Como el viento

Odd Ernest Kinoy screenplay involving a mysteriously reticent black man of very few words returning to his Southern hometown for the funeral of his sister, dating a pretty schoolteacher but also getting involved in heated racial confrontations between the black residents and the redneck law. Peculiar, offbeat to say the least, yet hardly engrossing or emotional aside from the two big confrontations (one racially-charged, the other over a woman). Will Geer gives an irritatingly obtuse, owl-like performance as the doctor who originally delivered "Brother John", and who now senses something magical about him. In the lead, Sidney Poitier holds the screen with resplendence; he still has all the charisma and inner-fire of his popular 1960s roles, and allows us to see it (or perceive it) at perfectly-timed intervals. However, this cloudy mood piece--with timely undercurrents of oppression--isn't an exciting or gripping picture. Some have lauded the film for its dreamy ambiance, others will feel this approach ultimately works against the characters. A mixed-bag, though one with a beautiful score by Quincy Jones and expressive Gerald Perry Finnerman cinematography. ** from ****

I only saw the movie once, back when it came out, but it left an impression on me. John is an enigma, one we discover more puzzling things about but never anything that is a solid answer. Like Will Geer's character, we can guess things about John and the reasons for his return, but we will never know the answers.... At least not until John chooses to act.

By the way, the film makes an interesting mirror to IN THE HEAT OF THE NIGHT. Consider that film as if it were an X-Files episode....

This film begins with a small-town doctor known simply as "Doc Thomas" (Will Geer) advising a young woman named "Sarah" (Lynn Hamilton) to check into the local hospital for some tests. Although he advises her not to worry, he fully realizes that she has a terminal case of cancer and as such she doesn't have long to live. Prior to her leaving, however, he asks whether she has spoken with her brother "John Kane" (Sidney Poitier) who left town years ago and seems to have completely disappeared. After replying that she doesn't even know where he lives, she then leaves the clinic and checks into a hospital. The scene then shifts to a demonstration being held outside of a local factory where some of the workers are trying to form a union. With tensions running high Doc Thomas' son--the conservative District Attorney "Lloyd Thomas" (Bradford Dillman)--advises his law enforcement officials to be on the lookout for suspicious strangers appearing hoping to further inflame the situation in the union's favor. Not long afterward, John Kane just happens to appear right before his sister dies. Even so, Lloyd and the county sheriff "Ramon Bieri" (Orly Ball) become convinced that he's also there to stir up trouble. Doc Thomas, however, is not convinced and marvels at the fact that John seems to have an uncanny knack for mysteriously showing up whenever one of his family members is dying. What he suspects-and nobody else seriously considers--is that there is more to John than meets the eye and death always seems to follow him wherever he goes. Now, rather than reveal any more, I will just say that I liked the performances of both Sidney Poitier and Will Geer along with those of Beverly Todd (as "Louisa MacGill") and the always underappreciated Paul Winfield ("Henry Birkardt"). I also liked the manner in which the overt racism endemic in the South was exposed for all to see. That said, however, I must admit that I would have preferred a more heightened sense of mystery combined with a bit more suspense than what was displayed. Be that as it may, I still enjoyed this film for the most part and I have rated it accordingly. Slightly above average.

Sidney Poitier gives an exemplary performance in a film in which the viewer is kept in suspense as to why and who. Right to the very end, the viewer never knows for sure what the visitor to a small town really is. The supporting cast is excellent and Will Geer and Sidney Poitier are outstanding.

I first saw this movie when it was released in the UK and although similar politically to most of his movies of that time and with the usual script aimed at making Sidney Poitier appear to be the super human that we all know he is.It was still in my opinion one of his more meaningful but less celebrated rolls with little or no publicity when it was released in the UK.Having said that,when you think of the standard of performance Mr Poitier gives in the movie and the talent the casting agent managed to muster(all fine journeymen actors)as a supporting cast one wonders why I feel I am the only person in the UK who saw this movie.The other major plus is the soundtrack(I would love to have a copy)it is so good.