Las desventuras de Chrissy y Jo en su apartamento compartido en el distrito londinense de Earls Court.Las desventuras de Chrissy y Jo en su apartamento compartido en el distrito londinense de Earls Court.Las desventuras de Chrissy y Jo en su apartamento compartido en el distrito londinense de Earls Court.
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Having lived in both the UK and the US, and watched both the ORIGINAL, "Man About The House", and the US COPY, "Three's Company", I've enjoyed both of them, even now, in 2006.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
I've just been watching M.A.T.H. on Paramount Comedy, and much as I liked Three's Company, I'm finding I laugh out loud more often, at the UK show. I loved the American re-make too, but I guess my British upbringing means I identify with the British humour more.
It's just one of many UK sitcoms from the 1970's, that US television bought the rights and scripts of, and remade with an American flavour. Most of them became very popular in the US, with few people realising they were copies of original British ideas/scripts. Others I can think of:
"The Ropers" = "George & Mildred" "Sandford & Son" = "Steptoe & Son" "All In The Family" = "Till Death Do Us Part" "Reggie" = "The Rise & Fall Of Reginal Perrin"
All were good re-makes.
Conversely, on the few occasions the British have re-made American comedies, it hasn't worked as well. I'm thinking of UK remakes of "Golden Girls" and "Married With Children" - both British re-makes sucked, big time. In the case of the Married With Children re-make, I think it failed because the whole premise of the show was that it mocked clichéd "US cute family" comedies (it was known as the Anti-Cosby Show by the writers), and such humour didn't translate to a British show about a British family.
And now it's the 21st Century, and what do we see on NBC? An American re-make of the Golden Globe-winning British comedy, The Office.
Nothing changes.
I have such fond memories of watching this show. I would love to see it again. Yes, it was copied by Three's Company but the two shows diverged quite a bit after awhile. What I liked best about it was the sexual chemistry between Robin Tripp and Chrissy (the smart one). They were always bantering and teasing and arguing but you knew underneath there was something there. I was always waiting for the dumb blonde (Jo) to get out of the way so they could get more romantic. I wish I could remember how the series ended. I think they got together but maybe it was just wishful thinking on my part. I do remember the series Robin's Nest and it was kinda cute but there was no chemistry without Chrissy. In the American series, Chrissy was the dumb blonde, Janet the smart one but neither one had any real romantic relationship with John Ritter's character. I think people here have been too harsh about Ritter. He was all slapstick its true, but that was an art in itself! Different kind of humour. I prefer the British series as it was more subtle and clever, but I also enjoyed the American version. Although it really lasted at least two years too long!!
One of THE comedies of the 1970's. Also has the best signature tune of any comedy show. The story is about three people sharing a flat living above their landlords George and Mildred. The comedy rests on the mix of the people sharing. A man and two women. Richard O' Sullivan is besotted with Paula Wilcox. Its played in a gentle and not a leering way which is why this show was such a success.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
The scripts and the stars were always giving the best performances and Richard's frustrated love life was shown with a relaxed charm. The end titles contained visual jokes which went unnoticed in the early 1970's but concerned the flat sharers living arrangements.
I absolutely love old British TV series, and especially in the sit-com department they beat all other countries. I remember this particular series quite well even though I haven't seen it in a long time, luckily it's now available on VHS/DVD so I'll be buying it soon. Nothing beats that atmospheric shot-on-videotape look most British TV shows had in the '70s, when filmed indoors. Richard Sullivan is great as the guy the two girls find in their bathroom, and the two actresses are also both excellent. Terrific stuff. The series had two spin-offs; "George & Mildred" (about the landlord and his wife) and "Robin's Nest" (Sullivan's character minus the girls). Those who think the American version "Three's Company" is better only need to look at the amount of episodes it had, and suddenly it's not so funny anymore. I think the fact that "Three's Company" was filled with more characters and ran for a whopping 172 episodes compared to the original's small cast and 39 episodes says it all. Overdoing it kills any show, and the Brits always knew quantity is not the same as quality.
I absolutely LOVED this show when it aired here, even though I was a little kid by then. It had the kind of charm and mood that keeps you laughing until it hurts, the cast was excellent and so was the timing. If compared to what the sitcom genre has degenerated to (And I don't think it's necessary to name any specific title, most of the sitcoms are awful except Seinfeld) it's a crying shame that shows like Mad About The House are no longer made. Whatever happened to witty writing and great cast?
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
What you've got now in any sitcom is a cast full of supposedly cute girls who look like they just got out of a concentration camp, plus they can't act. And male cast is not much better, either. It seems any sitcom actor/actress must come out of a models' agency, as if the 'beauty' actually mattered more than the acting skills.
Somebody may accuse me of nostalgia, and I'm willing to be called that if it means yearning for good and funny shows like Mad About The House. The current sitcoms really stink. And I am looking forward to be able to get this fantastic show on DVD someday. By the way, The Roper was awesome as well.
10/10.
¿Sabías que...?
- CuriosidadesWriters Brian Cooke and Johnnie Mortimer were inspired to create Man About The House after noticing increasing numbers of advertisements in the London press for flatmates of either gender - until the early 1970s it was usual for flatsharing households to be all male or all female.
- Créditos adicionalesThe closing credits in later series show each credit caption against a still image featuring two 'female' objects and one corresponding 'male' object (eg drinks or item of clothing). One still image used features two cooking utensils as the 'female' items and a spanner as the 'male' item. This is ironic given that in the show Robin is a cookery student while Chrissy and Jo are self-confessed terrible cooks.
- ConexionesFeatured in All Star Comedy Carnival (1973)
- Banda sonoraUp to Date
(uncredited)
Composed by Johnny Hawksworth
Performed by The Hawksworth Big Band
[series theme tune]
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Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- Títulos en diferentes países
- Man About the House
- Localizaciones del rodaje
- Alma Square, St John's Wood, Londres, Inglaterra, Reino Unido(exterior: George and Mildred's house where in the flat is rented.)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
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By what name was Un hombre en casa (1973) officially released in India in English?
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