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TU PUNTUACIÓN
Un registro de las presentaciones de la banda en 1973 en un antiguo anfiteatro romano. Canciones como Echoes, Careful With That Axe Eugene y más, con entrevistas a la banda.Un registro de las presentaciones de la banda en 1973 en un antiguo anfiteatro romano. Canciones como Echoes, Careful With That Axe Eugene y más, con entrevistas a la banda.Un registro de las presentaciones de la banda en 1973 en un antiguo anfiteatro romano. Canciones como Echoes, Careful With That Axe Eugene y más, con entrevistas a la banda.
David Gilmour
- Self (guitar, vocals)
- (as Pink Floyd)
Roger Waters
- Self (bass, vocals, percussion)
- (as Pink Floyd)
Richard Wright
- Self (keyboards, vocals)
- (as Pink Floyd)
Nick Mason
- Self (drums)
- (as Pink Floyd)
Pink Floyd
- Themselves
- (sin acreditar)
Reseñas destacadas
Pink Floyd,recorded live among the ruins of Pompeii. This 90 Minute film contains some superior versions of Floyd classics and also includes footage of the band eating at lunchtime and in the studio recording "Dark Side of The Moon". Some of the earlier tapes don't have the extra Dark Side footage,which was added later to help sales. Besides a few originals,tracks include "Echoes","A Saucerful of Secrets","Set The Controls For The Heart of The Sun","Careful With That Axe,Eugene","One of These Days" and also some alternate versions of a few Dark Side classics. Any Floyd fan out there who has not seen this should try to find it. It is interesting to say the least and I enjoy it much more than "The Wall"
I absolutely love the Pink Floyd, but have been let down by Floyd-related things in the past, so I was quite wary of this movie. It managed to win me over, however, and now it's one of my favourites.
It was absolutely hysterical to see Mason go absolutely wild and smash his drums so hard that one of his sticks was flung off into the distance. It was amazing, how fast he managed to recover with a spare. Makes you wonder if he has some sort of quick release drum stick gadget hidden somewhere in his pants.
All in all, a fantastic piece. I highly recommend it!
It was absolutely hysterical to see Mason go absolutely wild and smash his drums so hard that one of his sticks was flung off into the distance. It was amazing, how fast he managed to recover with a spare. Makes you wonder if he has some sort of quick release drum stick gadget hidden somewhere in his pants.
All in all, a fantastic piece. I highly recommend it!
10jenrpeep
This film is nothing short of "must see" documentary history. I'll never be able to fully express how moving it is to see the young men of Pink Floyd during uninhibited moments of creativity, eating and chatting together, rehearsing, having philosophical discussions about the fate of rock-n-roll music and the shaking off of their drug-oriented image, and even arguing now and then.
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god. **swoon**
Beyond how intriguing the band and it's members are, the film itself is so well directed and beautifully shot. The sound is excellent. Incredibly artistic film montages add to, rather than detract from the music. I have never seen a better portrayal of live music. The sheer musicianship of these men is mind boggling. Each is highlighted at different points in the film and it is clear that they have immense skill and talent.
Pink Floyd was so ahead of its time and will never seem out of style. And this film, although shot in 1972, is as fresh as a daisy. There are some incomparable moments, making this truly the best rock documentary I have ever seen. David Gilmour looks very handsome, by the way, and will always be my favorite guitar god. **swoon**
I have been watching this DVD of Pompeii over and over and I just can't seem to get enough of it. I happen to really enjoy the interviews with the band members as I find them to be quite amusing! They have left my friends and I with many memorable quotes to use. The music on the Pompeii disc is unbelievably incredible and it only makes me appreciate the Floyd that much more. This DVD is the best ever. I do believe however that only a true Floyd fan can truly appreciate this movie, including the interviews. The shot of Dave with his headphones on coming out from behind the shadows to look at the cameraman just sends me over the edge every time I watch it. It makes me feel as if he is just looking at me, and it makes me melt every time. Nick to me seems a tad pompous at times but I understand he is from the upper crust of society. Rick seems a bit mousy at times, but his playing outdoes any of that. Roger of course is genius and Dave is unrivaled in his playing (and his looks!!)
If you're a Floyd fan, then you know that the best way to experience their music is with both audio and visual. That's why this new dvd, `Live in Pompeii' is a must have. If you already own and love the video version like I do, you'll be blown away by the dvd. It has both the original version (in pan scan, minus the interviews) and a new director's cut (widescreen, with added interviews) as well. The visuals in this video are just amazing. The ancient amphitheater among the ruins of Old Pompeii is awesome and a great place for the band to play. There is a great mosaic shot of Nick Mason that is pretty trippy. The director's cut has footage from the band's recording of Dark Side, and some great interviews with the guys. This is definitely a must have for anyone's Floyd collection.
¿Sabías que...?
- CuriosidadesOnly the songs "Echoes pt. 1 and 2", "A Saucerful of Secrets" and "One of These Days" were actually filmed in Pompeii. The songs "Careful With That Axe Eugene", "Set the Controls For the Heart of the Sun", and "Mademoiselle Nobs" were actually filmed in a studio in Paris, where extra shooting took place for the blue-screen shots in the Pompeii performances. This explains the extra lighting rig and disappearance of Richard Wright's beard in the Paris-shot songs.
- PifiasIn both parts of the song "Echoes", Nick Mason's sunglasses disappear and reappear a couple of times, indicating that the performance in Pompeii was filmed in sections rather than just one take. Or that there were two takes of the song and footage was used from both.
- Citas
Roger Waters: I like to think that oysters transcend national barriers.
- Versiones alternativasThe film was re-released in 1974 after the breakthrough success of their 1973 album "The Dark Side of the Moon". Additional interviews and footage of the group working at Abbey Road Studios during the "Dark Sides" sessions were added, along with studio performances of "On The Run", "Us And Them" and "Brian Damage". This version ran for 80 minutes.
- ConexionesFeatured in The Abbey Road Story (1998)
- Banda sonoraEchoes Part 1
Written by Roger Waters (uncredited), Richard Wright (uncredited), Nick Mason (uncredited) and David Gilmour (uncredited)
Performed by Pink Floyd
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- How long is Pink Floyd: Live at Pompeii?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Idioma
- Títulos en diferentes países
- Pink Floyd: Live at Pompeii
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 2.620.076 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 2.620.076 US$
- 27 abr 2025
- Recaudación en todo el mundo
- 6.497.252 US$
- Duración1 hora 32 minutos
- Color
- Mezcla de sonido
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What is the French language plot outline for Pink Floyd at Pompeii MCMLXXII (1972)?
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