Joe Mannix, detective privado, emplea métodos heterodoxos para resolver casos complicados, recurriendo a menudo a la fuerza física y la intimidación.Joe Mannix, detective privado, emplea métodos heterodoxos para resolver casos complicados, recurriendo a menudo a la fuerza física y la intimidación.Joe Mannix, detective privado, emplea métodos heterodoxos para resolver casos complicados, recurriendo a menudo a la fuerza física y la intimidación.
- Ganó 1 premio Primetime Emmy
- 6 premios y 30 nominaciones en total
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I've recently been watching DVDs of "Mannix" and although I have enjoyed it, it's become clear that the earlier episodes are the best. By season three and four, the show lost some of its zing, though it was still better than the average show.
Season one is unusual. Joe Mannix is NOT a private eye like he would be for the remainder of the series. Instead, he's an agent working for Intertech--a high tech detective agency operating more like a corporation. His boss is played by Joseph Campanella and there is always tension between him and Mannix. When season two premiered, Mannix was no longer with Intertech. Instead he's privately employed and he's got Peggy as a receptionist. This is how it continued through the remainder of the series. And a few things that remain constant--Joe regularly gets the crap knocked out of him and is often knocked out (though more so in season one and two) and he doesn't particularly like women...or at least he doesn't trust them.
My advice is see season one and two and then decide if the show is worth continuing. I'm on season five and still have a bit to go until I finish.
Season one is unusual. Joe Mannix is NOT a private eye like he would be for the remainder of the series. Instead, he's an agent working for Intertech--a high tech detective agency operating more like a corporation. His boss is played by Joseph Campanella and there is always tension between him and Mannix. When season two premiered, Mannix was no longer with Intertech. Instead he's privately employed and he's got Peggy as a receptionist. This is how it continued through the remainder of the series. And a few things that remain constant--Joe regularly gets the crap knocked out of him and is often knocked out (though more so in season one and two) and he doesn't particularly like women...or at least he doesn't trust them.
My advice is see season one and two and then decide if the show is worth continuing. I'm on season five and still have a bit to go until I finish.
Despite over thirty films to his credit, Mike Connors will be best remembered for his television work. In 1959, he created a sensation as the undercover agent with the hidden gun behind his back, in "Tightrope", and in 1967, at 42, he introduced one of the most popular detectives in television history, "Mannix".
The initial concept of the series was intriguing; a high-tech investigative agency, Intertect, headed by Joseph Campanella, possessed all the tools to analyze and fight crime, except one; a P.I.'s instincts, that ability to play hunches and make correct decisions by 'gut feeling'. So they hired the best veteran private eye in the business, Joe Mannix, and utilized his services whenever the 'human touch' was required, while backing him with all their resources.
While the Intertect episodes were often imaginative, and Connors and Campanella had good chemistry, CBS quickly realized that the program's fans were watching because of the rugged Mannix, who, each week, despite being beaten, tortured, drugged or worse, managed to emerge victorious. So Campanella and Intertect were dropped by the second season, and Mannix returned to more traditional digs, accompanied by a new secretary, Peggy Fair (Gail Fisher), the widow of a cop. With aid from his 'buddies' on the Force (Robert Wood, Jack Ging, and "Brady Bunch" patriarch, Robert Reed), Joe Mannix would take on cases as simple as petty theft, to unsolved murders, while still taking more than his share of abuse each week.
With his chiseled features and thick jet-black hair, Mannix was a hero attractive enough to appeal to women, yet tough enough to keep men watching, as well. Fiercely loyal to his Greek heritage and many friends, a sucker for a 'hard luck' story, and with a well-stocked (and used) medicine cabinet, the series 'fit' like a pair of well-worn, comfortable shoes, and audiences quickly developed a viewing habit that would last seven more seasons, until 1975. The success of "Mannix" would open the door for a whole new generation of 'gumshoes' that followed, from "Cannon" and "Barnaby Jones", to "The Rockford Files" and "Magnum, P.I."
It is a heritage that Mike Connors can be proud of!
The initial concept of the series was intriguing; a high-tech investigative agency, Intertect, headed by Joseph Campanella, possessed all the tools to analyze and fight crime, except one; a P.I.'s instincts, that ability to play hunches and make correct decisions by 'gut feeling'. So they hired the best veteran private eye in the business, Joe Mannix, and utilized his services whenever the 'human touch' was required, while backing him with all their resources.
While the Intertect episodes were often imaginative, and Connors and Campanella had good chemistry, CBS quickly realized that the program's fans were watching because of the rugged Mannix, who, each week, despite being beaten, tortured, drugged or worse, managed to emerge victorious. So Campanella and Intertect were dropped by the second season, and Mannix returned to more traditional digs, accompanied by a new secretary, Peggy Fair (Gail Fisher), the widow of a cop. With aid from his 'buddies' on the Force (Robert Wood, Jack Ging, and "Brady Bunch" patriarch, Robert Reed), Joe Mannix would take on cases as simple as petty theft, to unsolved murders, while still taking more than his share of abuse each week.
With his chiseled features and thick jet-black hair, Mannix was a hero attractive enough to appeal to women, yet tough enough to keep men watching, as well. Fiercely loyal to his Greek heritage and many friends, a sucker for a 'hard luck' story, and with a well-stocked (and used) medicine cabinet, the series 'fit' like a pair of well-worn, comfortable shoes, and audiences quickly developed a viewing habit that would last seven more seasons, until 1975. The success of "Mannix" would open the door for a whole new generation of 'gumshoes' that followed, from "Cannon" and "Barnaby Jones", to "The Rockford Files" and "Magnum, P.I."
It is a heritage that Mike Connors can be proud of!
As a fan of mannix when it ran originally and now that it is in reruns I can say I think its the best detective series ever created. the plot ,action ,music,camerawork,guest stars and especially the stars made the show great.My favorite seasons are the first and fifth.I would love to see the last season again .There were actually 194 episodes made. If you get the chance to watch this classic show then you will be hooked.
Frankly, the first season of MANNIX was the best. Mike Connors as Joe Mannix not only had to contend with a different adversary every week, but also put up with a corporate, computerized workplace(Intertect)and spar with his coolly abrasive yet supportive boss, Lou Wickersham played by Joseph Campanella.
I remember watching MANNIX on an Admiral 19 inch black and white set as a high school student. Watching it in color on DVD 41 years later, I still recall being very impressed with 'Joe's' hip yet raw common sense approach to each case. That's why the button down office scenes provided such great entertainment in between the carnage.
The on location episodes also provided a gritty, realistic atmosphere. The first show was filmed aboard the Palm Springs Aerial Tramway while a later episode found Joe at a hippie night spot on the Sunset Strip. For this sequence, the dance music wasn't even canned but was provided by Buffalo Springfield.
Of course, Lalo Schifrin's memorable theme score to MANNIX perfectly complemented the opening credits. The groundbreaking multi-screen process was introduced during Expo 67 in Montreal and was later employed in major motion pictures such as THE BOSTON STRANGLER.
It was a foregone conclusion that Joe Mannix preferred bare knuckled punches to settle disputes instead of relying on IBM punch cards. Yet, bullets and the mounting body count in between commercials were nonetheless fast and furious. As a result, the 1967-1968 season was the most violent per episode during the entire run of this show. After Dr. Martin Luther King Jr. and Sen. Robert Kennedy were both shot down in the space of two months, MANNIX was toned down as part of the national crackdown on TV violence.
Yet that first season gives the viewer a stark contrast between the florescent lit, corporate mindset against the loose cannon who gets the job done his way. For that reason, MANNIX delivers the goods with a powerful wallop! Bring your own silencer.
I remember watching MANNIX on an Admiral 19 inch black and white set as a high school student. Watching it in color on DVD 41 years later, I still recall being very impressed with 'Joe's' hip yet raw common sense approach to each case. That's why the button down office scenes provided such great entertainment in between the carnage.
The on location episodes also provided a gritty, realistic atmosphere. The first show was filmed aboard the Palm Springs Aerial Tramway while a later episode found Joe at a hippie night spot on the Sunset Strip. For this sequence, the dance music wasn't even canned but was provided by Buffalo Springfield.
Of course, Lalo Schifrin's memorable theme score to MANNIX perfectly complemented the opening credits. The groundbreaking multi-screen process was introduced during Expo 67 in Montreal and was later employed in major motion pictures such as THE BOSTON STRANGLER.
It was a foregone conclusion that Joe Mannix preferred bare knuckled punches to settle disputes instead of relying on IBM punch cards. Yet, bullets and the mounting body count in between commercials were nonetheless fast and furious. As a result, the 1967-1968 season was the most violent per episode during the entire run of this show. After Dr. Martin Luther King Jr. and Sen. Robert Kennedy were both shot down in the space of two months, MANNIX was toned down as part of the national crackdown on TV violence.
Yet that first season gives the viewer a stark contrast between the florescent lit, corporate mindset against the loose cannon who gets the job done his way. For that reason, MANNIX delivers the goods with a powerful wallop! Bring your own silencer.
Mannix was one of the top private eye shows of all time. Mike Connors did a great job in the role, and the writers always strove for creative plots that stretched the genre.
It was a rare series that never got old. The last few shows in the series were as good as the first few shows.
In the first season, Mannix worked for a high tech agency, and was the maverick among their investigators.
They decided to move him out on his own, which eliminated some very interesting character struggles, but also introduced the wonderful Gail Fisher as his secretary, Peggy. She was worth losing the Intertec character conflict.
It was a rare series that never got old. The last few shows in the series were as good as the first few shows.
In the first season, Mannix worked for a high tech agency, and was the maverick among their investigators.
They decided to move him out on his own, which eliminated some very interesting character struggles, but also introduced the wonderful Gail Fisher as his secretary, Peggy. She was worth losing the Intertec character conflict.
¿Sabías que...?
- CuriosidadesCBS was going to cancel the series after the first season. Lucille Ball used her power and influence to convince them to renew it for another season with the assurance that changes would be made. In the second season, Mannix was changed into a more hard-boiled independent private detective. The changes worked, and the series became a big hit running for eight seasons.
- PifiasThe door to Mannix's office/apartment has bars on it, but there is no glass. This is visible from the second season onward. The glass is sometimes visible, sometimes not.
- ConexionesFeatured in The 23rd Annual Primetime Emmy Awards (1971)
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