Más peligrosas que los hombres

Director Ralph Thomas, whose credits include DOCTOR comedies, NO LOVE FOR JOHNNIE, HOT ENOUGH FOR JUNE, produced a masterpiece as rarely as a dud. His films tend to be quite enjoyable and DEADLIER THAN THE MALE certainly fits that description.

To that end, it is greatly enhanced by the presence of such sensational beauties as Elke Sommer, Sylva Koscina, Suzanna Leigh and Virginia North, the first three all assassins of the highest refinement and tariff. Sommer, in particular, is absolutely to die for. Lovely legs, eyes, everything.

Richard Johnson delivers a highly polished private detective, Hugh Drummond, who is every bit as stealthy and classy as James Bond, who had been firing his way around the globe since 1962 in the figure of Sean Connery. Drummond is accompanied by his young and innocent nephew, Bob Drummond (Steve Carlson), who hampers more than helps.

However, in terms of acting the cherry on the cake comes courtesy of Nigel Green, who hides his hand until emerging as the cold, classly nasty villain who pulls the strings of the three beauties, much like the inverted precursor of Charlie and his angels in the 1980s.

Great photography, beautiful locales, and a script with sharp dialogue, repartee, and light humor.

I loved it! 8/10.

This above-average Bond knockoff deserves to be better known. It's too imitative of the Bond pictures of the time (especially "Thunderball" - minus the underwater scenes), and the plot slows down at times, but Elke Sommer and Sylva Koscina make a terrific pair of sexy, teasing assassins (with Sommer being the sexier one and Koscina the more teasing one). Nigel Green also makes a smooth villain (although he should have hired more guards!). This picture should become more widely available, because although it's not perfect, it's much better than, say, the atrocious pseudo-spoof "Our Man Flint". (**1/2)

1966 re-imagining of Bulldog Drummond in the James Bond mold. Drummond was created in a series of stories by Sapper. He was a British soldier of fortune between the world wars who fell into one crime related tale after another. They were made into a series of films in the 30's with various people playing Drummond including Ronald Coleman and Ray Miland. Other people like Reginald Denny and John Barrymore played in support. It was for the most part a very fun series.

In Deadlier than the Male Drummond (here played by Richard Johnson) is a trouble shooting attorney investigating a series of "accidents" which he suspects are murder. The trail leads to a group of women who seem to be able to fix any problem for a price, actually a million pounds.

The film is a very good little crime action film, certainly its better than many spy films that appeared in the wake of the Bond films. There are many beautiful women, numerous witty remarks and a good number of action set pieces that are atypical in their implied violence (the torture of Drummond's nephew for example). I liked that there is a realism that the Bond films rarely had. there are no gadgets as such, though there is a life size steel chess set that figures into the plot towards the end that is amazing-especially since there was no CGI used (hey this was 1966). I liked this film a great deal. Keep an eye out for this gem on DVD or on cable, its worth taking the time to see it.

7 out of 10

Perhaps the best of the escapist superspy movies spawned by the James Bond phenomenon,"Deadlier than the male" benefits by taking itself more seriously than the leering and campy approach found in,for example,the "Matt Helm" series and the 2 "Derek Flint" films.Richard Johnson-who could well have played James Bond,and would have brought more humanity to the role than any of the actors who played 007 managed,is excellent as Hugh "Bulldog" Drummond(a character featured in a series of books in the 20s and 30s and a number of "b" movies,reborn here as a secret agent for the swinging 60s).Nigel Green is also perfect,as a suave and very dangerous master criminal.The female assassins,played by 60s stunners Elke Sommer and Sylva Koscina,are allowed to be despicably evil,and without any redeeming features(they are as keen to sadistically torture people as they are to kill them),and the sight of the murderous pair in bikinis emerging from the ocean with harpoon guns,should be as iconic as the "Ursula Andress hits the beach" moment in "Dr No".

Unfortunately the sequel to this movie,"Some girls do"(1969),though not without interest,adopted the over the top camp "Deadlier than the male" avoided,and ended the franchise.

I'd forgotten this film. At the time, it felt like Bond light but revisiting it half a century later, it's a minor gem. Judged as a movie, it's barely a six but with the perspective of distance it's better. No obvious sets, as far as I could tell all the interiors matched the exteriors. Drummond's apartment in Albert Hall Mansions is really there. I knew the area and those apartments intimately in the 60s. Sure, it lacks the high camp appeal of the Modesty Blaise flick but this really is the way it was. The two girls have a much more complex role than in any Bond movie and their relationship is hilarious. We're in Killing Eve territory. Yes, the usual britflick issues surface in the fight scenes, particularly judged by current standards, but take it for what it is today and it's thoroughly entertaining. There was a second Bulldog Drummond film which I haven't seen but it lacks Nigel Green's wonderful villain and by all accounts is inferior. If you're tempted to read the books, know that they're very different. I like them but their mix of sadism, snobbery and xenophobia will offend delicate minds that need a safe space.