to be one. His love for Eva is an erotic, wet dream and has nothing to do with anything except sensual pleasure and wish-fulfillment, and these scenes linger on as if the editor had forgotten to cut the film.

    Bava denies us (or is perhaps incapable of constructing) a conventional, well-paced narrative, or a palatable, structured story. Instead he gives us a psychadelic reverie. A string of moments to enjoy and remember. Oh, and some really crap bits too, there's no denying!

    DON'T WATCH THIS FILM IF YOU HAVE A SHORT, MTV ATTENTION SPAN OR NO APPRECIATION OF EURO-TRASH / PSYCHOTRONIC CINEMA.

    I agree that 'Danger:Diabolik' isn't everything it could be, but it almost succeeds in achieving pop-art genius on several occasions. Definitely worth checking out. Just put your normal movie expectations aside for this one and you might love it!

    If you are a big fan of 'Danger:Diabolik', or just feel like debating it, please feel free to email me!....

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    Argumento

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    ¿Sabías que...?

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    • Curiosidades
      The movie is based on "Diabolik," one of the longest running - and most successful - Italian comic strips (known as "fumetti"). It was created by Angela Giussani and Luciana Giussani, two Milan sisters who built a small but very profitable publishing empire out of the King of Terror's success. In the comic version, "Diabolik" is much more sinister than its cinematic counterpart - he's a criminal fighting evil with evil, often resorting to murder to "punish" the evildoers he meets. The film was made assuming some knowledge of the fumetti, thus explaining the negative reaction it initially received outside Italy, although it has since been reevaluated as a classic of 1960s cinematic psychedelia and pop art.
    • Pifias
      Diabolik recovers emeralds from the ashes of a cremated body. Emerald, a type of green beryl, fractures and discolors when exposed to even mild flame (thus losing considerable value), and certainly cannot survive the intense heat of a crematorium.
    • Citas

      Diabolik: [as he and Valmont freefall from a plane that has suddenly exploded] I almost forgot. When I stumbled, I attached a magnetic capsule to your plane.

      Ralph Valmont: Who cares? Pull the cord!

    • Versiones alternativas
      The most widely seen version, seen on Mystery Science Theatre 3000, has trimmed many scenes so it could fit in the 2-hour time slot, along with the host segments.
    • Conexiones
      Featured in Beastie Boys: Body Movin' (1998)
    • Banda sonora
      Deep Down
      (uncredited)

      Music by Ennio Morricone

      Lyrics by Audrey Nohra

      Performed by Maria Cristina Brancucci

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    Preguntas frecuentes

    • How long is Danger: Diabolik?
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    Detalles

    Editar
    • Fecha de lanzamiento
      • 26 de enero de 1968 (Italia)
    • Países de origen
      • Italia
      • Francia
    • Idioma
      • Italiano
    • Títulos en diferentes países
      • Danger: Diabolik
    • Localizaciones del rodaje
      • Blue Grotto, Capri, Italia(insert shots of Diabolik and Eva's pool)
    • Empresas productoras
      • Dino de Laurentiis Cinematografica
      • Marianne Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 400.000 US$ (estimación)
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

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    • Duración
      1 hora 45 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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