Manson

This is one of the best documentaries made on Manson and his cult "Family". There is extensive footage of the most important cult members talking about "the Family" and life with Charlie. In addition, the film includes fascinating footage that the family members apparently took of themselves as they lived communally on the Spahn ranch. The most chilling sections involve 3 young women (Lynette Fromme,Sandra Good, Mary Bruner) who explain their views of Charlie and the Tate/La Bianca murders while each one cradles a rifle and passes a snake between them. This film also has very creative cinematography making extensive use of three-panel screens and bold primary colors saturating the frames. Since the documentary Woodstock was shot in 1970, this film seems to have been influenced by it in the use of quick cutting and the tri-panel screens. As part of the sound track there are many "trippy" folk songs (good .wav material) sung by two ex-Manson family members -Brooks Poston and Paul Watkins. While some of the narration by Pearson and Bugliosi is creaky and dated, the bulk of the documentary, especially the extensive interviews, is disturbing and fascinating at the same time. A very good film.

Manson (1972) was an excellent documentary following the exploits of one Charlie Manson and his family. Unlike the boring and sanitized for the establishment "Helter Skelter", this film takes you within Charlie's inner circle within the family. Folks this stuff is real. The one on one interviews are geniunely frightening whilst the film-making is top notch. Parts of this movie was later referenced in "House of a 1,000 Corpses". If you ever wanted to find out what it's like hanging with the family, then this one's for you.

Great stuff, highly recommended.

I enjoyed this movie very much. I wish a restored version of this masterpiece would be re-released sometime in the near future. This is time capsule material. Worth seeking out. Not as preachy or silly as the made-for-t.v. mini-series Helter Skelter or as finger pointing as the book.

A

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I saw this movie back in the mid 80's & just seen it again,the movie takes you back to the look & feel of the 70's & how Charlie's people lived.Charlie's kids were not the only people on the face of the earth killing people,there was the murder of the President,Martin Luther King, Jim Jones & his 900 follower's excreta excreta,it kind of makes you think that what Charlie said made sense"I am a product of your environment" "my father is your prisons",he only gave back what was put into him.Although Charlie is not in the movie his followers have internalized everything he has taught them & they have become a mirror image of Charlie,acting as he would act,speaking the word's that he has spoken,his actions & behavior's have become there action's & behavior's.Over all my opinion of the movie was pretty good giving everyone some insight on how The Family lived,laughed, had sex,did drugs & killed together.

This documentary not only captures the deranged philosophy of the Manson family, but it looks sleazy overall. Much of the footage is grainy and unsteady, adding to the brittle feel of the movie, but the interviews with Manson's followers speak for themselves. Makes for interesting viewing in conjunction with "Gimmie Shelter", which documented the clash of hippie culture and violent bikers at the Rolling Stones concert at Altamont Speedway. Both of these events signalled the end of the "flower power" movement, but these two movies seem to point out the danger that mind-altering drugs can pose to suggestible kids.

Indeed, a lot of the interviews contained in "Manson" outline the essential role of marijuana and acid in the lifestyle of "the family," and the film clearly posits that Manson used drugs, as well as sex, to brainwash his followers. What's most terrifying about this movie are the candid appearances of the Manson women, staring wide-eyed and generally behaving like automatons. The time was clearly right for an evil individual such as Charles Manson to invade a supposedly peace-loving culture like the hippies, stoned and generally aimless, and orchestrate chaos, and the altered state that these people were in clearly contributed to their own propensity for disillusion and mind control.

What comes off as mostly lacking is the depiction of Manson himself. Although the filmmakers give plenty of background on him, the bizarre images of this man contained in the film do very little to give an accurate depiction of how he must have appeared to his followers. I was haunted by the lingering question of what could possibly have motivated Charles Manson to orchestrate these heinous murders, and even worse is to think that his wishes were carried out by kids who came from seemingly normal backgrounds.

The use of split-screen, as well as the "flower power" soundtrack, add to the quintessentially 70s feel of the movie, but even through all the kitschy hippie images, the shocking nature of the murders, and the tragic phenomenon of Manson's cult, remains. It left me feeling dirty and disturbed after watching it.

"Manson" is a sad, disturbing film. It's horrible enough to hear the details of the Tate/LaBianca murders being recounted and to see the vicious, empty look in the eyes of Charlie's girls as they brandish guns and spout their guru's "philosophy"...but that's not all this documentary has to offer. Indeed, it poses a question of even greater importance than Manson's crimes: what happened in the '60s? Why did it all end so badly? The soundtrack, performed by former Family members "Little" Paul Watkins (at one time Manson's right-hand man) and Brooks Poston, consists of slow, slightly corny-sounding, but haunting and utterly apt acoustic songs. "Have you ever wondered what you were here for?" Watkins solemnly intones during the opening theme. "Have you ever wondered, 'Is there more?'" Later, talking about his involvement with Manson, Watkins says frankly, "I thought Charlie was Jesus." It is at this point that the sociological question which meanders its way through the film like a deep, dark river becomes apparent: what made these young people feel so lost and confused that they needed a Christ-figure, and what made them believe that Charles Manson was the messiah they sought? I'm afraid that we lost the last of our innocence and goodwill at the end of the '60s...and that if we do not examine how flower power, peace symbols and the Monterey Pop Festival led to sleaze, the Manson murders and Altamont in the space of just two short years, we'll never get it back.