PUNTUACIÓN EN IMDb
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TU PUNTUACIÓN
Añade un argumento en tu idiomaA mute woman finds herself at the center of a series of murders in the mountains of Spain, which police suspect are being committed by a drug-addled Satanist.A mute woman finds herself at the center of a series of murders in the mountains of Spain, which police suspect are being committed by a drug-addled Satanist.A mute woman finds herself at the center of a series of murders in the mountains of Spain, which police suspect are being committed by a drug-addled Satanist.
Ida Galli
- Jenny Ascot
- (as Evelyn Stewart)
Jorge Rigaud
- Zio Ralph
- (as George Rigaud)
José Marco
- Padre Martin
- (as Jose Marco)
Agustín Bescos
- Il farmacista
- (sin acreditar)
Argumento
¿Sabías que...?
- CuriosidadesUncredited Ágata Lys became a household name overnight as one of the pretty and "bespectacled" hostesses of the top-rated TV contest Un, dos, tres... responda otra vez (1972).
- PifiasIn the Poe quote after the credits, "which" is misspelled without the first h, as "wich"
- Citas
Credits: "Fear is a knife of ice wich penetrates the senses down to the depth of conscience." Edgar Allen Poe
- Créditos adicionalesIn the Poe quote that ends the credits, "which" is misspelled without the first h, as "wich"
- ConexionesReferenced in All Eyes on Lenzi: The Life and Times of the Italian Exploitation Titan (2018)
Reseña destacada
The third Lenzi giallo I've watched after having attended screenings of ORGASMO (1969; incidentally another of his collaborations with star Carroll Baker) and SPASMO (1974) during the Italian B-movie retrospective at the 2004 Venice Film Festival; they're not the best examples of the genre by far, but neither are they among the worst.
I recall ORGASMO being pretty complex, while SPASMO was weird without being especially compelling (though I did watch it as part of an all-night marathon that ended at 8:00 and where the screening of Lenzi's film was interrupted a couple of times because of trouble with the print!). As for the film in question, it's basically a retread of Robert Siodmak's noir-ish masterpiece THE SPIRAL STAIRCASE (1946) - which Lenzi himself had singled out as his favorite film during one of the many Press Conferences he gave (along with colleagues Sergio Martino and Enzo G. Castellari) during the Festival: Baker plays a mute, the main setting is an upper-class household in a small rural town, the climax occurs during a thunderstorm and, of course, there's a serial killer on the loose! The narrative also takes in drug addiction and devil worship, but these emerge as mere red herrings.
Still, for a giallo, it's pretty bloodless and, to be honest, its attempt at psychology - demonstrated by frequent abrupt cutting in which Baker has flashes from her past, as well as the various victims at their moment of death, and the possible perpetrator - is not only unconvincing but becomes a repetitive device with little purpose (given the final revelation)! As a matter of fact, this particular twist was re-used in SPASMO; still, the obligatory explanation offered here is a little weak but, then, this form of coda seldom worked within the confines of the giallo subgenre! Besides, the score is undistinguished and the casting merely okay: Georges Rigaud (as Baker's ageing uncle, who has a heart condition which he ultimately uses to his own advantage!), Eduardo Fajardo (as a sinister-looking chauffeur), Evelyn Stewart, etc.
I recall ORGASMO being pretty complex, while SPASMO was weird without being especially compelling (though I did watch it as part of an all-night marathon that ended at 8:00 and where the screening of Lenzi's film was interrupted a couple of times because of trouble with the print!). As for the film in question, it's basically a retread of Robert Siodmak's noir-ish masterpiece THE SPIRAL STAIRCASE (1946) - which Lenzi himself had singled out as his favorite film during one of the many Press Conferences he gave (along with colleagues Sergio Martino and Enzo G. Castellari) during the Festival: Baker plays a mute, the main setting is an upper-class household in a small rural town, the climax occurs during a thunderstorm and, of course, there's a serial killer on the loose! The narrative also takes in drug addiction and devil worship, but these emerge as mere red herrings.
Still, for a giallo, it's pretty bloodless and, to be honest, its attempt at psychology - demonstrated by frequent abrupt cutting in which Baker has flashes from her past, as well as the various victims at their moment of death, and the possible perpetrator - is not only unconvincing but becomes a repetitive device with little purpose (given the final revelation)! As a matter of fact, this particular twist was re-used in SPASMO; still, the obligatory explanation offered here is a little weak but, then, this form of coda seldom worked within the confines of the giallo subgenre! Besides, the score is undistinguished and the casting merely okay: Georges Rigaud (as Baker's ageing uncle, who has a heart condition which he ultimately uses to his own advantage!), Eduardo Fajardo (as a sinister-looking chauffeur), Evelyn Stewart, etc.
- Bunuel1976
- 13 jun 2006
- Enlace permanente
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Detalles
- Fecha de lanzamiento
- Países de origen
- Idiomas
- Títulos en diferentes países
- Knife of Ice
- Localizaciones del rodaje
- Incir De Paolis Studios, Roma, Lacio, Italia(as De Paolis Studios)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración1 hora 31 minutos
- Relación de aspecto
- 2.35 : 1
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By what name was Detrás del silencio (1972) officially released in India in English?
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