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Área 12

Título original: Adam-12
  • Serie de TV
  • 1968–1975
  • TV-PG
  • 30min
PUNTUACIÓN EN IMDb
7,7/10
5,3 mil
TU PUNTUACIÓN
Kent McCord and Martin Milner in Área 12 (1968)
Trailer for Adam-12: Season Two
Reproducir trailer1:04
4 vídeos
99+ imágenes
¿CrimenDramaDrama policialProcedimientos policiales

Dos policías normales patrullan Los Ángeles.Dos policías normales patrullan Los Ángeles.Dos policías normales patrullan Los Ángeles.

  • Creación
    • Robert A. Cinader
    • Jack Webb
  • Reparto principal
    • Martin Milner
    • Kent McCord
    • Shaaron Claridge
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,7/10
    5,3 mil
    TU PUNTUACIÓN
    • Creación
      • Robert A. Cinader
      • Jack Webb
    • Reparto principal
      • Martin Milner
      • Kent McCord
      • Shaaron Claridge
    • 43Reseñas de usuarios
    • 10Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Nominado para 1 premio Primetime Emmy
      • 5 nominaciones en total

    Episodios174

    Explorar episodios
    DestacadoMejor puntuado

    Vídeos4

    Adam-12: Season Six
    Clip 2:33
    Adam-12: Season Six
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Clip 1
    Clip 1:38
    Adam-12: Clip 1
    Adam-12: Season Two
    Trailer 1:04
    Adam-12: Season Two
    Adam-12: Season 2
    Trailer 1:04
    Adam-12: Season 2

    Imágenes2764

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    + 2,8 mil
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    Reparto principal99+

    Editar
    Martin Milner
    Martin Milner
    • Officer Pete Malloy
    • 1968–1975
    Kent McCord
    Kent McCord
    • Officer Jim Reed…
    • 1968–1975
    Shaaron Claridge
    • Dispatcher…
    • 1968–1975
    William Boyett
    William Boyett
    • Sgt. MacDonald
    • 1968–1975
    Fred Stromsoe
    • Officer Jerry Woods…
    • 1971–1975
    Gary Crosby
    Gary Crosby
    • Officer Ed Wells
    • 1969–1975
    Claude Johnson
    Claude Johnson
    • Officer Brinkman…
    • 1968–1974
    Art Gilmore
    Art Gilmore
    • Lt. Moore…
    • 1968–1974
    William Stevens
    • Off. Jerry Walters…
    • 1968–1974
    Marco Lopez
    • Officer Sanchez…
    • 1968–1971
    Robert Patten
    Robert Patten
    • Det. Sgt. Stone…
    • 1969–1972
    Rick Warick
    • Police Officer…
    • 1968–1971
    Jack Hogan
    Jack Hogan
    • Sgt. Jerry Miller…
    • 1968–1974
    Kenneth Washington
    Kenneth Washington
    • Officer Miller…
    • 1968–1969
    Chuck Bowman
    Chuck Bowman
    • Det. Cole Edwards…
    • 1969–1975
    William Elliott
    William Elliott
    • Officer Grant…
    • 1971–1975
    Robert Rothwell
    Robert Rothwell
    • Off. Russo…
    • 1968–1969
    Raymond Mayo
    Raymond Mayo
    • Suspect…
    • 1970–1974
    • Creación
      • Robert A. Cinader
      • Jack Webb
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios43

    7,75.3K
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    Reseñas destacadas

    8AlsExGal

    Between Dragnet and Emergency!...

    ... is this unfairly forgotten TV series that actually lasted longer than either series that chronicles the professional lives of two LA police officers as they patrol the streets.

    This was one of several successful TV series that Jack Webb produced. From the start it dealt with modern topics while sticking with that buddy cop formula that Webb did so well. Also like Dragnet, one cop is single and one is married. This time, however, it is the rookie patrolman who is married and starting a family when the series premieres, and it is the older cop who is as close to a confirmed bachelor as you could be in 1968 without raising middle class eyebrows. There is usually one personal issue that the two cops discuss while on patrol as well as the following of a few cases that they encounter while on the job. You'll notice that the format is very similar to that of Emergency!

    Jack Webb stays with the formula that served him so well - keep production costs down, use a core group of actors for supporting roles, have some entertaining conversational interplay between teammates, and keep the focus on the situation of the week. If you like Dragnet or Emergency! Give this old series a try.
    Tarlonniel

    Best show on TV

    This has got to be the best TV series I've ever seen. It has clean drama, humor, and action, and best of all, everything *really happened.* It's a superb look at a policeman's life, and after every episode I have even more respect for those who risk their lives to keep us safe.
    Drewboy-2

    Excellent show!

    This is a wonderful show that I really enjoyed as a child! The very first episode, originally airing on 9/21/68, was a classic. Pete Malloy is disgruntled and about to quit the force after his patrol partner's death in a warehouse shooting, and is assigned rookie cop Jim Reed, age 23 and fresh out of the LA police academy. That first day, the officers break up a fight between two men over a lady on the street, then they chase two robbers in a big 1959 Buick four-door that crashes and burns in a canal confluence - this is a breathtaking sequence - that Buick is HUGE with the big canted fins! Malloy finishes his day by giving mouth to mouth to an infant who had stopped breathing. All in a day's work! A portent of good things to come over the next seven years. Watch it, get videos - you won't regret it!
    lesdebe

    A great "true to life" TV show!

    A great TV Police Show of the 1960's, and in fact only one of the very few that I would ever watch. So good in fact, that I joined the Police in 1970, and was a Police Officer until 2003. Yes, this show was very down to earth with its stories, and a great example of the every day to day duties performed by uniform Police (its the same "Job" all over the world!).
    Sargebri

    The Greatest Show About The Average Policeman

    This is one show that still holds up over thirty years after it premiered. Not only do you get a true life look at the day to day operations of a typical patrolman, but you also see the evolution of the relationship between two officers. When Reed is first teamed with Malloy he is the subordinate young officer who keeps calling Malloy sir and makes a few mistakes along the way, but by the end of the series, Malloy treats Reed as an equal and the two even call each other by their first names. In fact, in either the first or second season, Reed names Malloy the Godfather to his son. This show definitely proves that Jack Webb was a genius.

    Más del estilo

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    7,7
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    Dragnet
    7,5
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    Hawai 5-0
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    Patrulla de tráfico
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    Vida y milagros del Capitán Miller
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    Amor a la americana
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    Cannon
    6,8
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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The dispatcher's voice was that of Shaaron Claridge, a real Los Angeles dispatcher. Jack Webb thought using a real dispatcher for the voice-overs would lend authenticity to the program.
    • Pifias
      Whenever there is an insert of either the radio, the "hot sheet" (list of stolen cars), or when Reed is jotting down information on the pad, the visuals almost never match the continuity of the scene. Example: It can be daytime in the scene, but when the insert of the radio or the hot sheet is shown, they appear, due to the lighting, that the inserts are from nighttime. Also, the same insert of Reed writing on the pad is used whenever he writes info down. As with the errors with the radio not matching the scene, there are times when Reed is wearing the short-sleeve uniform, yet when he's writing info down, we see the cuff of a long-sleeve shirt.
    • Citas

      Pete Malloy: You know what this is?

      Jim Reed: Yes sir, it's a police car.

      Pete Malloy: This black and white patrol car has an overhead valve V8 engine. It develops 325 horsepower at 4800 RPM's. It accelerates from 0 to 60 in seven seconds; it has a top speed of 120 miles an hour. It's equipped with a multi-channeled DFE radio and an electronic siren capable of emitting three variables: wail, yelp, and alert. It also serves as an outside radio speaker and public address system. The automobile has two shotgun racks: one attached to the bottom portion of the front seat, one in the vehicle trunk. Attached to the middle of the dash, illuminated by a single bulb is a hot sheet desk, fastened to which you will always make sure is the latest one off the teletype before you ever roll.

      Jim Reed: Yes sir.

      Pete Malloy: It's your life insurance and mine. You take care of it and it'll take care of you.

      Jim Reed: Yes sir. You want me to drive?

    • Créditos adicionales
      The episode "Elegy for a Pig" was broadcast without the usual opening credits sequence. Instead, the voice of series creator Jack Webb can be heard reading the credits.
    • Conexiones
      Featured in Prime Times (1983)

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    Preguntas frecuentes24

    • How many seasons does Adam-12 have?Con tecnología de Alexa
    • Did Reed ever get to drive the patrol car?
    • What is the background for beginning some episode titles with "Log ##"?
    • Why don't these police officers carry a 'Walkie-talkie' two-way radio transceiverto contact the precinct when they are out of the police car?.

    Detalles

    Editar
    • Fecha de lanzamiento
      • 21 de septiembre de 1968 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Adam-12
    • Localizaciones del rodaje
      • Union Street, Los Ángeles, California, Estados Unidos(opening credits)
    • Empresa productora
      • Mark VII Ltd.
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 30min
    • Color
      • Color

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