Bromas con mi mujer... no

Saw 'Not With My Wife, You Don't!' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover was also appetising, George C Scott was one fine actor and the story, while unoriginal, seemed really interesting. So there were all the ingredients here for it to work and really wanted to like it.

Unfortunately, 'Not With My Wife, You Don't!' didn't do anything for me. A few good things but what had the potential to fly high doesn't properly leave the ground. As said Curtis had missteps in his career, 'Not With My Wife, You Don't!' is one of them.

'Not With My Wife, You Don't!' as aforementioned has good points. It's a great-looking film and beautifully filmed in quite ravishing but never too glossy Technicolor. There are a few good scenes, with a colourful opening sequence, the temporarily gone blind one and especially the Italian film spoof (do agree that it is the highlight of the film).

Virna Lisi, sensuous and charming, gives the best performance. The music score is pleasant enough if not exactly memorable.

However, was disappointed in the big names. Curtis is in a role that on paper was in his comfort zone and one he should have been perfect for, his performance here felt stale, with a surprising lack of zest in his comic timing and the charm being missing, and like he was struggling to properly keep up. Was more let down by Scott, here cast in an atypical role and badly out of his depth with him trying far too hard and being too intense. Have absolutely nothing against actors being cast against type, there have been some great examples but Scott's very vast experience in intense heavyweight roles feels ill-suited for a lightweight film. The chemistry between the actors lacks sparkle.

The lack of sparkle is also present in the script. apart from the odd amusing line there is a lack of zest and wit and what might have been racy at the time comes over as tame and bland. It may not be as fluffy and smutty as one would fear, but it's nowhere near saucy enough and gets silly and limp. The direction is hardly inept, but it's not particularly distinguished or inspired, almost too safe. The story can be sluggish and content-wise it's far too slight, it needed a much lighter touch in a film that should be lightweight fluff but played and taken too seriously and it's pretty contrived.

In conclusion, lacklustre and a disappointment while with its moments. 4/10 Bethany Cox

I've watched this film a few times over the past few years because the it does my head in. In the Tony Curtis autobiography he said he wanted to play the George C Scott role. He should have. Other reviews make a comparison to Hope and Crosby films and rightfully so, this is more Bob and Bing than Tony and George.

So here's the problem. George and Tony are both in the military and George is Tony's superior. Both are in love with Virna. Virna marries Tony. That makes sense.

However Tony is sent away and George uses this time to romance Virna and she is okay with this and Tony is the "sort of" jealous husband. It may happen in real life but in a Hollywood film, it's the craggy faced George who should be married to Virna worried about what the handsome and charming Tony is up to, that may make for fun comedy, maybe.

In a Bing and Bob movie it's obvious, Bob marries Verna and is worried what the sneaky Bing would be getting up to.

Here's a thought Robert Downey Jnr remakes this movie (plot) with say Russell Crowe for example. However Downey plays the charmer. It could work, however it may not be worth the effort.

Korean War buddies Tony Curtis (as Tom) and George C. Scott (as Tank) would rather fight over blonde Italian beauty Virna Lisi (as Julie). She likes to have two of everything, but Ms. Lisi can't juggle two contentious colonels. Lisi marries Mr. Curtis, but since he won her deceptively, she may decide to hook up with Mr. Scott. Naturally, Mr. Curtis thinks, "Not with My Wife, You Don't!"

After Bob Hope's cameo, it occurred to me that if they were 20 years younger, Mr. Hope and Bing Crosby might have starred in this film. Hope would play "Tom" and Mr. Crosby would be perfect as "Tank"; of course, somehow both Hope and Crosby would be sent snow-sledding to Labrador. Now, who would win Virna Lisi is debatable. Well, flash-forward to director Norman Panama's present…

The actors have a few good moments, like Curtis trying show Scott he's temporarily gone blind, in an early hospital scene. And, later in the running time, watch for the very best part of the movie, with Scott and Curtis joining Lisi in a black-and-white Italian movie spoof - if only the entire movie were as good as this scene. Most prophetic line: Curtis, in Arab drag, says "Let's get the Shah on the road."

**** Not with My Wife, You Don't! (11/2/66) Norman Panama ~ Tony Curtis, George C. Scott, Virna Lisi

In film history there are many comedy teams. Some good, others better and some are Classic Teams of the highest caliber. Examples like Laural and hardy, Lou And Abbot and of course, Martin and Lewis rank among the greatest. In this film called " Not with My Wife, you don't " are teamed Curtis and Scott (Tony Curtis and George C. Scott). Despite their great talent in dramas and Plays, their gifted combination as a comedy team falls short in this effort. The story is of two Air Force fliers who's constant game of one up-man-ship is forever fueling their amorous conquests. So much so that even as they flow through their military careers, this game continues. While stationed in Asia during the Korean War, they suddenly put all their skills on high as they both fall in love with the same woman. Virna Lisi plays Julietta, a beautiful nurse who becomes their ultimate luscious target. Unfortunately, the game becomes serious as Ferris takes advantage of Scott's absence and marries Julie. Indeed, twenty years elapses and into their lives re-enters Col. 'Tank' Martin. Now the table is set for a rematch as Ferris's wife feels so neglected, she's willing to allow Tank to win her away from a husband who has become a 'Gopher' for the commanding general (Carroll O'Connor) Gen. Maynard C. Parker. The movie is complete with high flying antics, double-crosses and comedic situations which enliven the film. It's good laughter, combined with semi-serious drama. Eddie Ryder plays Sgt. Gilroy a trusted, but otherwise slap-stick side kick to Curtis. The result is a good film, interesting, humorous and in many ways a Classic in its own right. ****

Virna Lisi plays "Julietta", the femme fatale here, who is chased after by soldiers Tank Martin (George Scott) and Tom Ferris, (Tony Curtis). Scott and Curtis had appeared together in "The List of Adrian Messenger" back in 1963. Carroll O'Connor (Oh Archie!) in supporting role, as the big shot General. The "other" big Hollywood role for which V. Lisi is known is "How to Murder your Wife", a similar farce, with Jack Lemmon, in 1965. Julietta flirts with both men, as they get sent to various places around the world, even after she gets married. You need to have a lot of patience for the many physical and sight gags here, much like a slow moving "Pink Panther" movie. Another little weird connection here - Note actor Robert Cleaves, the reporter Chandler McVey, from Time Magazine -- he will appear with Carroll O'Connor in "Archie Bunker's Place" in the late 1970s; Cleaves has quite the interesting bio on IMDb for those interested. Directed by Norman Panama, who had directed Bob Hope in "Road to Hong Kong", "That Certain Feeling" and "How to Commit Marriage". That may explain why we see footage of Bob Hope in this film.... "Not with my Wife" is okay... nothing earth shattering, just one of the romps from the free-loving 1960s, after being stifled so long under the film production code.