Cáete muerta, cariño

Tony Curtis is Nick Johnson, a man who's made his living marrying rich women. His first two wives conveniently ended up getting killed and now he's looking for rich wife number three. However, this Italian beauty might be a problem...she's been doing the same! Now, you aren't sure who is going to survive...if either of them! And, if this isn't enough....Nick has a jealous girlfriend (Nancy Kwan) who shows up the day of his third wedding!

Much of the story is told through flashback scenes...some of which work very well and some of which make you cringe because they are so cheesy and kooky. It seems the filmmakers didn't quite strike the proper balance between story and silly interludes...something which worked out perfectly in one of Curtis' other films of the era, "The Great Race" (1965). Now I am not saying that "Arrivederci, Baby" is a bad film....just that it had some serious flaws which prevented it from being a lot better. In its final form, it's modestly interesting but also occasionally annoying...and still worth seeing if you can handle these moments.

I know nothing of the history of this movie, but I suspected it started out with this pitch: "Let's do 'How to Murder Your Wife' but with Tony Curtis.'" While there was no actual murder in the aforementioned movie (made a year earlier), there are several in this one. Curtis has a fine time playing his dark side in the first half of the movie and mostly getting away with it. The last half of the movie goes nowhere, though, and Nancy Kwan really has nothing to do in the movie, even if she is on the video box cover nowadays. However, Zsa Zsa Gabor has her one perfect, if brief, role of her otherwise inexplicable career in the first part of the movie.

As a boy, he got from an orphanage to an extraordinary adoptive mother and lived from there on an happy life. But then his peace is desturbed by an elderly captain, who wants to Marty and live from the rich widows money too. This competitor has to leave the scene fast, he knows and so he did.

The boy becomes a man and is rich now, but keeps its habits of 'loosing' his wifes. Of course, he used to check the wealth before marriage!

Saw 'Drop Dead Darling' as part of my Tony Curtis completest quest after being recommended many of his films here in the recommended for you section. It was not something that was intended initially but actually it has proven to be a generally worthwhile experience, even with a couple of missteps.

While there were and are better actors about and he didn't always look comfortable in his early films, Curtis was always immensely likeable and had a charming charisma with many good and more performances under his belt. The cover and premise (haven't admittedly read the source material) were great and the cast is a talented one, have always liked Lionel Jeffries in particular.

'Drop Dead Darling' turned out to be watchable with enough strengths to keep it afloat, but it did disappoint and could have been much better.

The cast is its main selling point and the best thing about it. Curtis exudes both charm and creepiness in a despicable "Bluebeard" sort of role, with enough to him to make it easy to see what others see in him, one doesn't associate with him. Rosanna Schiaffino is an alluring presence and is no slouch in the acting stakes. Jeffries could have had more to do but makes much of what he has. Zsa Zsa Gabor, in briefly but one of her better performances actually, and Anna Quayle bring some welcome very funny light-heartedness, especially Quayle.

Other than those two's scenes, the other highlight is the tense chemistry between Curtis and Schiaffino, followed by the croquet match. There are enough moments of amusement, especially in the first half. 'Drop Dead Darling' looks good, with beauty and atmosphere in the way it's shot.

However, 'Drop Dead Darling' fares less good in the darker elements, where there is not enough tension or suspense let alone creepiness or surprises. It feels bland and sometimes tasteless, and some of the final act is aimless. Tonally the film feels muddled, mixing light hearted comedy with a dark undercurrent that jars too much and makes it all rather mean-spirited. The comedic scenes fare better but are similarly uneven and could have been more. While the cast are more than game, Nancy Kwan has practically nothing to do and makes no impression at all.

Found the script weak in spots, with some clumsy attempts at breaking the fourth wall. The direction is workmanlike at best with no real distinction or inspiration. The music does its job alright on its own, but it's also somewhat forgettable and didn't seem to fit particularly well or be harmonious with the film's tone. The pace can be dreary in the latter stages.

In summation, not bad but nothing special. The cast and some good scenes make it watchable, it's just let down by most of everything else. 5/10 Bethany Cox

Tony Curtis is Nick Johnson, a man who uses his irresistible charm to use women to his personal, financial gain. He goes through a string of women whose untimely deaths give Johnson more wealth than he could earn on his own (at least with the same, minimal effort). He meets his match in wealthy, young, beautiful, fabulously gorgeous widow Francesca di Rienzi (Rosanna Schiaffino). The problem is he actually finds himself falling in love with her.

My 5/10 rating should indicate that I found Arrivederci, Baby! mildly amusing. I wasn't rolling in the floor laughing, but most of the movie is at least passable entertainment at its worst. The final act where Curtis and Schiaffino go toe-to-toe is the film's highlight. They're on equal footing. With most of the other women, Curtis has the upper-hand before they realize they're being had. It's not fair. I think my favorite bits might have been either the croquet match or dance floor fight scenes - really good stuff. Other than the creepy bits where Curtis tries to play a "boy", he's good. I didn't care for the instances where he breaks the fourth wall, but that's not his fault. Schiaffino is in fine form. What a woman! After I watched her in The Witch, I wrote, "I don't know where these Italian producers found these incredible women. It's not a stretch of the imagination to believe Schiaffino could force any man to fall for her." I could say exactly the same after watching this film.

I've already mentioned my problem with Curtis as a "boy", but I had other issues with his NIck Johnson. I get the feeling that Arrivederci, Baby! was meant to be a light-hearted romp. But there's a really dark undercurrent that I found troubling. Johnson isn't just a typical, loveable con-artist stealing money from rich women. He's also a murderer and a rapist. Not the characteristics you find in most rom-coms.

A couple of final points: 1. The European locations are to die for in this movie. And here, they're presented in all their 60s glory. What visions! 2. The supporting cast is especially strong. Lionel Jeffries, Zsa Zsa Gabor (yes, even Zsa Zsa), Nancy Kwan, and especially Anna Quayle add a lot of flavor and variety to the film.