Ai nu
- 1972
- 1h 31min
PUNTUACIÓN EN IMDb
7,1/10
1,3 mil
TU PUNTUACIÓN
El burdel Four Seasons está dirigido por una dama despiadada, Lady Chun Yi, donde innumerables niñas han sido secuestradas o compradas y luego vendidas a una vida de servidumbre, prostitució... Leer todoEl burdel Four Seasons está dirigido por una dama despiadada, Lady Chun Yi, donde innumerables niñas han sido secuestradas o compradas y luego vendidas a una vida de servidumbre, prostitución y tortura en este burdel.El burdel Four Seasons está dirigido por una dama despiadada, Lady Chun Yi, donde innumerables niñas han sido secuestradas o compradas y luego vendidas a una vida de servidumbre, prostitución y tortura en este burdel.
Fan Mei-Sheng
- Wu Hua-tien
- (as Mei Sheng Fan)
Chen Hao
- Liao Kuo-kuang
- (as Hao Chen)
Sze-Ma Wah-Lung
- Governor Chou
- (as Hua-Lung Szema)
Reseñas destacadas
Absolutely marvellous Shaw brothers classic. Definitely strong influence on Kill Bill. I watched the dubbed version which seemed OK. Art direction terrific. The ending is an over the top bloodbath
Fantastic
Fantastic
A woman named Ainu is kidnapped and sold to a brothel. She tries to resist & escape but fails being caught immediately. Given the choice between dying or accepting her position in the brothel she chooses the latter. Soon after is rented to four wealthy clients and secretly vows revenge. Also becoming the lover of the brothel's lesbian Madame.
There is several scenes of martial arts action. Something Shaw Brothers were well known for. Included is a little blood, of course a bright red color, another thing the Shaws were known for. But wait, there's more. The storyline is still the main focus. It's an interesting story on its own. Throw in a little minor nudity as well.
From beginning to end is a strong script. The action for the most part is well choreographed. The acting is good to excellent. This is one of the most well known Hong Kong films of its type. A true classic.
There is several scenes of martial arts action. Something Shaw Brothers were well known for. Included is a little blood, of course a bright red color, another thing the Shaws were known for. But wait, there's more. The storyline is still the main focus. It's an interesting story on its own. Throw in a little minor nudity as well.
From beginning to end is a strong script. The action for the most part is well choreographed. The acting is good to excellent. This is one of the most well known Hong Kong films of its type. A true classic.
A woman learns martial arts to assassinate the men who raped her. She uses sexual wiles to get close to them. A memorable scene is where one of her victims is wary, having heard of the deaths of several colleagues. She reassures him that she cannot be the assassin. She takes off her clothes to show she is carrying no weapons. He fails to notice that her hair is held up by a large pin...
Overall, this is a pretty good Wuxia story, with a brothel context and revenge story at its centre. The original Hong Kong title is more honest - if less salacious-sounding - and, apart from some appropriate toplessness towards the beginning and end, there's not much titillation. It is of course wildly patriarchal and sexist but presumably that's supposed to be a historical given?
Meanwhile, I'm not an expert in the genre but, for me, the action scenes aren't really a patch on fare such as House of Flying Daggers or (my favourite) Hero. This predates both by quite a while, of course.
Worth a watch if you like this kind of thing, but I'm not sure I'd recommend it.
Meanwhile, I'm not an expert in the genre but, for me, the action scenes aren't really a patch on fare such as House of Flying Daggers or (my favourite) Hero. This predates both by quite a while, of course.
Worth a watch if you like this kind of thing, but I'm not sure I'd recommend it.
I saw this movie in an English Cinema, in Birmingham, in the mid- 1970's, and was quite bowled over by its startling originality, at least to my eyes as a western viewer. It is far better constructed than most of the Kung Fu type movies that have world popularity, and will appeal to a discerning audience. The intricate plot deals with the fate and adventures of two women, masters of their marshal arts, and sworn to vengeance. The significance of the relationship between the two women grows until it becomes central to the film. That alone was original enough in the 1970's - but amazingly it is still original now.
The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.
It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.
There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.
So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.
Now is the time for re-release.
The film has a legendary, classical feel to it, and is absolutely not self-conscious about the role of its female leads. The plot twists and turns down to its tragic denouement, breathtaking in its melodrama and beauty. I don't know enough about this but it felt very rooted in chinese culture , and had the classical structure of a greek or shakespearian tragedy.
It is also beautifully filmed, and has many of those chinese fencing scenes the mass public has only really just become familiar with in Crouching Tiger Hidden Dragon. But the latter is really not a patch on the earlier film.
There may be many more like this - I don't know - and although it didn't feel formulaic to me, perhaps it might to the chinese audience. So I only gave it eight, rather than the nine that was tempting me.
So why is this film so unknown, alone and unrated? That, I think, is the result of the unfortunate terms of its original release. Subtitled chinese movies at the time would appeal only to a specialist audience - (and Enter the Dragon had not yet appeared to change all that ) . But the specialist audience would instantly have been put off by the unfortunate "Confessions" marketing title, which immediately put it into the category of the contemporary naff British comedy series "Confessions of a window cleaner" and the like. Many a time I have tried to recommend this film title to friends only to be looked at incredulously as if - oh dear - how pathetic. Not that they would have found it easy to see it - it can't have enjoyed wide release.
Now is the time for re-release.
¿Sabías que...?
- ConexionesFeatured in Cinema Hong Kong: The Beauties of the Shaw Studio (2003)
- Banda sonoraCome In Number 51, Your Time Is Up
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