PUNTUACIÓN EN IMDb
4,3/10
522
TU PUNTUACIÓN
Agentes secretos sudafricanos intentan salvar un microfilm confidencial antes de que caiga en manos de los comunistas.Agentes secretos sudafricanos intentan salvar un microfilm confidencial antes de que caiga en manos de los comunistas.Agentes secretos sudafricanos intentan salvar un microfilm confidencial antes de que caiga en manos de los comunistas.
- Dirección
- Guión
- Reparto principal
Richard Daneel
- Gibbs
- (sin acreditar)
Dirk de Villiers
- Officer at security briefing
- (sin acreditar)
Chris du Toit
- Young man in charge office
- (sin acreditar)
Arthur Hall
- Detective Kerry
- (sin acreditar)
John Noel Hicks
- CIA Agent
- (sin acreditar)
Patrick Mynhardt
- Detective Myburgh
- (sin acreditar)
Gideon Roos
- Head of Security Branch
- (sin acreditar)
Tromp Terre'blanche
- Police lieutenant
- (sin acreditar)
Reseñas destacadas
0th Century-Fox owned the rights to Sam Fuller's classic "Pickup on South Street", so why not make a few bucks with a cheap remake? It's poorly directed by hack Robert Webb and only of nostalgia value.
Stars James Brolin near the start of their careers are the reason to watch. Bisset is always among the screen's great beauties, including here, but she made so many fine films this one doesn't measure up. James Brolin indeed resembles Christian Bale, quite surprisingly in this incarnation, and I suppose Streisand might enjoy watching this junker more than most just to see what she missed, not finding him until later in life.
I liked the jazzy score, and the location photography, but the absence of any Black talent, even as extras, on screen is a sad testament to apartheid. Dozens of American-backed movies were shot in South Africa in the 1980s pretending to be made in the USA (but extremely easy to spot, especially the stinkers from Cannon Films), whilst Apartheid was being protested and finally overthrown -perhaps a part of Reaganomics. Recall how Reagan vetoed Congress's anti-Apartheid bill, and had to be overridden by both the House and Senate.
Stars James Brolin near the start of their careers are the reason to watch. Bisset is always among the screen's great beauties, including here, but she made so many fine films this one doesn't measure up. James Brolin indeed resembles Christian Bale, quite surprisingly in this incarnation, and I suppose Streisand might enjoy watching this junker more than most just to see what she missed, not finding him until later in life.
I liked the jazzy score, and the location photography, but the absence of any Black talent, even as extras, on screen is a sad testament to apartheid. Dozens of American-backed movies were shot in South Africa in the 1980s pretending to be made in the USA (but extremely easy to spot, especially the stinkers from Cannon Films), whilst Apartheid was being protested and finally overthrown -perhaps a part of Reaganomics. Recall how Reagan vetoed Congress's anti-Apartheid bill, and had to be overridden by both the House and Senate.
On the plus side, there are interesting shots of Capetown and of Table Mountain. Not that many people know what Capetown looked like in 1967. Not that many people know what country Capetown is IN for that matter, outside of social activists, gold speculators, and surfers. No, it's not near Provincetown. Also there are interesting shots of Jacqueline Bisset at her most -- well, let's use the word "appealing." Her looks are unimpeachable. James Brolin, young and handsome in a mannequin-like way, does pretty good impressions of Clark Gable and Ronald Reagan in other venues.
But you have to ask. Why do they take a peerless piece of cynical and brutal trash like "Pickup on South Street" and do it in color with lesser performers and slipshod direction?
Brolin simply can't SMIRK as well as Richard Widmark. And Bisset just looks too elegant, as opposed to the sluttish and overly made-up Jean Peters in the original. Compare the scenes in which the two actresses utter the same lines -- "You're talking like it was HOT, Joey." Bisset sounds as if she's commenting on the pepper pot soup at Bookbinder's Restaurant. With Peters you know exactly what she means. And Claire Trevor, a decent enough actress in her own right, shouldn't be asked to impersonate Thelma Ritter. Nobody on earth can imitate Thelma Ritter.
Fuller's direction in the original was immediate and claustrophobic. His characters brimmed with verisimilitude. The actors here are going through their paces in settings that aren't nearly seedy enough. I'm leaving the politics aside.
Stick with the original by all means.
But you have to ask. Why do they take a peerless piece of cynical and brutal trash like "Pickup on South Street" and do it in color with lesser performers and slipshod direction?
Brolin simply can't SMIRK as well as Richard Widmark. And Bisset just looks too elegant, as opposed to the sluttish and overly made-up Jean Peters in the original. Compare the scenes in which the two actresses utter the same lines -- "You're talking like it was HOT, Joey." Bisset sounds as if she's commenting on the pepper pot soup at Bookbinder's Restaurant. With Peters you know exactly what she means. And Claire Trevor, a decent enough actress in her own right, shouldn't be asked to impersonate Thelma Ritter. Nobody on earth can imitate Thelma Ritter.
Fuller's direction in the original was immediate and claustrophobic. His characters brimmed with verisimilitude. The actors here are going through their paces in settings that aren't nearly seedy enough. I'm leaving the politics aside.
Stick with the original by all means.
I just bought this film for 4 dollars, and let me tell you, it wasn't worth it.
No budget, badly scripted, dull, boring, listless, "Cold War" stinker. Hard to believe that Samuel Fuller was involved in this "movie". There were lines like, "You want to help us fight the commies don't you?"
James Brolin looked handsome here, but the poor guy just wasn't an actor at this stage of his career. All he basically does is look angry and yell and scream the whole movie; gave me a headache. He is living in a run-down shack near a smelly river, with no electric, yet he wears 500 dollar suits. He's a thief who only robs twice the whole movie.
Horrible piece of worthless junk.
No budget, badly scripted, dull, boring, listless, "Cold War" stinker. Hard to believe that Samuel Fuller was involved in this "movie". There were lines like, "You want to help us fight the commies don't you?"
James Brolin looked handsome here, but the poor guy just wasn't an actor at this stage of his career. All he basically does is look angry and yell and scream the whole movie; gave me a headache. He is living in a run-down shack near a smelly river, with no electric, yet he wears 500 dollar suits. He's a thief who only robs twice the whole movie.
Horrible piece of worthless junk.
People who are fans of Samuel Fuller (who was one of the writers) or wanting to see early appearances by actors James Brolin and Jacqueline Bisset might find the prospect of watching "The Cape Town Affair" promising. But it won't take them very long upon watching the movie to start regretting their decision. The big problem with this movie is that it is incredibly boring. It's talk, talk, talk, with pretty much NOTHING of consequence or importance happening in the first two- thirds of the movie. A few things happen in the last third of the movie, but not much, and it ends up being almost as boring as the first two-thirds. Another problem with the movie is that the central character (played by Brolin) is not very likable - you'll be wondering why you are bothering to follow this selfish and cold individual. By the way, if you are wondering about the Cape Town setting, while it does occasionally add a little color in the backdrop, it's otherwise wasted - with almost no rewriting, the events of the movie could be taking place in Los Angeles. This is one movie that's pretty much a complete waste of time.
Silly byplay between a few characters. A master pickpocket. A burned out police detective. A bunch of Commies. A piece of film. Some less than memorable acting. James Brolin, running the gamut of emotions from A to B. A confusing, endless story which continues to beg questions all along the way. There are some relationships that are left for us to figure out. The film is just so dull. I think all this cold war stuff has to at least have a little bit of causality. You can't have a suspense (or spy) movie without knowing what, exactly, the bad guys get out of the key piece of evidence. As usual, lots of people go through lots of wasted motion. Jacqueline Bisset is somewhat interesting, but even her role isn't very clealr.
¿Sabías que...?
- CuriosidadesThis film is a remake of the 1953 thriller Manos peligrosas (1953).
- ConexionesRemake of Manos peligrosas (1953)
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