[go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesExplorar películas por géneroTaquilla superiorHorarios y ticketsNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la TV y en streamingLas 250 mejores seriesProgramas de televisión más popularesExplorar series por géneroNoticias de TV
    ¿Qué verÚltimos tráileresOriginales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPremios STARmeterCentral de premiosCentral de festivalesTodos los eventos
    Personas nacidas hoyCelebridades más popularesNoticias de famosos
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de seguimiento
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar la aplicación
  • Reparto y equipo
  • Reseñas de usuarios
  • Curiosidades
  • Preguntas frecuentes
IMDbPro

La última casa a la izquierda

Título original: The Last House on the Left
  • 1972
  • 18
  • 1h 24min
PUNTUACIÓN EN IMDb
5,8/10
42 mil
TU PUNTUACIÓN
POPULARIDAD
4354
63
Sandra Peabody in La última casa a la izquierda (1972)
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
Reproducir trailer2:07
1 vídeo
99+ imágenes
¿CrimenAsesino en serieB-HorrorSlasher HorrorTerrorTerror goreThriller

Dos adolescentes que se dirigen a un concierto de rock por su cumpleaños intentan conseguir marihuana en la ciudad donde son secuestradas y brutalizadas por una banda de presos psicóticos.Dos adolescentes que se dirigen a un concierto de rock por su cumpleaños intentan conseguir marihuana en la ciudad donde son secuestradas y brutalizadas por una banda de presos psicóticos.Dos adolescentes que se dirigen a un concierto de rock por su cumpleaños intentan conseguir marihuana en la ciudad donde son secuestradas y brutalizadas por una banda de presos psicóticos.

  • Dirección
    • Wes Craven
  • Guión
    • Wes Craven
    • Ulla Isaksson
  • Reparto principal
    • Sandra Peabody
    • Lucy Grantham
    • David Hess
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    5,8/10
    42 mil
    TU PUNTUACIÓN
    POPULARIDAD
    4354
    63
    • Dirección
      • Wes Craven
    • Guión
      • Wes Craven
      • Ulla Isaksson
    • Reparto principal
      • Sandra Peabody
      • Lucy Grantham
      • David Hess
    • 563Reseñas de usuarios
    • 153Reseñas de críticos
    • 68Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 1 nominación en total

    Vídeos1

    Official Trailer
    Trailer 2:07
    Official Trailer

    Imágenes190

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 183
    Ver cartel

    Reparto principal15

    Editar
    Sandra Peabody
    Sandra Peabody
    • Mari Collingwood
    • (as Sandra Cassell)
    Lucy Grantham
    Lucy Grantham
    • Phyllis Stone
    David Hess
    David Hess
    • Krug Stillo
    • (as David A. Hess)
    Fred J. Lincoln
    Fred J. Lincoln
    • Fred 'Weasel' Podowski
    • (as Fred Lincoln)
    Jeramie Rain
    Jeramie Rain
    • Sadie
    Marc Sheffler
    Marc Sheffler
    • Junior Stillo
    Richard Towers
    Richard Towers
    • Dr. John Collingwood
    • (as Gaylord St. James)
    Cynthia Carr
    Cynthia Carr
    • Estelle Collingwood
    Ada Washington
    • Ada
    Marshall Anker
    • Sheriff
    Martin Kove
    Martin Kove
    • Deputy
    Ray Edwards
    • Postman
    Jonathan Craven
    Jonathan Craven
    • Boy with Balloon
    • (sin acreditar)
    Anthony J. Forcelli
    • Ice Cream Store Clerk
    • (sin acreditar)
    Steve Miner
    Steve Miner
    • Hippie Taunting Deputy
    • (sin acreditar)
    • Dirección
      • Wes Craven
    • Guión
      • Wes Craven
      • Ulla Isaksson
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios563

    5,842.3K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Reseñas destacadas

    BaronBl00d

    Rather Interesting Low Budget Film.....

    I found this film to be rather interesting in a number of ways. Yes, I would agree that it has many unpleasantries throughout the film: two women are raped, stabbed, shot, and brutally killed, one man loses his manhood in a rather disconcerting fashion, and another man is chainsawed to bits. Yet, through all this, the film has many highlights when viewed as a product of its time and with regard to its importance to the horror genre. The film creates a disturbing atmosphere which really affects the viewer. The murders are cold-blooded and yet not glorified in any manner. The acting, although for the most part amateurish, is restrained and believable. A must see for any student of the horror genre.
    fedor8

    Exploitative trash masquerading as "social commentary".

    A strong candidate for "The Worst Movie of All Time". With his first film Craven reached heights of ineptitude and tastelessness that even Craven-haters should be surprised by, and the incompetence is far-reaching; in every respect imaginable does this film not fail to fail. This piece of exploitative trash is at the very least the worst killers-on-the-lam film ever made. The acting ranges from one-dimensional to atrocious to ridiculous, and the characters behave in such an inconsistent and illogical manner that I have to suspect that this movie wasn't so much directed as that it's simply a collection of improvised scenes by a couple of bored – and talentless - students who just happened to have had a camera nearby. One of the main things that separates a film like "I Spit On Your Grave" from this junk is that Craven has neither respect nor pity for victims of brutal crimes; this he shows more than obviously by playing utterly inappropriate cheerful music while the two girls are being shoved into the trunk of a car and then driven off. At the end of the film there is yet more upbeat music. This is not some fantasy zombie film where you can expect your audience to laugh with you about the exaggerated and silly events and cartoon violence that take place in the movie. The main events in this "reality-based" horror movie haven't got an iota of a humorous side to them, and the fact that Craven doesn't realize this shows what a sad little degenerate he is. An English professor??? What a joke. In-between scenes of torture, degradation, and murder Craven manages to squeeze in scenes of goofy cops, which we are supposed to find amusing.
    Infofreak

    A landmark horror film which is still as powerful and disturbing as ever.

    'The Last House On The Left' is easily Wes Craven's most important movie. It was one of the most notorious movies of the early 70s but seems to be half forgotten now, despite being a groundbreaking horror film that opened up territory that had previously not been seen on screen. Romero's 'Night Of The Living Dead' deserves some acknowledgement as being the most realistic horror movie up until that point (the late 60s), but even that had a supernatural element, something 'Last House On The Left' eschews. Craven took the contemporary setting and natural performances of NOTLD and added some graphic violence and a confrontational rape sequence, most likely inspired by Peckinpah's 'Straw Dogs' released the previous year, and made it into something quite unlike anything seen before. This made it the father of all subsequent serial killer dramas. 'Last House...' is still a very nasty and disturbing movie thirty years after it was originally released. Craven was a beginning as a film maker and the budget was minimal, so the movie is rough and crudely made at times, but the best sequences have an almost documentary feel which gives it an appearance of realism that makes it sometimes really difficult to watch. The acting in the movie is variable. Mari's parents and the comic relief cops (who include Martin Kove later to appear in 'Death Race 2000' and countless action movies!) are pretty awful, but the two girls (Sandra Cassel and Lucy Grantham) are both very natural and believable, and Craven REALLY lucked out with Krug and his gang who are all very, very good. Krug is played by David Hess, who also composed and sang the songs on the soundtrack, something which makes him pretty unique! Hess wrote Elvis' 'All Shook Up' and 'I Got Stung' and yet his performance as Krug is totally convincing. Krug is still one of the creepiest and most repellent killers ever seen on screen. Comedian Marc Sheffler gives an interesting performance as Krug's junkie son, Fred J. Lincoln (now a porno director I believe!) is excellent as the aptly named Weasel, and Jeramie Rain is surprisingly good as Sadie, who brings to mind some of Manson's girls. These four actors are outstanding and really help make the movie into an unforgettable experience. Their scenes in the woods with the girls are still as powerful and disturbing as ever. 'Last House On The Left' is hardly the kind of movie you "enjoy" but I think it's a very important movie, and still the best thing Wes Craven has been involved with. It's really quite difficult to believe that Craven made something so uncompromising and nasty as this! I highly recommend 'The Last House On The Left' to anybody interested in the development of horror, screen violence, or disturbing movies of any kind. But be warned, it is NOT easy viewing and may be difficult for many people to take. I think it is worth it as it's still an extraordinary piece of work!
    6tamstrat

    Haunting movie

    I first saw Last House on the Left at the age of 18 at the drive in with my best girlfriend. This movie, an early outing by horror maven Wes Craven was so disturbing to me that 26 years later I am still haunted by the images on the screen. The story, of 2 young girls, approximately the same age I was when I saw the film, of being abducted, tortured, raped and then murdered is not for the faint of heart. The brutality and violence was staggering, and the film spoke volumes of the depravity of the human soul. I remember driving home with my girlfriend after watching this, and both of us were dead silent, each contemplating what we had watched and knowing that something like that could happen to us. This movie is one I know without a doubt, that I will never again watch, and now, being the parent of a daughter myself, I could never watch it and then allow her out of the house again. This is not a monster movie, the MONSTERS are human and all too real, especially in today's society filled with Ted Bundy's and The Green River Killer, this movie hits too close to home and leaves the viewer depressed and saddened at what human beings are capable of doing to other innocent people. Watch it if you dare, but be prepared to be left with a very hollow feeling after it is over.
    6salemzin

    Wes Craven's "Debut" as a Director

    "The Last House on the Left" (1972) plays a pivotal role in the history of horror cinema, marking Wes Craven's directorial debut. Although it features somewhat quirky performances and moments of comedy that occasionally break the tension, this is undoubtedly a negative aspect, along with its strange and disconcerting soundtrack.

    However, the film manages to maintain an intense atmosphere in its more serious moments, whether through Craven's direction or the image quality that gives it an amateur feel, as if we were witnessing real events on camera. The film's plot may not be particularly innovative, but it makes up for it with its scenes of violence, which at the time were, in a way, considered a novelty.

    Although it has aged somewhat problematically in certain respects, "The Last House on the Left" still retains its disturbing power and deserves to be appreciated, especially for its lasting influence on the genre, serving as inspiration for countless other films.

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      A mixture of red and blue food colouring mixed with caramel syrup was used for the fake blood, which contrary to most film "blood," actually looks real.
    • Pifias
      Mari breathes and moves when her parents find her body (the original intention was that she should still be alive at this point and would identify her attackers before dying).
    • Citas

      Estelle Collingwood: Mari tells me you're from Manhattan. What does your father do?

      Phyllis Stone: Oh, my parents are in the iron and steal business.

      Estelle Collingwood: Iron and steel both together? How unusual.

      Phyllis Stone: Well, my mother irons and my father steals.

    • Créditos adicionales
      Opening text: "The events you are about to witness are true. Names and locations have been changed to protect those individuals still living."
    • Versiones alternativas
      The 1982 British release on the Replay video label omitted the scene where the sheriff and the deputy try to hitch a ride on Ada's chicken wagon, and the end credits were missing - though the now familiar 'freeze frames' of the principal actors appear, no credits are superimposed over them, and the final song continues to play over a completely black screen. In terms of gore and violence, the print Replay used was uncut.
    • Conexiones
      Edited into The Evolution of Snuff (1977)
    • Banda sonora
      The Road Leads to Nowhere
      Lyrics and Music by Steve Chapin & David Hess

      Performed by David Hess

    Selecciones populares

    Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
    Iniciar sesión

    Preguntas frecuentes

    • How long is The Last House on the Left?Con tecnología de Alexa
    • Why aren't the forced lesbian scenes in any release?
    • What are the differences between the old British BBFC 18 DVD and the uncut Unrated Version?
    • Is it true that an alternate cut was released on VHS?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de agosto de 1972 (España)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • MGM
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • The Last House on the Left
    • Localizaciones del rodaje
      • Nueva York, Nueva York, Estados Unidos(buying grass scene)
    • Empresas productoras
      • Sean S. Cunningham Films
      • The Night Co.
      • Lobster Enterprises
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 90.000 US$ (estimación)
    • Recaudación en todo el mundo
      • 135 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      1 hora 24 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugerir un cambio o añadir el contenido que falta
    • Más información acerca de cómo contribuir
    Editar página

    Más por descubrir

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación IMDb
    Inicia sesión para tener más accesoInicia sesión para tener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación IMDb
    Para Android e iOS
    Obtener la aplicación IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Anuncios
    • Empleos
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una empresa de Amazon

    © 1990-2025 by IMDb.com, Inc.