Funeral en Berlín

Funeral in Berlin, in my view, remains the best of the 3 Harry palmer films. Dispensing with the mandatory 60's 'brainwashing'and over-played 'spy' sequences of the Ipcress file. Funeral in Berlin benefits greatly from being shot on location, adding to the authenticity and nervy cold war tension of the original novel. (Actually at least 2 other sub-plots are ditched to save on running time & viewer brain fatigue)The plot, although condensed, remains coherent and totally logical. For anyone wanting explosions, car chases and all the other dreary staples of the 'spy thriller' - forget it. Harry Palmer travels to see his boss on a bus and only receives a gun (at his request) over half way through the film! Watch it for atmosphere, razor-sharp dialogue and a great in-joke regarding Lownbrau beer... Michael Caine is at his world-weary best and supported by a fine cast, all adding to arguably the most 'authentic' spy film of the 60's. as for Billion dollar brain- Have you ever seen it? Listen to the theme tune & turn off!!

There are a number of interesting spy novels involving British Agents, which were written by Len Deighton, but the most popular ones involves international spy Harry Palmer (Michael Caine) . That is because unlike 007, Harry is a 'thinking man's James Bond.' If you watch the movie, you'll see the reason for such a statement. Take for instance this offering " A Funeral in Berlin " is the tale of spy vs spy. During the era of the Cold War, each side (East and West) was endeavoring to gain an upper hand in the war of intrigue. The Berlin Wall or Iron Curtain separated Germany and each side sought to exploit the other side's weaknesses. Many East Germans were seeking to cross the 'wall' any way they could. To fail meant death. Harry Palmer is sent by his boss, Col. Ross (Guy Doleman) on what Harry believes is a fool's errand. A high ranking Russian Official, Colonel Stok KGB (Oskar Homolka) seeks to defect and needs Harry's help. His German friend, Johnny Vulkan (Paul Hubschmid) reassures harry of his mission as does Eva Renzi (Samantha Steel) an Isreali spy. All seems above board, but Harry is no fool and takes precautions to insure his own life. What transpires is nothing short of fine drama and the result is the foundation for Classic status. ****

This is my favourite of the three Harry Palmer films (I don't count the 90s remake.) This film is accurately done and goes at a sensible pace – however, those people looking for computerised special effects and exploding cars are watching the wrong film.

The plot is really good and makes absolute sense – if you follow it closely. There is also the wonderful dry wit between Palmer and his commanding officer.

Palmer: I didn't pick her up; she picked me up.

Ross: Well you'd have to say that to get it on expenses.

Also, you should watch this in widescreen – there are some subtle details, which are left out at the edge of the screen. Including the subtle way in which Sam first picks up Harry at the hotel. However, unlike most "Spy" films we are not subjected to the obligatory soft porn sequence.

Listen carefully for the references to Suvorov – a Russian general, part of the priceless banter between Palmer and the Russian who wants to defect.

They don't make films like this anymore – simply because they don't write books like this anymore. This was Len Deighton and it is first class.

Though arguably not as cohesive as The Ipcress File, Funeral in Berlin still stands head and shoulders above the average 60s spy movie. The pacing could be tighter, the adaptation of Deighton's exemplary novel - one of his best - could be a little more fluid but generally the thing works well.

For fans of the novels this is perhaps the most interesting of the three movies. Ipcress is a fascinating spin on the its novel's central theme, Brain is an awful adaptation of a lack-lustre book but Funeral in Berlin sticks to the original story pretty firmly until it turns on you with a very groovy twist indeed.

"The Ipcress File" introduced us to Harry Palmer, the anti-James Bond. This movie is even better than the first. Both are based on novels by Len Deighton, who rivals John LeCarre as the most sophisticated thoughtful spy novelists. Michael Caine's Palmer has a cockney accent, avoids fights, can't afford the finer things in life, has no fancy cars or technological gimmicks. What he has is the brain to figure who's triple crossing all the double crossers in Cold War Berlin's espionage underground. It helps that all the other characters underestimate him. This movie is sharp, intelligent, and unsentimental. It ranks with the very best spy movies ever made. Outstanding.