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Área 12

Título original: Adam-12
  • Serie de TV
  • 1968–1975
  • TV-PG
  • 30min
PUNTUACIÓN EN IMDb
7,7/10
5,3 mil
TU PUNTUACIÓN
POPULARIDAD
2328
1923
Kent McCord and Martin Milner in Área 12 (1968)
Trailer for Adam-12: Season Two
Reproducir trailer1:04
4 vídeos
99+ imágenes
Drama policialProcedimientos policiales¿CrimenDrama

Dos policías normales patrullan Los Ángeles.Dos policías normales patrullan Los Ángeles.Dos policías normales patrullan Los Ángeles.

  • Creación
    • Robert A. Cinader
    • Jack Webb
  • Reparto principal
    • Martin Milner
    • Kent McCord
    • Shaaron Claridge
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,7/10
    5,3 mil
    TU PUNTUACIÓN
    POPULARIDAD
    2328
    1923
    • Creación
      • Robert A. Cinader
      • Jack Webb
    • Reparto principal
      • Martin Milner
      • Kent McCord
      • Shaaron Claridge
    • 43Reseñas de usuarios
    • 10Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Primetime Emmy
      • 5 nominaciones en total

    Episodios174

    Explorar episodios
    DestacadoMejor puntuado

    Vídeos4

    Adam-12: Season Six
    Clip 2:33
    Adam-12: Season Six
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Season Two
    Trailer 1:04
    Adam-12: Season Two
    Adam-12: Season 2
    Trailer 1:04
    Adam-12: Season 2

    Imágenes2764

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    + 2,8 mil
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    Reparto principal99+

    Editar
    Martin Milner
    Martin Milner
    • Officer Pete Malloy
    • 1968–1975
    Kent McCord
    Kent McCord
    • Officer Jim Reed…
    • 1968–1975
    Shaaron Claridge
    • Dispatcher…
    • 1968–1975
    William Boyett
    William Boyett
    • Sgt. MacDonald
    • 1968–1975
    Fred Stromsoe
    • Officer Jerry Woods…
    • 1971–1975
    Gary Crosby
    Gary Crosby
    • Officer Ed Wells
    • 1969–1975
    Claude Johnson
    Claude Johnson
    • Officer Brinkman…
    • 1968–1974
    Art Gilmore
    Art Gilmore
    • Lt. Moore…
    • 1968–1974
    William Stevens
    • Off. Jerry Walters…
    • 1968–1974
    Marco Lopez
    • Officer Sanchez…
    • 1968–1971
    Robert Patten
    Robert Patten
    • Det. Sgt. Stone…
    • 1969–1972
    Rick Warick
    • Police Officer…
    • 1968–1971
    Jack Hogan
    Jack Hogan
    • Sgt. Jerry Miller…
    • 1968–1974
    Kenneth Washington
    Kenneth Washington
    • Officer Miller…
    • 1968–1969
    Chuck Bowman
    Chuck Bowman
    • Det. Cole Edwards…
    • 1969–1975
    William Elliott
    William Elliott
    • Officer Grant…
    • 1971–1975
    Robert Rothwell
    Robert Rothwell
    • Off. Russo…
    • 1968–1969
    Raymond Mayo
    Raymond Mayo
    • Suspect…
    • 1970–1974
    • Creación
      • Robert A. Cinader
      • Jack Webb
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios43

    7,75.3K
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    Reseñas destacadas

    lesdebe

    A great "true to life" TV show!

    A great TV Police Show of the 1960's, and in fact only one of the very few that I would ever watch. So good in fact, that I joined the Police in 1970, and was a Police Officer until 2003. Yes, this show was very down to earth with its stories, and a great example of the every day to day duties performed by uniform Police (its the same "Job" all over the world!).
    stargazer24

    Best Cop Show of Them All!

    I just wanted to say that this is definitely the best cop show ever to grace the airwaves. There are so few shows out there that focus on uniformed cops that it's nice to see something showcase the men (and women) that bust their butts protecting us common folks. I also like the "very little about their personal lives" approach. This is a cop show, so show us cops on duty. So many of today's cop shows care more about who's sleeping with who than the actually job of fighting crime. I want to thank Martin Milner and Kent McCord *not that they'd read this! :)* for making cops seem real in the eyes of so many that see cops as nothing but those horribly corrupt people that pull us over for going 4 over the speed limit. These guys did good!
    Mister-UHF

    Still the best.

    Around 1975, I heard a police officer call Adam-12 the most realistic police show ever. In 1999, I heard a recently retired police officer say the same thing. It's hard to top those reviews.

    All I'll add is that it had the best casting of any TV show I've seen.
    8AlsExGal

    Between Dragnet and Emergency!...

    ... is this unfairly forgotten TV series that actually lasted longer than either series that chronicles the professional lives of two LA police officers as they patrol the streets.

    This was one of several successful TV series that Jack Webb produced. From the start it dealt with modern topics while sticking with that buddy cop formula that Webb did so well. Also like Dragnet, one cop is single and one is married. This time, however, it is the rookie patrolman who is married and starting a family when the series premieres, and it is the older cop who is as close to a confirmed bachelor as you could be in 1968 without raising middle class eyebrows. There is usually one personal issue that the two cops discuss while on patrol as well as the following of a few cases that they encounter while on the job. You'll notice that the format is very similar to that of Emergency!

    Jack Webb stays with the formula that served him so well - keep production costs down, use a core group of actors for supporting roles, have some entertaining conversational interplay between teammates, and keep the focus on the situation of the week. If you like Dragnet or Emergency! Give this old series a try.
    johnfuen

    A Jack Webb Junkie born January named John

    The title is my attempt to honor the classic Johnny Carson "Claude Cooper copper clappers" bit with Jack Webb. As a kid I tried to never miss an episode of any Jack Webb series. Adam 12 being one of them. I really enjoyed how the relationship between Reed and Malloy developed throughout out the seasons. From the beginning when Malloy was a bit distant from his partner but still very mother hen-like to the later years when the two were comfortable with each other and taking little jabs at each other between calls.

    One of my favorites was the episode when Reed's wife was pregnant, and the Reeds, Malloy, and his girl friend were trapped in a ghost town by a motorcycle gang. That episode still stands out in my mind. I enjoyed how the series dealt with more day to day stuff than the impossible situations shown in many other cop shows. It was amazing how a day's work could be squeezed into a 30 min show (22 w/o commercials).

    Más del estilo

    Dragnet 1967
    7,7
    Dragnet 1967
    Emergencia
    7,9
    Emergencia
    The New Adam-12
    6,0
    The New Adam-12
    Gomer Pyle, U.S.M.C.
    7,0
    Gomer Pyle, U.S.M.C.
    Dragnet
    7,5
    Dragnet
    Vida y milagros del Capitán Miller
    8,3
    Vida y milagros del Capitán Miller
    Hawai 5-0
    7,4
    Hawai 5-0
    Amor a la americana
    6,8
    Amor a la americana
    Barco a la vista
    7,4
    Barco a la vista
    Patrulla de tráfico
    7,7
    Patrulla de tráfico
    Bonanza
    7,3
    Bonanza
    Patrulla juvenil
    7,0
    Patrulla juvenil

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The dispatcher's voice was that of Shaaron Claridge, a real Los Angeles dispatcher. Jack Webb thought using a real dispatcher for the voice-overs would lend authenticity to the program.
    • Pifias
      Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
    • Citas

      Pete Malloy: You know what this is?

      Jim Reed: Yes sir, it's a police car.

      Pete Malloy: This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi-channeled DFE radio and an electronic siren capable of emitting three variables: wail, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks: one attached to the bottom portion of the front seat, one in the vehicle trunk. Attached to the middle of the dash, illuminated by a single bulb is a hot sheet desk, fastened to which you will always make sure is the latest one off the teletype before you ever roll.

      Jim Reed: Yes sir.

      Pete Malloy: It's your life insurance and mine. You take care of it and it'll take care of you.

      Jim Reed: Yes sir. You want me to drive?

    • Créditos adicionales
      The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits.
    • Conexiones
      Featured in Prime Times (1983)

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    Preguntas frecuentes24

    • How many seasons does Adam-12 have?Con tecnología de Alexa
    • Did Reed ever get to drive the patrol car?
    • What is the background for beginning some episode titles with "Log ##"?
    • Why don't these police officers carry a 'Walkie-talkie' two-way radio transceiverto contact the precinct when they are out of the police car?.

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de septiembre de 1968 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Adam-12
    • Localizaciones del rodaje
      • Union Street, Los Ángeles, California, Estados Unidos(opening credits)
    • Empresa productora
      • Mark VII Ltd.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 30min
    • Color
      • Color

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