Noche de tensión

This relatively obscure "ABC movie of the Week" perhaps doesn't have the most groundbreaking or innovative plot ever penned down, and neither does it feature the most technologically advanced special effects, but Herschel Daugherty's "The Victim" does guarantee one majorly important thing, and that is good old-fashioned nail-biting suspense pretty much from the beginning until the very end! If I browse around and read the other user comments for this little gem, it seems as if many people originally saw the film on television when they were young, during its premiere in 1972 and still vividly remember how they were petrified. I can definitely relate to that, as "The Victim" features all the right ingredients to induce fear and disturbance: raging thunderstorms, power failures, cut off phone lines, unidentified footsteps upstairs, distressed damsels in remote countryside mansions, creepy old housekeepers and brief glimpses of dead bodies hidden in the basement! At home, in her luxurious apartment in San Francisco, Kate is terribly worried about her sister Susan. She lives far off in the country and announced that she was going to divorce her husband Ben. When she can't reach Susan on the phone, Kate decides to drive to her house even though there's a storm raging through the area. When she arrives at the house, Susan is missing and not even the nosy neighbor/housekeeper Mrs. Hawkes knows where she is. Now, the viewer already knows that Susan lies dead in the basement and that Kate is in great danger because her killer is still in the house. The storyline is thin and the climax is predictable, but that doesn't matter all that much because the atmosphere is non-stop unsettling and the acting performances are great. "The Victim" is basically a one-woman-show, with a stellar role for Elizabeth Montgomery in the lead. She's simultaneously strong and vulnerable, and her performance here is definitely on par with the terrific "The Legend of Lizzie Borden". There are also interesting supportive roles for the naturally creepy Eileen Heckart and Sue Ann Langdon (even though the latter only has two sequences and only has to talk into a phone).

I watched this for the first time since it was new yesterday, and, no matter how many times I replay that final scene, I can't make out Eileen Heckert's last line. She says, "Mr. Chapell, let her go," then something about calling the police. I can't help but think that line is critical in determining exactly which one killed her, or if they were in it together. Does anyone know exactly what she says? I remember when the networks all had the movie of the week. I sure wish they still did. I liked the comment about the eeriness without the graphic violence, and I agree that none of that is necessary. By the way, what are some other old favorites everyone has? Maybe I'll find one I don't remember seeing!

I think Liz was a little tired of comedy and chose the first script she was presented. I am a huge fan of hers, but this movie lacks in the plot department. First mistake is showing the dead body of her sister right off the bat. We know she's dead and have a pretty good idea who killed her. The only suspense is seeing the talented Liz Montgomery roam around in various stages of darkness trying to find her sister. Furthermore, she has to deal with Eileen Heckhart as a housekeeper who obviously was a "Charm School Dropout". She gives new meaning to the word "Old Bat". Sue Anne Langdon basically has a cameo role as a friend of Liz's sister who is only seen on the telephone talking to Liz. One of those movies that scared you as a kid but as an adult you see all the plot holes. Still, kinda fun to see Liz terrified.

After learning that her sister Susan is contemplating divorce, Kate decides to travel to the distraught woman's remote country home and spend some time with her. When Kate arrives, however, Susan is nowhere in sight. That's because someone has murdered her and stuffed the body in a trunk in the basement. As a storm rages outside, Kate tries to figure out where her sister could have gone and places her own life in great danger...the killer is still on the premises! In her first post-BEWITCHED vehicle, Elizabeth Montgomery gives a solid dramatic performance. Merwin Gerard's teleplay is based on a short story by McKnight Malmar. Malmar's tale was first brought to television in 1962 as an episode of Boris Karloff's THRILLER anthology series. THRILLER stuck very closely to the story, which is kind of a pity, for it could have used a little punching up. Granted Malmar wrote a moderately creepy number, but Gerard (creator of the ONE STEP BEYOND show) adds several clever ingredients that heighten the tension and suspense.

While the setup is good, The Victim does suffer from a predictable conclusion. Once you look at the opening credits and see a star's name, but said star doesn't show up until the last 10 minutes of the movie, you have a good feeling they might be the one causing all the mayhem. It's still got a nice, creepy rain-soaked atmosphere and anything with Eileen Heckhart and Elizabeth Montgomery sharing the screen together can't be all bad.