El más feliz millonario

When I was a boy, I'm in my 40s now, my mother would get Disney albums in the mail. They contained music from the soundtracks of movies. Consequently, I was familiar with the songs long before I had seen the films. 'Happiest Millionaire' was one of them, but I have never seen the movie until 2004 when I bought it on DVD, and it was fantastic!

The version on the disc lasts close to 3 hours. It is a 'Roadshow Edition,' and that is entirely enjoyable. It begins with a music overture. In the middle of the film is an intermission, and after the movie is over, there is another musical medley with the word 'Exit' on the screen. That must have been there to remind people to leave the theater!

I see that on IMDb it gets an average rating of 5.5. Maybe that comes from the shorter, lesser cuts of the film. This restored edition is much better than that. My children loved it, too! They were literally glued to the screen for the duration of the movie.

This is easily the most musical of any film I have ever seen. That is one of the reasons the movie is so entertaining. Tommy Steele looks as if he is having a lot of fun, and that feeling is contagious.

'Happiest Millionaire' was released in 1967, the year after Walt Disney died, but he loved this film. The music is by the Sherman brothers, the same duo who gave us the unforgettable tunes in 'Mary Poppins.' I think it is sad that these kinds of films are no longer made. The great family oriented musicals are gone. Can anyone recommend 'Moulin Rouge' or 'Chicago' to their children?

And yet, this is not necessarily a kids' movie. Walt Disney had the genius to understand that things need to appeal to everyone. That was the inspiration behind Disneyland.

Out of four stars, I rate this: ***

Yes, "The Happiest Millionaire" was Walt Disney's last film. Yes, it was obviously made to top "Mary Poppins" and yes, like many late-sixties musicals, it flopped at the box office. But the fact remains that it is a glowing, beautifully made musical (with songs by the Sherman Brothers who were responsible for "Poppins") and it never got the recognition it truly deserved. The cast, headed by Disney Stalwart Fred MacMurray and legendary star Greer Garson (in her last film appearance) is excellent. The musical numbers are fun and engaging and the players do them well. Both Lesley Ann Warren and John Davidson were introduced in this film and proved an ideal pair of romantic leads. Warren, who became an overnight star courtesy of her delightful performance as Cinderella in the 1965 Rodgers and Hammerstein television musical, literally shines as Cordelia Drexel Biddle. Many scenes are stolen by Geraldine Page playing Davidson's haughty mother, and Tommy Steele can sing and dance with the best of them. There is also a grand performance from Gladys Cooper as the family matriarch. And, for "Poppins" fans, Hermione Baddely appears as the Irish housekeeper. There is also a brief bit by Joan Marshall, the star of William Castle's "Homicidal" (billed as Jean Arless) as a maid. The fact that this story is (loosely) based on the prominent Biddle family of Philadelphia, adds to the fun. Because the film was released after Disney's death and exhibitors complained about its long running time, it was drastically edited, shortening and removing several scenes, as well as one musical number ("It Won't Be Long Till Christmas"), and here is where the controversy comes in. Garson was originally cast as Mrs. Duke, after the part was turned down by several actresses, including Geraldine Page. Just before filming began however, Page changed her mind, and Greer ended up as Mrs. Biddle. (a part she was not anxious to play). She agreed to the switch when she heard the score--especially "It Won't Be Long Till Christmas" which was her one musical number. Indeed she COULD sing, and she did so in a few of her '40's films. Because her song was subsequently cut from the film (after it's Hollywood world premiere) she declined to attend any further premieres, though she had been at the Hollywood opening. Thanks to the newly restored roadshow edition, the song has been restored, and Garson and MacMurray perform it to perfection, truly the highlight of a warm and wonderful story that makes for perfect holiday viewing.

A combination of desires- to top "Mary Poppins" and to capitilize on the then-current trend of big-budget, three-hour musical films playing to roadshow audiences- caused Walt Disney to make this film, the last he personally oversaw. He hired several of the same people to work on it that had worked on "Poppins", including the songwriting team of the Sherman brothers, the chereography team of Marc Breaux and Dee Dee Wood, and supporting cast member Hermoine Baddely in much the same role of the acerbic maid. In addition, he spent freely on costumes and production and hired an impressive cast, including Fred Macmurry, Greer Garson, Tommy Steele, Gladys Cooper, Geraldine Page, and in their film debuts, Lesley Ann Warren and John Davidson.

The result was a pleasent, somewhat entertaining but all-around silly and, for the most part, instantly forgettable confection. Yes, it's fine for the whole family, but it will be hard for the kiddies (and even the adults) to stay awake as the rather simple story is stretched to nearly three hours, with a series of plotlines connected by merely a shimmer all going on at once. Macmurry is at his least inspired, making the title character into a bumbling, blustering idiot; it's pretty hard not to cheer whenever someone shows him up, verbally or physically. The songs are nice enough, but only one or two really stick in the memory, and half of them are totally irrelevant. (I saw the restored roadshow edition; there are a variety of other editions that cut out several of the songs) Still, Tommy Steele is likable as the forever perky Irish butler (He gets a very hummable song to sing called "Fortuosity") and the chereography certainly is lively. The songs, for all the irrelevance of many of them, really move the picture along, as it slows down considerably whenever the screenplay takes over.

It's too bad Disney's last film couldn't have been better, but oh, well. That's life.

This picture has some excellent songs written by the same team of song writers that wrote the award winning songs for Walt Disney's MARY POPPINS. The opening number of "Fortousity" is a delight. Although this movie is based on a true story about Cordelia Drexel Biddle, I would recommend it more as a lighthearted and fun movie for the whole family.

Despite a phenomenal cast, "The Happiest Millionaire" really never takes off.

This is probably because the star of the film should have been butler Tommy Steele who begins the picture on a high note with the clever tune Fortuosity. Steele is toothy and with that broad smile, he could easily captivate audiences. Unfortunately, he soon falls into a rather supporting role to an eccentric Biddle family.

Fred MacMurray is all right for the part but his monotone voice is annoying at times. As his wife, Greer Garson, is wonderful. She depicts that regal elegance that made her so famous through the years. She is just an older, elegant version of Mrs. Miniver and all the other great roles she had in the 1940s.

Gladys Cooper is a rather tame Auntie here. Cooper was always at her best when she was an upper class mean person. The upper class is certainly there but where is her usual nastiness? Ditto for Geraldine Page. Page as Lesley Ann Warren's prospective mother-in-law causes mayhem as she usually did in pictures. This being a musical comedy, her usual frustrations are missing and we could have used them there.

Enough with the alligator scenes already. MacMurray and family wear their bible shirts and practice boxing. MacMurray is anxious for the U.S. to be prepared for World War 1 and he urges President Wilson for this preparedness.

The big surprise of this film is that all our players could carry a tune. I thought that the argument scene between Cooper and Page would have been exacerbated.

The film falters as we have seen the bar-room brawls and social fights among the upper classes in society before.