La tumba de la isla maldita

Know it all Andrew Prine (whatever happened to him?) shows up on an island to deal with the body of his father. While there he stumbles into those superstitious movie people who, of course, know a lot more than he does. You need to ask yourself why they stay or don't seek help. But he, being the rational, twentieth century man, takes no stock in their beliefs. Of course, eventually he is pulled into the mystery and must act. He falls in love with a young schoolteacher who is in the middle of everything. There is a centuries' old vampiress who is haunting the island. The natives have tried to get rid of her but to no avail. It's very predictable and mostly dull, but there are a few scary moments and some great fangs. There is a tag added at the conclusion which everyone can see coming. Oh well. It's pretty common fair and not worth the time of most people.

Crypt of the Living Dead was filmed in colour, but my copy—part of a dirt-cheap Mill Creek box-set of vampire movies—was presented in black and white (despite the packaging stating otherwise); amazingly, the lack of colour might actually work in the film's favour, lending a touch of much needed Gothic atmosphere to an otherwise rather tedious tale of vampirism in a remote island community.

The film sees archaeologist Chris Bolton (Andrew Prine) visiting the island to claim the body of his father, who was crushed to death under a stone sarcophagus while investigating an ancient burial site; when Chris attempts to lift the marble tomb, he accidentally releases 700-year-old vampire Hannah (Barbara Steele lookalike Teresa Gimpera) who begins to feed on the locals, aided in her task by a wild-man in a furry waistcoat and a member of the village who seeks immortality.

Slow moving and devoid of action for much of the time, the film will definitely prove hard going for many, but director Julio Salvador achieves just about enough effectively haunting moments to make it a worthwhile watch for vampire movie completists: the local fishermen's hostility towards Chris's arrival on the island immediately provokes an unsettling 'Wicker Man' vibe; Hannah's ability to turn into a cloud of mist or a wolf makes her all the more menacing; and the finalé manages to pick up the pace a tad (albeit a little late, perhaps) providing a few reasonable chills in the process.

4.5 out of 10, rounded up to 5 for IMDb.

Quite ridiculous yet somewhat engaging story about a young archaeologist, played with one dimension by Andrew Prine, coming to Vampire Island to see/investigate the death of his father. Somehow a huge crypt carrying the remains of a 700 year-old vampire woman has fallen on him and his son must convince the locals that vampires are absurd superstitions. Of course what might have been a mystery is destroyed in the opening sequence as we see who has killed the father, just leaving the not-too-hard-to-figure why out. The film doesn't have much of a budget but the bleak desolation of the island is convincing, the vampire queen is impressive(and beautiful), and some of the shots are very atmospheric. Prine is bland and Spanish horror queen Patty Shepard displays some histrionics. She looks subtle when compared to some of the so-called "quiet" locals who fear the return of the killing palindrome. Frank Brana, playing the crusty, old, sagacious blind sailor steals his scenes with no shame being not just a slice of ham but a whole butt roast! Listen to his dialog, it is so bad that it is so fun and easily for me at least the best part of this film. "She is smart...700 years smart" and other quotes about Hannah sticking her fangs into necks and the power of superstitions cascade from his lips in an almost monosyllabic manner which only accentuates his strange looks as he might be a cross between Bela Lugosi's Ygor in Son of Frankenstein and Carmen Ghia from The Producers(okay, I know it's an obscure reference). Nobody else in the film comes too close to being just plain eye-catching. Teresa Gimpera as Hannah comes close; however, for different reasons. She looks great after so long and can still turn into fog and a wolf with the best of them. Her death scene is something to behold unintentionally. While Crypt of the Living Dead is indeed a bad film, it is a very watchable one once things get going.

Crypt of the living Dead seemed like a pretty decent vampire film to me. As I was reading the other commentaries which were fairly negative, I suddenly realized that my version of this film (which came from a Mill Creek entertainment box set-Chilling Classics) is in black and white whereas the film was actually made in color (at least according to IMDb). I have often thought that certain types of films (gothic horror, film noirs etc) are better in BW anyway. Settings can seem more ephemeral and eerie. Gore and blood looks more other-worldly. I do realize that watching a color film in BW is suboptimal in the sense that you are not viewing all aspects that the director intended (similar to watching colorized films, I suppose).

Nevertheless, I would suggest to viewers of this film that they at least try viewing it the way I have. It was a rather interesting experience. Perhaps Mill Creek also thought this film was better viewed this way.

DVD title: Young Hannah, Queen of the Vampires.

An archaeologist (Andrew Prine) visits Vampire Island to bury his father, who has died under mysterious circumstances. He ignores the warnings of a schoolteacher (Patty Shepard) and, prodded by an historical novelist (Mark Damon), he opens the tomb of the 13th-Century vampire Queen Hannah (Teresa Gimpera).

This routine but decent little import benefits from a colorful Mediterranean location, good photography and an engagingly casual performance by the slumming Prine. Despite a tedious midsection and poor dubbing of minor roles, the film has a mildly distinctive flavor, like a failed Euro-Trash Count Yorga, Vampire (1970).

Of the cast, Gimpera played the Crying Mother opposite Christopher Lee in Jesus Franco's El Conde Dracula/Count Dracula (1970), and Shepard (Spanish cinema's answer to horror star Barbara Steele) was Paul Naschy's co-star in the cult classic La Noche de Walpurgis/The Werewolf vs. the Vampire Woman/Werewolf's Shadow (1971). Damon (House of Usher, 1960) had faced vampires before in Il Plenilunio delle Vergine/The Devil's Wedding Night (1973) and in Mario Bava's I Tre Volti delle Paura/Black Sabbath (1963). (Today a Hollywood producer, Damon faces a different kind of vampire.)

Originally titled La Tumba de la Isla Maldita, the completed film (directed by Julio Salvador) was reworked for American release with new scenes shot by former actor Ray Danton, whose horror films as director include Deathmaster (1972) and Psychic Killer (1975).

It is more interesting to learn about such films than to dismiss them out of hand.