[go: up one dir, main page]

    Calendario de lanzamientosLas 250 mejores películasPelículas más popularesExplorar películas por géneroTaquilla superiorHorarios y ticketsNoticias sobre películasNoticias destacadas sobre películas de la India
    Qué hay en la TV y en streamingLas 250 mejores seriesProgramas de televisión más popularesExplorar series por géneroNoticias de TV
    ¿Qué verÚltimos tráileresOriginales de IMDbSelecciones de IMDbDestacado de IMDbGuía de entretenimiento familiarPodcasts de IMDb
    OscarsBest Of 2025Holiday Watch GuideGotham AwardsCelebrity PhotosPremios STARmeterCentral de premiosCentral de festivalesTodos los eventos
    Personas nacidas hoyCelebridades más popularesNoticias de famosos
    Centro de ayudaZona de colaboradoresEncuestas
Para profesionales de la industria
  • Idioma
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de seguimiento
Iniciar sesión
  • Totalmente compatible
  • English (United States)
    Parcialmente compatible
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar la aplicación
  • Reparto y equipo
  • Reseñas de usuarios
  • Curiosidades
  • Preguntas frecuentes
IMDbPro

El padrino

Título original: The Godfather
  • 1972
  • 18
  • 2h 55min
PUNTUACIÓN EN IMDb
9,2/10
2,2 M
TU PUNTUACIÓN
POPULARIDAD
93
23
El padrino (1972)
The aging patriarch of an organized crime dynasty transfers control of his clandestine empire to his reluctant son.
Reproducir trailer1:16
9 vídeos
99+ imágenes
ÉpicoGángsterTragediaCrimenDrama

El envejecido patriarca de una dinastía del crimen organizado en la ciudad de Nueva York de la posguerra transfiere el control de su imperio clandestino a su reacio hijo menor.El envejecido patriarca de una dinastía del crimen organizado en la ciudad de Nueva York de la posguerra transfiere el control de su imperio clandestino a su reacio hijo menor.El envejecido patriarca de una dinastía del crimen organizado en la ciudad de Nueva York de la posguerra transfiere el control de su imperio clandestino a su reacio hijo menor.

  • Director/a
    • Francis Ford Coppola
  • Guionistas
    • Mario Puzo
    • Francis Ford Coppola
  • Estrellas
    • Marlon Brando
    • Al Pacino
    • James Caan
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    9,2/10
    2,2 M
    TU PUNTUACIÓN
    POPULARIDAD
    93
    23
    • Director/a
      • Francis Ford Coppola
    • Guionistas
      • Mario Puzo
      • Francis Ford Coppola
    • Estrellas
      • Marlon Brando
      • Al Pacino
      • James Caan
    • 5.9KReseñas de usuarios
    • 235Reseñas de críticos
    • 100Metapuntuación
  • Ver la información de la producción en IMDbPro
  • Película mejor puntuada #2
    • Ganó 3 premios Óscar
      • 31 premios y 31 nominaciones en total

    Vídeos9

    Official Trailer
    Trailer 1:16
    Official Trailer
    The Godfather
    Trailer 2:03
    The Godfather
    The Godfather
    Trailer 2:03
    The Godfather
    'The Godfather' | Anniversary Mashup
    Clip 1:16
    'The Godfather' | Anniversary Mashup
    'The Godfather' | Filming Locations
    Clip 0:43
    'The Godfather' | Filming Locations
    The Godfather
    Clip 1:42
    The Godfather
    The Godfather
    Clip 0:48
    The Godfather

    Imágenes616

    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    Ver cartel
    + 610
    Ver cartel

    Reparto Principal87

    Editar
    Marlon Brando
    Marlon Brando
    • Don Vito Corleone
    Al Pacino
    Al Pacino
    • Michael
    James Caan
    James Caan
    • Sonny
    Richard S. Castellano
    Richard S. Castellano
    • Clemenza
    • (as Richard Castellano)
    Robert Duvall
    Robert Duvall
    • Tom Hagen
    Sterling Hayden
    Sterling Hayden
    • Capt. McCluskey
    John Marley
    John Marley
    • Jack Woltz
    Richard Conte
    Richard Conte
    • Barzini
    Al Lettieri
    Al Lettieri
    • Sollozzo
    Diane Keaton
    Diane Keaton
    • Kay Adams
    Abe Vigoda
    Abe Vigoda
    • Tessio
    Talia Shire
    Talia Shire
    • Connie
    Gianni Russo
    Gianni Russo
    • Carlo
    John Cazale
    John Cazale
    • Fredo
    Rudy Bond
    Rudy Bond
    • Cuneo
    Al Martino
    Al Martino
    • Johnny Fontane
    Morgana King
    Morgana King
    • Mama Corleone
    Lenny Montana
    Lenny Montana
    • Luca Brasi
    • Director/a
      • Francis Ford Coppola
    • Guionistas
      • Mario Puzo
      • Francis Ford Coppola
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios5.9K

    9,22189.7K
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Resumen

    Reviewers say 'The Godfather' is acclaimed for its intricate narrative, deep character exploration, and universal themes of power, family, and loyalty. The film's deliberate pacing, iconic performances by Marlon Brando and Al Pacino, and its significant influence on the gangster genre are often lauded. Critics also praise the cinematography, memorable score by Nino Rota, and its cultural impact. However, some reviewers find it overrated, slow-moving, or morally ambiguous, reflecting a spectrum of opinions.
    Generado por IA a partir del texto de las opiniones de los usuarios

    Reseñas destacadas

    100U

    The greatest movie of all time!

    One of the best films of all time, an absolute masterpiece. The Godfather is arguably the best gangster drama as well as setting the standard for cinema.
    10gogoschka-1

    For Me, This Is The Definitive Film

    This isn't just a beautifully crafted gangster film. Or an outstanding family portrait, for that matter. An amazing period piece. A character study. A lesson in filmmaking and an inspiration to generations of actors, directors, screenwriters and producers. For me, this is more: this is the definitive film. 10 stars out of 10.

    Favorite films: IMDb.com/list/mkjOKvqlSBs/

    Lesser-Known Masterpieces: imdb.com/list/ls070242495/
    10The-Other-Monkey

    A Masterpiece

    This must rank as the best film (along with part 2)of all time.An ensemble performance that has no weak spot.

    Particularly, John Cazale ( Fredo) and Richard Castellano ( Clemenza) give wonderfully understated performances. You just have to believe that Castellano WAS Clemenza, he brings a real touch to his role.

    John Cazale brings the troubled Fredo to life, and you can see the weak Fredo desperately trying to live up to the family reputation but knowing that he can never be what his father wants.

    The story of one man's reluctance to be drawn into the murky family business,and his gradual change through circumstance, paints a vivid picture of this violent period of US history.

    Do not miss this film!
    10andrewburgereviews

    An offer so good, I couldn't refuse

    It is now past 1 PM and I just finished watching Francis Ford Coppola's "The Godfather". I should probably go to bed. It's late and tomorrow I have to wake up a bit early. But not early enough to postpone writing these lines. Now that I have seen it three times, the opportunity of sharing my thoughts and refreshed insights are too much of a good offer to sit on. So, bear with me.

    This film works so well because it takes place in an underworld in which we are so embedded that we do not even observe it. Coppola puts us straight in the smack-dab center of what is, admittedly, a society made by criminals for criminals. It is also the reason why it's so welcoming. We are surrounded by its inhabitants--cold-blooded murderers, men who see crime like a 9 to 5 job masquerading as honorable men. And I do mean men. From the outside, we would only witness the horrifying, disturbing manifestations of their well-thought out actions.

    But it goes even deeper than that. It all revolves around the Corleone family led by Don Vito Corleone (Marlon Brando). He is the most honest of these men, sitting right on the edge. But for people like him, who do not fully embrace this world, it's not easy. He avoids conflict until it is absolutely necessary. He is a man defined by moral principles. There is a scene at the beginning, in which, during his daughter's wedding day, one of his associates, Luca Brasi (Lenny Montana) practices his speech that he is going to give to the Don when he meets him. The scene with these two is funny and almost adorable. I could not help but sympathize both of them only to realize that I am feeling warmth for two mobsters. Not to even mention that Lenny Montana was an actual mob hit-man and that he was actually nervous as he said that line.

    The more I watched the more I realized just how incredibly complex and ruthless this society is and how it has the power to corrupt anyone to come in contact with it. The best example is Corleone's youngest son, Michael (Al Pacino). He returns home for his sister's wedding as a war hero dressed the part with his long-time girlfriend, Kay Adams (Diane Keaton). At first, he avoids this underworld, but necessity, first-hand exposure and just its sheer devilish appealing nature draws him in. As we get further in the film, the change is shocking and every outsider who ever got close to him is tainted in one way or another. If they survive it, they are drawn in as well as we are as viewers.

    Inside, Coppola exposes the family to us fully, with a bold personal approach and we witness every discussion, every methodically calculated choice. Crime is done simply because it is the nature of their business, and we are put on a chair alongside them, so we easily relate. For us, they are the good guys, the rival families are the bad guys. This is the greatest feat this film managed to pull off--set apart good guys and bad guys in a world filled with bad guys.

    This is a film of unmatched subtlety. No other movie sustains itself as good. No other film is done with such precision, attention and completeness. There are many layers which I probably missed and maybe will never notice. But I felt them. What director Francis Ford Coppola and his partner in crime (poor choice of words, sorry) Mario Puzo did is nothing short of a timeless piece of reference cinema whose influence is not based on reinventing the wheel, but rather perfecting it to the absolute maximum.

    Most masterpieces are remembered for their historical contributions. "Citizen Kane" brought the biggest step-up to the art form, the same things did "Gone With the Wind" or "2001: A Space Odyssey". "The Godfather" is one of the few films that will be remembered simply because they are that good and I cannot possibly imagine a greater achievement.
    10danielfeerst

    Amazing movie

    The acting was simply amazing, what else could you say. What could be more appealing to people(even today) than watching actors like Al Pacino, Marlon Brando, James Caan, Diane Keaton, Talia Shire and Robert Duvall. This is like heaven for someone who is a fan of movies. With this movie Brando was able to bring himself back into the limelight. His performance as the godfather alone is iconic. His character has been recreated so much in films that it has almost if it has not already become a cliché. His performance though was not a cliché. His performance was subtle and breathtaking. It was so genuine and realistic that it was not just probably but definitely more genuine than Marlon Brando himself. Al Pacino was perfect for this film as well. What a way to start up your career. His character was all about depth and he displayed it perfectly. He was able to display his own inner-battles in his mind as well as the battles he had with his family, friends and enemies. His character was more of a psychological character study than anything else to me. Robert Duvall to me was the glue to the movie. He added a different perspective to everything in just that he was not Italian yet having the respect of the mafia. His character is a man of high authority within the Corleone family who was listened to and insightful;. This was simply perfect giving the film great balance throughout. The rest of the cast was just icing on the cake.

    The writing was phenomenal and breathtaking. As mentioned before there has been no movie quoted more than this. It is not even the quotes though that makes the writing in here so perfect. It is the symbolism and meaning that went into every scene. There are countless symbols, messages and lines in here that are so memorable yet it is as realistic as a movie could get.

    Oscars Best Picture Winners, Ranked

    Oscars Best Picture Winners, Ranked

    See the complete list of Oscars Best Picture winners, ranked by IMDb ratings.
    See the complete list
    Poster
    Lista

    Más del estilo

    El padrino parte II
    9,0
    El padrino parte II
    Cadena perpetua
    9,3
    Cadena perpetua
    El caballero oscuro
    9,1
    El caballero oscuro
    El club de la lucha
    8,8
    El club de la lucha
    El padrino parte III
    7,5
    El padrino parte III
    Pulp Fiction
    8,8
    Pulp Fiction
    La lista de Schindler
    9,0
    La lista de Schindler
    Forrest Gump
    8,8
    Forrest Gump
    Uno de los nuestros
    8,7
    Uno de los nuestros
    Origen
    8,8
    Origen
    Matrix
    8,7
    Matrix
    Seven
    8,6
    Seven

    Intereses relacionados

    Orson Welles in Ciudadano Kane (1941)
    Épico
    Marlon Brando and Salvatore Corsitto in El padrino (1972)
    Gángster
    Casey Affleck and Michelle Williams in Manchester frente al mar (2016)
    Tragedia
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in Los Soprano (1999)
    Crimen
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight (2016)
    Drama

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      Francis Ford Coppola held improvisational rehearsal sessions that simply consisted of the main cast sitting down in character for a family meal. The actors and actresses couldn't break character, which Coppola saw as a way for the cast to organically establish the family roles seen in the final film.
    • Pifias
      During Sonny and Carlo's fight, one of Sonny's "movie" punches is shot from the wrong angle and clearly misses, but still produces the sound of an impact.
    • Citas

      [to Rocco who has killed Paulie in the car]

      Peter Clemenza: Leave the gun. Take the cannoli.

    • Créditos adicionales
      In the end credits, Marlon Brando's name is the only one that is not accompanied by the character name that he plays (e.g. "as Vito Corleone").
    • Versiones alternativas
      In 1972, Paramount was owned by Gulf & Western, so that company's name appears on the opening Paramount logo. When the film was re-released in 1997, Paramount was owned by Viacom, which placed its named on the re-release Paramount logo, and all subsequent video releases.
    • Conexiones
      Edited into La saga del Padrino (1977)
    • Banda sonora
      Mall Wedding Sequence
      (1972)

      Music by Carmine Coppola

    Selecciones populares

    Inicia sesión para calificar y añadir a tu lista para recibir recomendaciones personalizadas
    Iniciar sesión

    Preguntas frecuentes36

    • How long is The Godfather?Con tecnología de Alexa
    • Was Tom Hagen the one who put the horse's severed head in Jack Woltz's bed?
    • Why didn't the Don do anything to stop Carlo from beating Connie?
    • What was Michael's rank as a Marine? What commendations -- medals -- was he awarded?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 20 de octubre de 1972 (España)
    • País de origen
      • Estados Unidos
    • Sitios oficiales
      • Facebook
      • Instagram
    • Idiomas
      • Inglés
      • Italiano
      • Latín
    • Títulos en diferentes países
      • El padrí
    • Localizaciones del rodaje
      • Forza d'Agrò, Messina, Sicily, Italia(as Corleone village)
    • Empresas productoras
      • Paramount Pictures
      • Albert S. Ruddy Productions
      • Alfran Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 6.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 136.381.073 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 302.393 US$
      • 19 mar 1972
    • Recaudación en todo el mundo
      • 250.926.380 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 2h 55min(175 min)
    • Mezcla de sonido
      • Mono(original release)
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

    Contribuir a esta página

    Sugerir un cambio o añadir el contenido que falta
    • Más información acerca de cómo contribuir
    Editar página

    Más por descubrir

    Visto recientemente

    Habilita las cookies del navegador para usar esta función. Más información.
    Obtener la aplicación IMDb
    Inicia sesión para tener más accesoInicia sesión para tener más acceso
    Sigue a IMDb en las redes sociales
    Obtener la aplicación IMDb
    Para Android e iOS
    Obtener la aplicación IMDb
    • Ayuda
    • Índice del sitio
    • IMDbPro
    • Box Office Mojo
    • Licencia de datos de IMDb
    • Sala de prensa
    • Anuncios
    • Empleos
    • Condiciones de uso
    • Política de privacidad
    • Your Ads Privacy Choices
    IMDb, una empresa de Amazon

    © 1990-2025 by IMDb.com, Inc.