Teesri Manzil
- 1966
- 2h 52min
PUNTUACIÓN EN IMDb
7,5/10
1,4 mil
TU PUNTUACIÓN
Añade un argumento en tu idiomaA woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he ... Leer todoA woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.A woman blames a nightclub drummer for the suspicious death of her sister, and seeks revenge. However, the pair work together to solve the mystery and become romantically involved, after he introduces himself under another name.
Ram Avtar
- Laughing Passenger
- (as Ram Awtar)
S.N. Banerjee
- Hotel Manager
- (as S.N. Bannerji)
Reseñas destacadas
10jgaekwad
This movie is one of the landmarks in the history Hindi Cinema. For 158 minutes the audience is enthralled by a spellbound plot, music, dance, songs and suspense saga. The performance of Shammi Kapoor, Helen, both Prems, Iftikar and Rashid Khan is classic. Even during the 5 mt brief intermission, the cine-goer prefers to be glued to his seat lest the entry of Premnath, immediately after the intermission be missed.
Comedy is at its zenith. The entry of Kapoor on the New Delhi Rly platform and his extraordinary style of walking is mind boggling.
Even 40 years down history, its music and songs are as hit as they were when the first gramophone records were released in 1965. I remember people queuing before the radios in shops and halt in the streets when the songs were played. Needless to say, not a single Wednesday program of Binaca Geetmala in 1966 thru 1968 was aired without a Shammi number either from Teesri Manzil, An Evening in Paris and Bhramachari.
The music, drama, settings and perspiring expressions of Kapoor during the climax of accidentally locating the intriguing "gem-studded coat-button " is scary, hair raising and traumatic.
A film for all classes and all age.
Comedy is at its zenith. The entry of Kapoor on the New Delhi Rly platform and his extraordinary style of walking is mind boggling.
Even 40 years down history, its music and songs are as hit as they were when the first gramophone records were released in 1965. I remember people queuing before the radios in shops and halt in the streets when the songs were played. Needless to say, not a single Wednesday program of Binaca Geetmala in 1966 thru 1968 was aired without a Shammi number either from Teesri Manzil, An Evening in Paris and Bhramachari.
The music, drama, settings and perspiring expressions of Kapoor during the climax of accidentally locating the intriguing "gem-studded coat-button " is scary, hair raising and traumatic.
A film for all classes and all age.
This is probably Shammi Kapoor's best performances after JUNGLEE(1961
Its quiet different to see him in the role of a framed musician with an eye for the ladies He has like three bad girls who love him
A young woman fell in love for Shammi and committed suicide but the girls sister thinks her sister was seduced and jilted which is why she wants revenge
The movie is a Hithcock-influenced romance with a small murder mystery thrown in
The movie has fantastic song stand outs like O Hasina Zulfonwali Jaane Jahan and Tumne Mujhe Dekha
Shammi Kapoor stands out in his role Asha Parekh is the spunky revenge seeking sister Premnath is convincing Helen's role is small but effective Prem Chopra is average Rashid Khan is scary with his stare the rest are okay
Its quiet different to see him in the role of a framed musician with an eye for the ladies He has like three bad girls who love him
A young woman fell in love for Shammi and committed suicide but the girls sister thinks her sister was seduced and jilted which is why she wants revenge
The movie is a Hithcock-influenced romance with a small murder mystery thrown in
The movie has fantastic song stand outs like O Hasina Zulfonwali Jaane Jahan and Tumne Mujhe Dekha
Shammi Kapoor stands out in his role Asha Parekh is the spunky revenge seeking sister Premnath is convincing Helen's role is small but effective Prem Chopra is average Rashid Khan is scary with his stare the rest are okay
I first saw this film a few years ago and since then I must have seen it at least 20 times. First and foremost, the songs are excellent. I could listen to every single one again and again, especially O Haseena Zulfon Wali. Mohd Rafi truly is the greatest Indian playback singer to date. Asha Bhosle provides excellent support, particularly in the O Mera Sona Re song. Secondly, both the acting of Shammi Kapoor and Asha Parekh is great, both of them can pull off the comedy and the seriousness. Thirdly the plot of the movie is quite good too, with enough suspense to keep you hooked until the very end. This movie has been credited as the first murder mystery in Indian cinema and although at times its very clichéd and a little unbelievable, it still holds your attention.
All in all a typical 1960's movie but with that added masala that is bollywood!!
All in all a typical 1960's movie but with that added masala that is bollywood!!
This is a perfect example of Indian pop cinema from the 1960's reflecting the relentless encroachment of Western style music and beat generation dancing - however R. D. Burman composed some good tunes for this, perfectly showcasing the talents that were Asha Bhosle and Mohammed Rafi.
A woman is murdered and her old friend played by Shammi Kapoor feels obliged to help track down the culprit. As it goes it's done pretty well, but of course the music is the thing! Although I liked his older brother Raj and along with this one some of his other films too I could never understand Shammi's over-expressive style of acting or his appeal (not being a woman maybe) - imho he almost ruined some of the songs here with his mugging and jerky movements. But of course, Shammi once seen never forgotten! Favourite bit: O Mere Sona - I used to wind on and play the vid just for this just to marvel in the incredible dexterity of Asha's vocals in the asking of Shammi's forgiveness; it's much easier with the DVD! The only copy I've ever seen has a rather fluid colour, occasionally lending an unintentionally surreal atmosphere at times but not detracting from the enjoyment.
It's an inconsequential treat much better than Viva Las Vegas, but clocking in at nearly 3 hours means patience, patience I think ultimately rewarded.
A woman is murdered and her old friend played by Shammi Kapoor feels obliged to help track down the culprit. As it goes it's done pretty well, but of course the music is the thing! Although I liked his older brother Raj and along with this one some of his other films too I could never understand Shammi's over-expressive style of acting or his appeal (not being a woman maybe) - imho he almost ruined some of the songs here with his mugging and jerky movements. But of course, Shammi once seen never forgotten! Favourite bit: O Mere Sona - I used to wind on and play the vid just for this just to marvel in the incredible dexterity of Asha's vocals in the asking of Shammi's forgiveness; it's much easier with the DVD! The only copy I've ever seen has a rather fluid colour, occasionally lending an unintentionally surreal atmosphere at times but not detracting from the enjoyment.
It's an inconsequential treat much better than Viva Las Vegas, but clocking in at nearly 3 hours means patience, patience I think ultimately rewarded.
The basic instincts of directors come to the fore when they make a movie. Guru Dutt is an observer of life and never resorts to melodrama even in his tragedies. Gulzar is a mischievous person and this comes out in Anand, Chupke Chupke where he wrote dialogues or in the tragic Namkeen where he directed.
Vijay Anand has a trained upbringing in terms of directorship when he saw and observed Chetan Anand at work.
Here, he has not written the film but as a director his stamp is there in each frame of the film. He is a director by instincts, and a very good one. Apart from his writing and shooting and editing skills, where too he is unmatched.
¿Sabías que...?
- CuriosidadesThis film originally had Dev Anand in the leading role, but following a spat between him and producer Nasir Hussain, he walked out of the film. When Shammi Kapoor was approached for the role, he told Nasir Hussain he would work in the film only if Dev Anand tells him personally he is not working in the film out of his own will, and that he is fine with him doing the film. That is what happened.
- ConexionesFeatured in Hum Tum (2004)
- Banda sonoraTum ne mujhe dekha hokar meherbaan
Sung by Mohammad Rafi
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- How long is Teesri Manzil?Con tecnología de Alexa
Detalles
- Duración2 horas 52 minutos
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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By what name was Teesri Manzil (1966) officially released in Canada in English?
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