Laugh-In

Look it up in your Funk & Wagnalls. You'll find it under the word "funny."

Laugh-In was quite a novelty when it first aired, presenting audiences with a fast-paced, unstructured variety show featuring lots of sight gags, punch lines, and other wacky stuff, all pieced together into a frenetic mesh of comedy. This format has, of course, been done many times (Saturday Night Live, Monty Python, and even The Muppet Show and Sesame Street) but Laugh-In was definitely a forerunner.

The hosts, Dan Rowan and Dick Martin, were as great a pair as Laurel and Hardy and Abbott and Costello, and the show featured many unknown comedians who have since become famous, such as Lily Tomlin, Goldie Hawn, and Arte Johnson.

Although parts of the show have a definite 60's/70's taste to them, the humor remains timeless for those who enjoy wacky, off-the-wall comedy.

All in all, it is verrrry interesting! And verrrry funny!

Fabulous television series running from 1967 to 1973.

What made the show so great was the lively supporting cast associated with it.

The sketches with Arte Johnson as the old man starting up with Ruth Buzzi on the park bench were constantly hilarious. Who had the idea to put that net on Buzzi's hair? It made her look so appropriately ugly. When she swung that pocketbook, we roared with laughter.

Then we had Judy Carne saying "Sock it to Me!" Remember when Richard Nixon said that famous line briefly on the show?

Dick Martin gave us that dead pan like humor and Dan Rowan portrayed the typical slick but constant smoking guy on the show.

Joanne Worley was loud but so well suited for this continuous mayhem.

I can't imagine how announcer Gary Owen was able to restrain himself from laughing.

This show and "That Was the Week That Was" gave new dimension to television.

"Rowan and Martin's Laugh-In" was one of the greatest comedy-musical-variety shows in the history of television. It was one of those rare programs which was not only an overnight sensation when it premiered in 1968,but was highly innovative,created a raft a new stars,and started trends in comedy which other programs would follow. In some ways,it was not original at all,begin a cross between Olsen & Johnson's "Helzapoppin"(which in turn traced its lineage to the frantic,knockabout comedy of the Keystone Cops,not to mention the slapstick of "The Marx Brothers",not to mention "The Three Stooges")and the highly topical satire of "That Was the Week That Was". But "Rowan and Martin's Laugh-In" crystallized a kind of comptemporary,fast-paced,unstructured comedy "happening" that was exactly what an agitated America wanted in 1968. "Laugh-In" was first seen as a one-time special in September of 1967 on NBC. It was such an enormous hit that inevitably led to a series premiering the following January.

"Laugh-In",premiered its first telecast on NBC on January 22,1968 and from the first episode was an immediate hit. The show would run for five seasons on the network ending its astounding run and it final association with NBC on May 14,1973. An astounding 124 episodes was produced for this series under it's creator Digby Wolfe and executive producer of the series George Schlatter along with associate executive producer Ed Friendly and producer Carolyn Raskin. During the first three seasons of the show,"Laugh-In" went straight to the top of the TV ratings,and from there it was the number-one program on the air during 1968-1971 seasons. From that success,the show garnered two Golden Globes and three Emmys for outstanding performances and achievements as well. Between it's last two seasons(1971-1973)the ratings began to drop due to the fact that George Schlatter left the series for other things and others who were behind the success of the show as well as well as some of the best talent as well which finally ended its run in the spring of 1973.

This was series that was innovative for its time and would become the forerunner of other great shows to follow it. The reason? The lightning fast-paced took full advantage of the technical capabilities of television and videotape. Blackouts,sketches,one-liners,and cameo appearances by famous show-business celebrities and even national politicians were edited into a frenetic whole. The regular cast was large and the turnover high,and the 40 regulars who appeared in the series only four were with it from the beginning to the end--the two hosts(Dan Rowan and Dick Martin),announcer(Gary Owens),and cast regular Ruth Buzzi. This show was a springboard for some of the greatest cast regular who would go on to bigger and better things after their stint on "Laugh-In". Stars like Goldie Hawn,Artie Johnson,Henry Gibson,Ruth Buzzi,along with Joanne Worley,Judy Carne,Larry Hovis,Teresa Graves, Alan Sues,Dave Madden,Richard Dawson,Lily Tomlin,and even Willie Tyler and Lester were some of the stars who made their mark on this show just to name a few and so much more. The essence of "Laugh-In" was basically shtick,a comic routine or trademark repeated over and over until it was closely associated with a performer. People love it come to expect it,and it was the talk around the water cooler the next morning after the show.All of the great comedians had at least one,but what was remarkable about "Laugh-In" was that it developed a whole repertoire of sight gags and catchphrases that became famous and to this day they are still being used which are considered these days..comedy classics. Phrases like "Look that up in your Funk and Wagnalls","Very Interesting","You Bet Your Sweet Bibby","Sock It To Me?",not to mention "Beautiful Downtown Burbank",and "Here Comes The Judge!" are nowadays considered useful in terms,but in all aspects this is what made that show brilliant in every aspect and detail. Some of the devices of the show were the fast-paced Cocktail Party,Letters To Laugh-In, The Flying Fickle Finger Of Fate,It's A Mod-Mod World,Laugh-In Looks At The News(of the past,present and future),Hollywood News With Ruth Buzzi,the gags written on the undulating body of a girl in a bikini (which consists of either Goldie Hawn,Judy Carne,Joanne Worley,or Teresa Graves-in a bikini),and not to mention the joke wall at the end of each show.

Among the favorites:Artie Johnson as the German soldier; Ruth Buzzi as the little old lady with an umbrella,forever whacking the equally decrepit old man who get close to her sitting on a park bench; Lily Tomlin as the saracastic,nasal telephone operator; Gary Owens as the outrageously overmodeled announcer; Alan Sues as the grinning moron of a sports announcer; Goldie Hawn as the giggling dumb blonde not to mention Teresa Graves as the soulful go-go mod dancer. The pace was funny but it never let up and it kept going until the end.

The first three seasons of this show encapsulated the sheer energy of social and sexual revolution of the late 1960's.On the surface it was patchy,often very funny,satirical and not afraid to poke fun at the US involvement in the Vietnam war and the Nixon administration.It launched the careers of many of todays Film and Tv stars and inspired many a generation with it's trademark "Sock it to me", "Fickle Finger of Fate" and those epilepsy-instigating Party Sequences each episode. True, as with all shows of their time, a lot of the references and humour may have dated badly, but for a Pre-PC generation, it was naughty and not what your parents would want you to watch.Perfect. Many contemporary reviewers dismiss the show as vulgar and irrelevant, but for people who actually watched it at the time, it was breaking the formula of the TV variety show.It was the epitome of groovy and psychadelia for Network TV-very fast, energetic, colorful and loud which really hadn't been seen before. By 1970,most of the original cast had gone and the show started to look back on itself and died. It lasted another 3 years, but it could never recapture the excitement of the first three years.I think this holds true for society in general.Maybe today's politically correct generation really cannot appreciate the enjoyment gained by watching Laugh In for the first time.

Sketch comedy 60's style.

This pre-dates most of the SNL and In Living Color style shows that dominated TV in the 70's, 80's & 90's.

Rowan and Martin made an excellent team. Rowan's straight delivery with a hint of exasperation mixed greatly with Martin's sarcastic, deadpan quips.

My personal favorite was Arte Johnson. Anything he did made me laugh like a banshee. And Henry Gibson's poetry was a close second. But there were no duds at all in this show.

Guest watching also made this a fun trip. The psychedelic decor dates it a little, but it doesn't hurt. A lot of the humor seemed off the cuff.

And when Goldie Hawn picked up her Oscar while on the show, the whole cast kept dropping asides about it during that week's filming. They all made several comments about it.

I saw this during it's brief Nickelodeon run in the late 80's. Bring it back.