La banda del Chuco roba armas de un tren para venderlas a los revolucionarios del General. Un pasajero americano los ayuda en el asalto y se une a ellos contra el ejército mexicano. Entre Ch... Leer todoLa banda del Chuco roba armas de un tren para venderlas a los revolucionarios del General. Un pasajero americano los ayuda en el asalto y se une a ellos contra el ejército mexicano. Entre Chuco y el gringo se establece una extraña amistad.La banda del Chuco roba armas de un tren para venderlas a los revolucionarios del General. Un pasajero americano los ayuda en el asalto y se une a ellos contra el ejército mexicano. Entre Chuco y el gringo se establece una extraña amistad.
- Dirección
- Guión
- Reparto principal
- El Chuncho Muños
- (as Gian Maria Volonté)
- …
- General Elías
- (as Jaime Fernandez)
- Picaro
- (as Joaquin Parra)
- Raimundo
- (as José Manuel Martin)
- Bandit
- (sin acreditar)
- Journalist with Gen. Elías
- (sin acreditar)
- Rosario
- (sin acreditar)
- Capt. Enrique Sanchez Compoy
- (sin acreditar)
- Hotelier
- (sin acreditar)
Reseñas destacadas
This is a decent Spaghetti Western focusing on Mexican bandits. The tone is serious and the cast, costumes, dirt and sweat lend to the gritty realism. The opening sequence where a munitions train is forced to stop due to a crucified army captain blocking the tracks is notable. The script respects the intelligence of the viewer and doesn't spell everything else, even while everything is obvious if you read between the lines. Volontè, who plays the filthy, but amicable Mexican protagonist, is best known for his roles with Clint Eastwood in "A Fistful of Dollars" (1964) and "For a Few Dollars More" (1965). The score by Luis Bacalov is quite good and was supervised by the inimitable Ennio Morricone.
THE FILM RUNS 115 minutes and was shot in Almería & Guadix, Spain, with indoor sequences done in Rome. WRITERS: Salvatore Laurani and Franco Solinas.
GRADE: C+/B-
Despite the simple sounding premise 'A Bullet for the General' displays a great depth of character as the protagonists relationships shift with the plot before inevitably exchanging roles. The first hour or so seems like a standard western affair with lots of the usual train hi-jacks and bandit raids, but as the characters develop and their relationships become more strained we see some marvellous performances from the suspicious El Chucho, his brother El Santo (a fanatical Christian revolutionary played by Klaus Kinski) and the cool and un-flustered Bill 'Niño' Tate.
The doubt displayed by El Chucho towards Tate really sets up the finale, and as the film nears the heart of the revolution Tate's motives become clear - but that doesn't stop Damiani pulling a nice twist at the end, endearing Volontè's character and providing a juxtaposition to the characters he made famous in some of Sergio Leone's classic Spaghetti Westerns. In a film dealing largely with role-reversal this is particularly apt.
I didn't quite know what to expect from 'A Bullet for the General', I hadn't previously heard of the director and apparently this was his first foray into the Western genre - but I was pleasantly surprised with the outcome. Providing a good mix of action and politics with commendable performances from Volontè, Kinski and Castel 'A Bullet for the General' is an intriguing and unique example of the Spaghetti Western and well worth your time whether you're a fan of the genre or not.
El Chuncho (Gian Maria Volontè) is a bandit and revolutionary with a strong fondness for women, alcohol and cigars. Along with his slightly insane, but religious and very idealistic brother El Santo (Klaus Kinski), he leads a gang of bandits with beliefs, who help the poor and rob the government's army to sell the weapons to the revolutionary army. When the gang is joined by Bill Tate, an American who, due to his youth, is just referred to as "El Nino" by El Chuncho and his fellow Mexican bandidos, the gang leader starts to befriend with the gringo. El Nino, however is basically almost the opposite of El Chuncho, he doesn't drink, he doesn't smoke and he doesn't waste his time with women, and neither does he believe in any causes or ideals, the only thing he is interested in is quick and good money. His friendship to the baby-faced but selfish and cold-blooded Nino, becomes a breaking test for Chuncho, who is torn between his greed and his ideals.
Although Sergio Leone and Sergio Corbucci are two of my favorite directors of all-time, and their movies "Giù La Testa" ("Duck You Sucker", Leone) and "Il Mercenario" ("The Mercenary", Corbucci), are two awesome movies, and furthermore there are quite a few more excellent Mexican Revolution Spaghetti Westerns , I would name "A Bullet for the General" as my favorite of the Mexican-Revolution-themed Spaghetti Westerns. The acting in this movie is superb. Gian Maria Volontè played in four Spaghetti Westerns and each one of them is a masterpiece. After his excellent performances in "A Fistful Of Dollars", "For A Few Dollars More" and Sergio Sollima's "Faccia A Faccia"/"Face To Face", Volontè is superb as El Chuncho, the most lovable Spaghetti Western character he played. Klaus Kinski is great as always, the character of the rather crazy but idealistic El Santo is quite unusual, since Kinski's roles in Italian Westerns were, with a few exceptions, normally those of extremely cold blooded and selfish killers, who didn't think of anybody but themselves. Lou Castel perfectly fits into the role of baby-faced El Nino, and he manages to point out his character's cleverness and selfishness in a very good way. The directing by Damiano Damiani is brilliant and so is the cinematography. I would have rated this 10/10 if it wasn't for he one minor flaw: The score by Ennio Morricone and Louis Bavalov is good, but it is no quite as great as it could have been as it can't compete with the brilliance of other Morricone scores. Nevertheless, an excellent film!
A brutal, witty and very political Spaghetti Western, "A Bullet For The General" is an excellent film that genre-fans, and film buffs in general should not miss!
Damiano's film has been called a "serious statement about the Mexican Revolution" and has been recognized as an accomplished blend of "tension, action, politics and history". Now, I'm not sure what the "serious statement" is. That Americans would intercede? That bandits could be radicalized? The soundtrack is from some of Italy's best, but the music is unfortunately not that notable. What draws many people to the film is Klaus Kinski, who is great, but the bizarre dubbing makes him seem fake and unable to really provide his presence to the screen.
¿Sabías que...?
- CuriosidadesIt is rumored --to the point of almost being a legend--that director Damiano Damiani became so frustrated with Gian Maria Volontè and Klaus Kinski, two actors who were notorious for being difficult to work with, that one day they pushed him so hard that he beat them and whipped them on the set until they finally behaved and did as they were told.
- PifiasWhen the bolt action rifle are being used they never eject the spent cartridge upon being reloaded, showing them to be empty.
- Citas
[last lines]
El Chuncho: [to a beggar he gave money to earlier] Don't buy bread with your money! No, hombre! Buy dynamite! Dynamite! Dynamite! Dynamite!
- ConexionesEdited into Le llamaban King (1971)
- Banda sonoraYa Me Voy
(uncredited)
Written by Luis Bacalov
Performed by Ramon Mereles
Courtesy of EMI General Music srl
Selecciones populares
- How long is A Bullet for the General?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Jo sóc la revolució
- Localizaciones del rodaje
- Guadix, Granada, Andalucía, España(train station)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 47min(107 min)
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1