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I'm a fan of Columbo, and Ransom for a Dead Man is a personal favourite. It does drag towards the beginning and Patricia Mattick is rather annoying. However, the usual ingredients are there. While the production values improved a tad in quality as it progressed, the episode is still very striking to look at, and the music score is one of my personal favourites of any Columbo episode. The story once it gets going is compelling, with a well-used pivotal telephone gimmick and a classic Columbo scene at an airport, and the writing is strong throughout having some funny, thoughtful and atmospheric moments. The performances are excellent, Peter Falk is exceptional as usual and Lee Grant as a very beautiful, cold, confident and also arrogant murderess is superb. In conclusion, a great episode. 9/10 Bethany Cox

Three years after making "Prescription: Murder", the character Lieutenant Columbo was revived for a second made for TV film. This time, the formula convinced the network to greenlight the show and soon it became a regular on the weekly "Mystery Movie".

Lee Grant plays a very skilled trial lawyer who is used to winning. However, one thing in her life is NOT perfect. She's married to an older man and now that he no longer is useful in forwarding her career, she's bored with him. Instead of divorce, however, you KNOW it will end in murder. After all, it's "Columbo"!

The story is well written, the acting by Grant and the rest is quite nice and it's well worth your time. My only quibble is early in the show, you see the Lieutenant making an illegal search of a locker. With no search warrant or apparent need to search it, he did anyway.

By the way, on IMDB this is listed as the first installment of "Columbo"....but as I mentioned above, it's actually the second.

1. Peter Falk as Columbo has his hands full trying to prove his case against husband killer Leslie Williams played by the gorgeous Lee Grant. 2. Leslie's step daughter Margaret provides some help to Columbo, but I believe that she was fortunate that Leslie didn't decide to eliminate her step daughter as well! 3. I picked out one small interesting scene to mention. Shortly after Leslie takes her adversary for an airplane ride, he goes into a diner for a bowl of chili. Apparently our favorite detective has eaten there before because the cook knows that chili is Colombo's favorite dish. (In later episodes we see the lieutenant sitting down to enjoy a bowl of chili, but this is the first time we see this happen in the series). 4. In 2011 when the news reports came out that Peter Falk had passed away, I made my way to a greasy spoon diner and had a bowl of chili exactly the way Colombo liked it, with "ketchup and lots of crackers".

I love this Columbo pilot movie...it has a richness of production lacking in most of the regular series episodes. I wish the regular episodes looked and felt like this.

The musical score by Billy Goldenberg is absolutely beautiful...variations on a simple theme, first as a intriguing, gently unfolding tune as the murder is planned and carried out. Then, as the cover-up is under way and we are introduced to a lush dramatic orchestration of the same theme, exciting and beautiful, worthy of a James Bond film. So versatile, this amazing tune, that it is used throughout the movie without ever sounding quite the same. The final iteration is as a jaunty little ditty in the airport coffee shop that sneaks up on you...totally unnoticed until the fun wrap-up and credits. Genius! Billy Goldenberg was only 34 when he did this...a master!

I also like the way the titles at the beginning and end look. The way the camera lingers at the last scene, of nothing but an airport window, allowing the credits to play out as the music plays, is so much more satisfying, more "movie-like", than the abrupt ending cut and the harsh yellow titles against stills of prior scenes of the regular series episodes. Some have derided the digital zooms and other editing choices made in this episode, but I couldn't disagree more. One of my favorite images is of the coldly beautiful Leslie, standing at the edge of a cliff, her eyes black as night, then suddenly ablaze like diamonds. They are actually the headlights of the big Lincoln she is driving in the scene. Beautiful imagery not even attempted in the series episodes.

That gets me to my final point as to why this Columbo is a cut above...Lee Grant! I enjoy watching Columbo match wits with female adversaries, and Leslie Williams is one of the best adversaries, if not the best, he has ever had...beautiful, sexy, flirtatious, shrewd, cunning and let's not forget - "greedy". I could watch her all day...I can't get enough of her. She is in control of every frame of film she appears in, every word, movement, every breath. Lee Grant is a great actress - great acting in a really fun part.

This episode is not perfect, but the Billy Goldenberg score, the "movie" look, and especially Lee Grant elevate it to the top for me. Fun to watch anytime.

A distinct improvement on PRESCRIPTION: MURDER, especially in the visual field: this was actually released in cinemas in Britain, in 1973, and it's easy to see why. Despite some gimmicky camera effects, dating the show as the product of the early 70's (but why the hell not), the style of the visuals, particularly the opening murder scene, and the atmospheric music lend the TV production an enjoyable air of assured professionalism more associated with the big screen. (Especially, one might add, with Hitchcock, whom Levinson and Link had previously written for.) Lee Grant is a simply superb adversary, coldly beautiful and never once descending to the "chink-in-the-armour" factor that let down some of the later COLUMBO murderesses. Falk looks no different in this second pilot (in effect a special, anticipating the series' current status) than he would in the series, and has also raised his voice above the near monotone employed in PRESCRIPTION: MURDER, although his loss of temper with Grant's obnoxious stepdaughter is quite unlike the easy-going Lieutenant we all know.

Overall this second pilot for the Columbo series does not have the dramatic impact and sustained tension apparent in the original movie "Prescription: Murder." The movie does however boast a strong performance from Lee Grant as the conniving and arrogant lawyer, Leslie Williams, and an even better performance from Patricia Mattick as her single-minded, spoilt step-daughter.

Peter Falk's characterisation had positively matured since the original and some of his scenes have wonderful dialogue attached to them , which epitomise the complexities of his character.

Nevertheless, the ransom scenes which dominate the first half hour drag a little and in retrospect, one is at pains to understand why Columbo is present as the kidnapping plot develops.

The direction from Richard Irving. who also directed the original, is somewhat flat and he insists on using some intrusive, mind-numbing (and now somewhat dated) visual effects.

It's a decidedly patchily entertaining Columbo adventure, whose rather predictable ending nevertheless conflicts with the murderesses's hitherto smartness. In spite of this, the collective successes of the pilots instigated one of the best series to hit our TV screens.

Three years after the original Columbo pilot "Prescription: Murder", the great man got another chance for immortality in this film. Of course, the rest is history as Columbo went on to become one of the greatest and best-loved TV characters ever.

This pilot sets a high standard (which wasn't always maintained, let's be honest) and has strong writing and characterisation, as well as showing some visual flair with slow fades, jump cuts and other effects.

Columbo here is the Lieutenant we will come to love, absent-minded, rambling, but with pin-sharp instincts and a deep sense of justice ("I couldn't have you convicted on false evidence" he says at one point. He wants to catch the criminal but he will do it fairly and properly). The performances of Peter Falk and Lee Grant are excellent.

Some reviewers have felt the suspect wouldn't be stupid enough to use the ransom money after being so smart in planning the crime and covering her tracks. I think the fact the money was going into a *Swiss* bank probably made her feel it was a risk worth taking - you can't get any information out of those guys, so no-one would know it was the ransom money. Besides, she really doesn't have a conscience.

... but don't hold that against it.

Esteemed trial lawyer Leslie Williams (Lee Grant) murders her husband at their home, dumps the body in a remote area, and then has the whole thing set up to look like a kidnapping for 300K. That's 2.3 million dollars in 2023. She pays the ransom, but switches the bag holding the money with an empty bag at the last minute and then hides what would have been the ransom, so she has lost no money. When the police find the empty bag and Leslie's husband's body they just figure the kidnapping went bad and the thieves got away with the money. They begin a manhunt for the kidnappers and Leslie seems home free.

Enter stage left Lieutenant Columbo who has been troubled from the start by various aspects of this case. Leslie has been smart - she has no accomplices except a couple of, what were then, high tech devices. But she has an adversary - her stepdaughter who doesn't like Leslie and is aware of certain facts that have her believing that her father was murdered. Complications ensue.

There are three years between the first Columbo movie and this one, and Columbo now has his more familiar disheveled appearance. The film does some things that date itself. For some reason the producers thought fading in and out between scenes in such a way that it seems like somebody is having a bad dream is a good thing. They also have the daughter character talking about the "fuzz" - I guess they are just trying to be "with it" but it just seems funny now. Also note Columbo being fascinated with Leslie's landline attached to a punch card reader and a tape recorder.

What is a little different from this Columbo versus some of the others is that the "why" of the murder unfolds gradually, with the episode. I'd recommend it.

The Columbo movies are all great murder mysteries to watch. Difference with most other serials/movies is that in a Columbo movie you always get to see the killing right in the beginning, which also means that you already know who is the killer. So all the Columbo movies show is how Lieutenant Columbo solves the crime, in his own unique way. This is an approach that always works surprising well and the movie also still leaves plenty of surprises, since you never know exactly how the killer came to its deed and what the motive was.

The movie gets of course carried by Peter Falk as the strange and quirky but of course clever and very observing Lieutenant Columbo. Though I liked the 'old man' Columbo better in the later TV movies. He pretends to be more stupid than he in fact of course truly is, in order to harmlessly gain trust from his suspects. It's a great character and basically the foremost reason why this Columbo TV movies are so popular and still great to watch after all those years. The Columbo movies were made in even 5 different decades, all with Peter Falk in the title role, which says something of its popularity and quality of the series, that just never seems to dry out. The series will probably won't ever stop until Peter Falk is no more. Acedemy Award winner and multiple nominee Lee Grant also plays a good role but most of the other actors in this movie seem like C-grade TV series actors. Especially Patricia Mattick was annoyingly bad and all her character ever did was moaning.

This movie is the second of two Columbo pilots. Strangely enough it was made 3 years after the first Columbo pilot "Prescription: Murder", as if the first pilot was not a total success but they still wanted to give it a chance, having faith in its potential.

It has a good story that drags a bit at points and the clues left out for Lieutenant Columbo are at times a bit too obvious but knows to keep your interest throughout. It has some interesting side-plots and developments but it doesn't ever allow things to fully develop in order to make it all fit into the time span of the movie. This also means on the other hand that the movie feels like it wrapped up too fast toward the ending.

The movie features some quirky '70's effects and trick but luckily enough it never really crosses the line. It's also a reason why this movie surely doesn't feel outdated and is actually now just still as good as ever to watch.

7/10

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Lee Grant, smirking and narrowing her eyes like a cat about to pounce, plays a hotshot lady lawyer who kills her attorney husband and makes it look like a kidnapping-turned-homicide; Lt. Columbo, curiously on the case from the very beginning (before there is a dead body), matches wits with Grant, eventually using Lee's hostile step-daughter as a tool to uncover the truth. This early "Columbo" teleplay by Dean Hargrove, with an original story conceived by the team of Levinson & Link, gives us some fun background details on Columbo himself (he's nervous in planes, likes root beer and always orders chili at Barney's Beanery in Los Angeles), but skimps a bit on the lieutenant's investigation. Without showing us the homework involved, Columbo seems to be picking details out of the air (always the right details, naturally), and when he talks about the victim's car keys missing, or the car-seat being too close to the wheel, it's unfair to spring these details on us as afterthoughts (there's no suspense involved when Columbo does his puzzle-solving off-camera). Aside from cunning Grant--and Peter Falk doing his usual solid work--the acting here is relatively mediocre, and the cut-and-dried climax seems a little flat.

If I recall correctly, Lee Grant won or was nominated for an award for her great performance of Leslie Williams, a cold blooded killer and confident lawyer who is both arrogant and greedy. She exhibits no remorse whatsoever during the entire episode, as we get to see her coldly murder her influential husband. She manipulates the detective in charge, but when the husband's body finally surfaces, Columbo is in charge and he sees right through Leslie, even when she falls apart at the bad news in front of several people. Without describing in detail the rest of the episode, there are some memorable scenes which has Columbo attempting to fly Leslie's plane, and how Leslie's step daughter Margaret constantly hounds her, because she feels that Leslie murdered her father. I thought perhaps there was a bit too much Margaret, as her tirades towards her step mother go on and on for much of the latter half of the segment. Anyhow, you'll have to sit through close to 2 hours before we finally get to the underwhelming finale when Columbo finally arrests Leslie, which seems slightly convenient rather than grand.

This is a solid season 1 episode, and watch for the fine portrayal by Lee Grant, who makes this Columbo a memorable one. Peter Falk also does a fine job as he's on the hunt after the killer.

My favorite part of this flick is the gotcha end, because that's when Columbo tells an overconfident lady lawyer killer exactly what she was: just that! Which also set the trap for herself. She's so arrogant to believe money can buy anything. Even the love of her dead victim's daughter, who got the pleasure of saying goodbye to a murderous stepmom one last time before Lt Columbo does likewise in another way that brought a big surprise for his target.

Lee Grant ever since she came off the blacklist and resumed her film career has made a real specialty in playing very bad women. In this Columbo episode she plays the trophy wife of an older judge who decides she's bored with him, but not his money. She shoots him and then arranges an elaborate charade involving a fake kidnapping with ransom and all. As she's also an attorney she knows the law pretty good.

Take a look at her facial expressions after she dumps the body in a car off an ocean cliff. That expression tells you Grant is capable of anything to get her way. She is truly scary.

But she has everyone fooled except of course Peter Falk. At first he's only an observer as the FBI is in charge of the kidnapping. He and the agent in charge Harold Gould don't get along, Gould finds him annoying and underfoot. I have to say Columbo really comes into his own when the body is discovered and it's a murder case. I love that scene with Falk and Gould.

Grant is really slick and the only other one not fooled by her is her stepdaughter Patricia Mattick.

An old friend of mine had a saying "you're a thief so you think everyone else steals". That is Lee Grant's mentality and it is what Falk and Mattick bring her down with. You have to see how they do it.

And this Columbo episode and its review is dedicated to my late friend Matthew F.X. Smith.

Good effort. I always thought Leigh Grant was stunning. She does an amazing job of creating a kidnapping plot with all the possible pitfalls covered (so she thought). The problem is that she has baggage. Her stepdaughter has always felt she was a gold digger. This is the kind of thing that Columbo swoops in on. She also is arrogant and rather emotionless. Ultimately, there is one thing that does these people in. Columbo has a kind of sixth sense. At some point, through whatever means, he makes a decision about a particular suspect. Then he hangs on like a pit bull. Of course, he is so annoying, but so friendly, that he drives his suspects crazy with their smiling and trying to appear innocent. Some get hostile, but most try not to seem combative.

RANSOM FOR A DEAD MAN was the first properly successful pilot episode of the long-running Columbo series, following on from the unsuccessful PRESCRIPTION MURDER made three years previously. Even at this early stage of the proceedings, all the elements of the show are present and correct and Peter Falk seems to have just slipped into the mantle of his character from the very beginning. I noticed a couple of times his voice sounded different (a little smoother than we'd expect) but otherwise this is typical Columbo.

An alluring Lee Grant (DAMIEN: OMEN II) stars a femme fatale who bumps off her husband in the opening scene. To cover up the crime, she stages an elaborately faked kidnapping and has a group of negotiators (as well as Columbo) tag along. Before long the clues and holes in her story are adding up and Columbo, as ever, seems to take great delight in getting to the heart of the mystery. The comic scenes are even present at this early stage, such as the bit where Columbo is taken on the flight of his life.

Grant gives a fine performance as the icy but somehow likable murderess, and Falk is on good form too. Some of the supporting cast members should have had their parts cut, in particular Patricia Mattick's ultra-annoying John Lennon-lookalike stepdaughter, who contributes way too much whiny melodrama for my liking. Other than that, RANSOM FOR A DEAD MAN is a solid TV movie with some fun, '70s-style camera effects (zooms, segues, and the like) for added measure.

Took way too long to get going, and this didn't need to be 90 minutes. Some terrible stylistic moments too, particularly around scene transitions. Somewhat predictable ending, but some funny shtick between Columbo and the waitress at the end just about made the whole thing worthwhile. Not one of the best Columbos all in all though.