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IMDbPro

Cita en París

Título original: Made in Paris
  • 1966
  • Approved
  • 1h 43min
PUNTUACIÓN EN IMDb
5,4/10
769
TU PUNTUACIÓN
Ann-Margret in Cita en París (1966)
Maggie Scott (Ann-Margret), a fashion buyer in Paris on her first buying spree where she meets famous fashion designer Mark Fontaine (Louis Jourdan) and he immediately gives her the big rush. When Maggie appears to have lost the lucrative contract with Fontaine, her boss Ted Barclay (Chad Everett), the son of her company's owner, comes to Paris to straighten things out, making an even bigger mess of things.
Reproducir trailer2:56
1 vídeo
33 imágenes
ComediaComedia románticaRomance

Añade un argumento en tu idiomaAn ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.An ex model, sales girl and assistant buyer for an NYC dress store lets her hair down when sent to Paris as fashion buyer.

  • Dirección
    • Boris Sagal
  • Guión
    • Stanley Roberts
  • Reparto principal
    • Ann-Margret
    • Louis Jourdan
    • Richard Crenna
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,4/10
    769
    TU PUNTUACIÓN
    • Dirección
      • Boris Sagal
    • Guión
      • Stanley Roberts
    • Reparto principal
      • Ann-Margret
      • Louis Jourdan
      • Richard Crenna
    • 23Reseñas de usuarios
    • 7Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Vídeos1

    Official Trailer
    Trailer 2:56
    Official Trailer

    Imágenes33

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    + 25
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    Reparto principal99+

    Editar
    Ann-Margret
    Ann-Margret
    • Maggie Scott
    Louis Jourdan
    Louis Jourdan
    • Marc Fontaine
    Richard Crenna
    Richard Crenna
    • Herb Stone
    Edie Adams
    Edie Adams
    • Irene Chase
    Chad Everett
    Chad Everett
    • Ted Barclay
    John McGiver
    John McGiver
    • Roger Barclay
    Marcel Dalio
    Marcel Dalio
    • Georges
    Mathilda Calnan
    • Cecile
    • (as Matilda Calnan)
    Jacqueline Beer
    Jacqueline Beer
    • Denise Marton
    Marcel Hillaire
    Marcel Hillaire
    • Attendant
    Michèle Montau
    • Elise
    • (as Michele Montau)
    Reta Shaw
    Reta Shaw
    • American Bar Singer
    Count Basie and His Orchestra
    • Count Basie and His Orchestra
    • (as Count Basie and His Octet)
    Mongo Santamaria
    • Mongo Santamaria
    • (as Mongo Santamaria and His Band)
    Leon Alton
    Leon Alton
    • Passerby
    • (sin acreditar)
    Don Anderson
    Don Anderson
    • Nightclub Patron
    • (sin acreditar)
    Robert Banas
    Robert Banas
    • Dance Partner
    • (sin acreditar)
    Majel Barrett
    Majel Barrett
    • Mrs. David Prentiss
    • (sin acreditar)
    • Dirección
      • Boris Sagal
    • Guión
      • Stanley Roberts
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios23

    5,4769
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    Reseñas destacadas

    5lnoft97

    Hilariously dated, but kind of fun as such things are

    This thing was made in 1966, there were social changes a' coming. Heck, the Beatles and dozens of other Brit bands were here; fashions/makeup and social mores were changing fast. And here is our darling young gorgeous naive Ann Margret in the Gay Paree fashion world, fending off several inexplicably straight men dying to get into her lacy undies. Everyone wearing already dated huge Dairy Queen ice-cream-cone hairdos. An eye-goggling endless fashion shows of amazing, though already dated, 'Paris Fashions' (including a hideous hideous wedding gown at the end of the fashion show). And enough dead skinned animal fur to taint the Seine blood red for a year. Every other gown/coat/pantsuit was festooned with fur. Everyone smoking like MAD (and all that fur and expensive clothes worn in nightclubs so thick with nicotine you could hardly see them). Lots of I'm-not-that-kind-of-girl slap and tickle, lots of groovy and not dancing, some OK music of the time - this was made for ladies like my aunt, about 40, and still in love with Elvis years after he peaked. Long gloves, lots of up-do hair, amazing colors, exquisite set decorations (her hotel room - to. die. for.) Just watch this silly dated thing for the eye candy. It plays, and sounds, exactly like something Doris Day would have starred in (she turned it down, wisely, being a bit long in the tooth to play a beautiful young naive virgin being solicited by the three straight men in all of the fashion world.). A lovely Sunday afternoon time-filler. Not good, but not horrible.
    4Ed-Shullivan

    I would rather watch (1963) Gidget Goes To Rome a second time

    Ann-Margret is simply irritating trying to play a naive and coy young lady wandering into Paris for her very first time with two (2) men both trying to woo her affections. I could not help but compare it to the earlier 196 film Gidget Goes to Rome starring James Darren, and Cindy Carol which was a more genuine adorable movie for young first time lovers.

    Made in Paris was a big disappointment. It also reminded me of any number of Jerry Lewis's 1960's slapstick films. So for a so called Romance genre film it tanked big time.

    I give it a lowly 4 out of 10 IMD rating.
    3wes-connors

    A Beautiful Waste of Ann-Margret's Time

    Beautiful fashion model, salesgirl and assistant buyer Ann-Margret (as Maggie Scott) dates handsome boss' son Chad Everett (as Ted Barclay). When it's time to make out on the sofa, Ann-Margret hits Mr. Everett violently on the head with an "Objet d'art". Everett survives, but with a bandaged head. After the credits, Ann-Margret learns she is being transferred to Paris, where she'll work as a fashion consultant. It's a glamorous and exciting job. Ann-Margret is courted by famous fashion designer Louis Jourdan (as Marc Fontaine) and playboy reporter Richard Crenna (as Herb Stone). Everett also goes to Paris, probably because he regrets asking Mr. Crenna to look after Ann-Margret. Co-worker Edie Adams (as Irene Chase) tries to explain Mr. Jourdan needs sexual satisfaction, but Ann-Margret doesn't seem to understand...

    Ann-Margret is an amazing beautiful woman, and director Boris Sagal provides opportunities to see her underclothing. Dressing and undressing scenes are a highlight of "Made in Paris". One standout moment has the leading lady flashing a sexy glimpse of upper thighs while getting up and going to do something impossible to remember unless you're not looking up her short nightie. You could almost see France, but all of this story was done in the US. Of course, you see nothing, but it's Ann-Margret. The actual story is incredibly dull. There is a dreadful "fashion show" segment with stuff Mr. Jourdan's character admits no woman is going to wear. Ann-Margret has a lively dance segment, but this film otherwise wastes its star. The question, "Will her virginity remain intact until just after the closing credits?" is answered.

    *** Made in Paris (1966-02-09) Boris Sagal ~ Ann-Margret, Chad Everett, Louis Jourdan, Richard Crenna
    6blanche-2

    Paris and stunning Ann-Margret make this a feast for the eyes

    Ann-Margret, Louis Jourdan, Chad Everett, and Edie Adams star in this light film which when seen today sets the #metoo movement back 50 years.

    Ann-M, whom the boss' son (Everett) is in love with, plays a courtier buyer for a department store, in Paris on her first job. She is replacing another buyer (Edie Adams). Now in the corporate apartment, Ann-M doesn't realize that her predecessor was having a mad fling with one of the designers (Jourdan) as part of their contract.

    This is just a frothy romance that is a showcase for the gorgeous, sexy Ann-Margret in glamorous Helen Rose outfits. If you're an Ann-Margret fan, you don't want to miss this.
    5bkoganbing

    Her first assignment

    Made In Paris is not referring to something that happens to Ann-Margret while in Paris. Not that there aren't three men willing to take on that assignment. No in fact it refers to Ann-Margret's first assignment taking over as a department store buyer in place of Edie Adams who is going to get married. No Ann's in Paris to get designer clothing for her store with that all important label in the fashion industry.

    The three men in her life are designer Louis Jourdan, reporter Richard Crenna and the son of the store owner Chad Everett. Jourdan and Everett are in heat over her, Crenna just sits back and offers cynical comments hoping the other two kill each other off.

    Ann-Margret was just a wee bit too innocent for this comedy with pretensions of sophistication. Not the best films for any of her leading man for that matter either. But entertaining and pleasant enough for a Saturday afternoon.

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    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Ann-Margret got to keep whatever she wanted of the wardrobe created for her by Helen Rose as part of her contract to do the movie.
    • Pifias
      Glass of water appears and disappears during Paris bedroom scene.
    • Citas

      Ted Barclay: That was sent to Lilly LaRue for her strip tease act at the Body Shop.

    • Conexiones
      Featured in Made in Paris (1966)
    • Banda sonora
      Made in Paris
      Music by Burt Bacharach

      Lyrics by Hal David

      Performed by Trini López (as Trini Lopez)

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    Preguntas frecuentes15

    • How long is Made in Paris?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 9 de febrero de 1966 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Francés
    • Títulos en diferentes países
      • Hecho en París
    • Localizaciones del rodaje
      • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, California, Estados Unidos(Studio)
    • Empresas productoras
      • Metro-Goldwyn-Mayer (MGM)
      • Euterpe
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 43min(103 min)
    • Relación de aspecto
      • 2.35 : 1

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