El día de la ira

This clever and successful Spaghetti Western that owes a considerable debt to Leone deals with a miserable young named Scott (Giuliano Gemma) who runs errands and works menial jobs in a little town ; as he's harassed , pushed and kicked by ruthless villagers . Then , there arrives an occasional mysterious visitor , a too smart bad guy , he's a two-fisted gunslinger named Frank (Lee Van Cleef) . He befriends Scott and acts as protector of the humiliated young who receives advice from the gunslinger and he becomes tough , surpassing his teacher . The gunfighter teams up with the hapless young man against the nasty townspeople mistreated him and then Scott carries out a personal vendetta . Later on , fateful happenings takes place , as they never thought it could happen in their town .

The film displays psychological characters-in deep , shootouts , Western action and being entertaining enough . The movie contains typical particularities Spaghetti , as it is filled with fury , sadism , bloodbaths , and portentous close-ups of grime-encrusted faces . Gulianno Gemma is good as unfortunate guy working in worst and dirtiest labors , and Lee van Cleef is cool as cruel gunslinger . As secondaries appear Jose Calvo (Silvanito in ' A fistful of dollars') and Spaghetti regulars as Benito Stefanelli (habitual master of arms) , Andrea Bosic and Ricardo Palacios . Furthermore , Ivonne Sanson as brothel Madame , she was a known actress in Italian melodramas and an uncredited Al Mulock (he was one of the mythic trio at the beginning of 'One upon a time in the West' along with Jack Elam and Woody Strode) . The producers Alfonso Sansone and Chroscicki produced 'Day of Anger' with quite a few budget . The picture is full of nice sound by composer Riz Ortalani and colorfully photographed by cameraman Enzo Sarafian . The motion picture was well directed by Tonino Valeri who was Sergio Leone's assistant . Valeri managed to make a fluid , witty and agreeable SW . He proved his experience in Western , such as : ¨Bounty hunter¨ , ¨Death a President¨ , ¨A reason to live a reason to die¨ and his biggest hit : ¨My name is nobody¨ with Henry Fonda and Terence Hill .

This Spaghetti Western I giorni dell'ira (1967) along with 'Da Uomo a Uomo (Giulio Petroni with Lee Van Cleef-John Philip Law)' led to recovery in the popularity of 'horse opera' after Leone hits . Both of them are masterpieces about gunslinger/disciple theme , and developing a paternal-filial relationship . Other films about this matter is as follows : 'All'ombra di un colt (65)' by Gianni Grimaldi with Conrado San Martin and Stephen Forsyth , 'Bandits (1967)' by Massimo Dallamano with Enrico Maria Salerno and Venantino Venantini and 'Beyond the Law (68)' by Giorgio Stegani with Lee Van Cleef and Alfonso Sabato.

One of my favorite teen memories surrounds the film "Day of Anger." I saw it at the El Rey Theatre in Walnut Creek, California in 1972 as part of a double feature with "Superfly." Don't ask me how that match-up was booked, but I went with a couple of friends and thanks to the new release paired with it, the place was nearly packed. Old school singleplex with 1000 or so seats. Everyone was hushed and into the story until Lee Van Cleef stomped into the scraggly bar in the scraggly village, banged on the wooden plank serving as the bar and demanded: "Get me Wild Jack!" For a moment the theater remained hushed. Then, from a few rows behind us, a guy yelled out "WILD JACK! What kinda name is that?" Suddenly taken by the over-the-top melodrama, the crowd turned the whole experience on its end and started howling at what now seemed to be a self-referential satire on the spaghetti western genre. Of course I didn't think in such high-falutin' terminology at the time, I just thought it was funny. With all due respect to serious aficianados of the genre, it was just one fun night. One of the guys I went with suggested that we go back and repeat the astonished "WILD JACK!" comment the next night, but we figured, I think rightly, that you had to be there, it was a one shot thing, with perfect timing that had us laughing too hard to take it seriously when poor Scott Mary finally had his day in the sun and finished off his mentor while reciting the final rule of the gunfighter.

Nothing here you haven't seen before if you're a fan of Italian westerns, but DAY OF ANGER develops its plot and characters carefully, keeping you on the edge of your seat throughout. Van Cleef is terrific--this is surely one of his finest moments--yet he's matched stride-for-stride by Giuliano Gemma and the rest of the cast, with solid performances from many bit players. The direction and camera work are first rate, also. It may fall just short of Leone and the first Django movie, but it's still a first-rate spaghetti western.

Really good, from the languorous, elegiac opening to the full throttle finish, I enjoyed it all. I note that IMDb shows a running time of 95 minutes whilst my new Arrow DVD runs nearer 115. Can that be so, 20 minutes cut from the previous print? It is just possible for there is a surprisingly large amount of time given to introduction of the characters and the town so that we might become totally involved. Goodness knows what anyone would make of much of this film without the precious opening ten minutes where Giuliano Gemma is introduced to us, literally as a sh*t shoveler before coming under the wing of the majestic Lee van Cleef. The famous Almeria set and surrounds plays its part well too and whilst the tale is fairly simple (revenge!) it is so well told and whilst the opening scenes seem to show a ghost town by the end we have seen it teeming with folks from all around. A fine film with much violence.

"Day of Anger" is an incredible western. Not only is it one of the 3 or 4 best non-Leone spaghetti westerns, It also has just about the best non-Morricone music score I have heard.

Lee Van Cleef is at his very best in this movie as Talby, the slick, intelligent, and ruthless gunfighter. As is the case with many spaghetti westerns, this movie draws a very thin line between "good" and "evil." Talby is a killing machine who is out for his own personal gain, yet he is also very likable in many ways. When he takes Scott under his wing and teaches him not to put up with being treated with disrespect from the "good" citizens of Clifton, Talby actually becomes the only person who represents any real sort of "justice" in the whole town. Then we find out that the pillars of the community have something to hide, and Talby delivers his own brand of justice to them also.

Giuliano Gemma always delivers a great spaghetti western performance, and he is at the top of his game here as well. In the role of Scott Mary he has to play a character who goes through a lot of different emotions, and a couple of life-changing events. When Scott becomes a gunfighter like Talby, we relate to him and like him even more as he demands and gets respect from the people who used to spit on him. Talby's comment to the townsfolk of Clifton sums up why: "He was born a wolf, but you made him rabid." What a great line! The final showdown at the end is one of the classics. It is wonderfully choreographed with the film's music, and has that artistic, operatic quality that the very best spaghetti westerns possess. There's lots of emotion going on in this one, as it is plain to see that the two men squaring off still have respect and admiration for each other. On some level, it even still seems like they are friends, but this moment was inevitable, like an uncontrollable force of nature. As Talby says, "once you start killing, you can't stop." Talby's killing finally draws that thin line, Scott ends up on the other side of it, and the final showdown begins. I will say no more.

Riz Ortolani's score is awesome. I love the opening theme, and the pictures and movements on the screen that accompany it. It pulls you right into this film before the story even begins. Not only is the music great, it is very original as well. It is not a Morricone rip-off at all. Ortolani's style here is all his own. It is much more of a swinging 60's sound that retains just enough western flavor to make it appropriate for this type of film. This is a soundtrack I would like to have on CD.

This is one of those movies that I just can't say enough about. I would recommend it to anyone, and if you like spaghetti westerns you really need to own it.