La naranja mecánica

i just saw this movie about a day ago, and it completely blew me away, namely the main character, protagonist, hero? Alex. we love, hate, and or just plain utterly confused about how we feel of Alex. Alex is the greatest villain ever because he is ourselves, he is the worst of ourselves. hes the deep dark place inside you that rises to the surface eventually, and then pushed down just as fast because it terrifies you. the way Alex stares into the camera in the first scene just freaks me out, he has a little smirk on his face that seems to say you may hate me, but you'll never be rid of me, because there can never be good without the bad, and i am the bad.

A Clockwork Orange is the finest film that has ever been made, in my view. Stanley Kubrick has made so many masterpieces, and is by far the best director that ever graced our world. A Clockwork Orange is simply his finest hour!

The film grabs you and glues you to your seat from start to finish. Malcolm McDowell gives us a shining example of superior acting, and the movie is as perverted as any of Kubrick's masterpieces (and then some!). It contains horrifying violence, extreme emotions, perversity and weirdness at it's very worst. It all boils down to serve you a plethora of thoughts for you to take with you and contemplate, after the film ends.

However, with all the perversity bursting out of this film, you will probably NOT like this film the first time you see it. I know I didn't. Fortunately, I gave it a second chance, and thought: Hey, it was actually not bad at all. After the third time, I was lost for words.

After the fourth time, there was little doubt in my mind, that this was the finest film ever made, and regardless of how many great masterpieces I see, A Clockwork Orange still towers above them. I'm sure you'll agree, if you give it the chance it deserves, although it may require for you to see it more than once.

A Clockwork Orange was always a film I wanted to watch but it was one of these films that I was too young to watch when it was initially released in British cinemas and then banned by Director Stanley Kubrick from being available in Britain. The ban remained until he died.

The film became infamous for its depiction of violence and sex. It overlooked the fact that despite its initial scenes of brutality and rape, in its heart it is a dark comedy set in a futuristic Dystopian Britain.

An adaptation of Anthony Burgess novel, Malcolm McDowell might be a shade too old to play the teenage delinquent Alex getting high on milk-plus which is infused with drugs and then partakes in an orgy of ultra-violence which includes beating up a vagrant, fighting with a rival gang and then speeding through the country roads where they burst into the house of a writer who gets beaten up and watches his wife get raped as Alex sings Singin in the rain.

We know Alex is still at school as he lives in his parents flat and is visited the next morning by his probation officer who is concerned about his absence from school.

However Alex's luck runs out. He falls out with his fellow gang members and when he breaks into another house, he kills a woman with a phallic sculpture, betrayed by his gang and caught by the police, he is sentenced to 14 years in jail.

The opening part of the film would had been deemed shocking in early 1970s Britain. I doubt that level of sex and savagery would had ever been seen before in a mainstream British film.

However the film becomes more of a surreal prison film once Alex ends up in jail where he joins a church group and tries to fend off advances from fellow inmates. A visiting government minister offers him a chance to take part in an experiment. Once he undertakes an experimental aversion therapy for rehabilitating criminals within two weeks the film becomes a black revenge comedy.

Once freed from prison and rehabilitated Alex finds there is no room for him in his parents home, he gets set upon by a gang of vagrants as the tramp who he beat up in the beginning recognises Alex. His old gang members are now in the police and they torture him. Worse still he stumbles into the house of the writer who he attacked and he gets his vengeance as well. Poor Alex now cannot listen to his favourite piece of Beethoven without doing harm to himself.

There is an underlying political satire of a government wanting to tackle violence in society by being draconian themselves until public opinion turns against them.

The film contains a lot of slang derived from east European languages and although I mentioned he looked rather old to play the teenage Alex, Malcolm McDowell delivers an amazing performance providing a narrative with his Yorkshire tones.

The film might put off some of its audience with its disturbing opening but settles in well after that.

A disturbing but yet very beautiful piece of film-making, Kubrick has created the ultimate study of mind manipulation in this film. It is a protest against reform programs that take away freedom of a choice, and the message of the film in terms of paying for one's sins in all eternity is inescapable, evident to a large extent in the sardonic nature of the tale. Although set in the future, it hardly feels like it is, this being because the message of the film is overwhelmingly powerful and capable of applying to any age. The film has a number of possible hidden meanings to it – a feat equaled on scale only by Kubrick's former film '2001: A Space Odyssey'. Besides for the meaning behind the film, there are still the marks of a masterpiece. Kubrick's direction is superb alongside the good photography, capturing shadows and angles needed to establish tone. The editing is excellent too, done in a flashy, brainwashing style at times to have relevance to the film. The choice of cast is again inspirational, however the film achieves the most in terms of music. Kubrick manages to use one of the earliest forms of art, classical music, and give it an unforgettable style and importance in the film. It is truly a difficult task to explain what is so great about a film such as 'A Clockwork Orange' – it is maybe best explained by watching the film itself.

I would say that the movie is really a gem of an art piece. The use of excellent imagery coupled with pretty out-of-the-place background score tells us about the uniqueness of this movie. Stanley Kubrick has really applied a lot of thought into this.

The director wants the audience to feel something as bad not because he is showing it as bad but because it really is bad. The background music accompanying the ultra violent scenes is comical, and not dramatic or anything else that is commonly associated with such scenes. This gives the viewer an opportunity to feel the bitterness not because the music hints so but because he himself feels so. Viewer's emotions should arise irrespective of what the director is trying to show, and this is one of the greatest successes of the movie.

Another glorifying feature is the central idea of the movie. If a human is striped of the choice to choose from good and evil, he no longer remains a human, he becomes a clockwork. When Alex is brain-washed and "programmed" to choose only good, he wasn't accepted by the society and this shows the irony in the objectives of the British Government. The word Orange from the title presumably comes from the word "Ourange" that loosely means man. And hence the title is so appropriate to the movie.

The artificiality in dialogues and sets give the movie a unique feature and enhance the grip on it. This also means that the viewer has to get more involved. This is definitely one of the best technically shot movies, another masterpiece of Kubrick like the Space Oddessey.

For the uninitiated, set in near future Britain, the movie shows Malcom MacDowell as the head of a group of youngsters involved in sexual violence. Turn of the events leave the protagonist in the hands of the police. Worried by the growing number of prisoners the British Government devises a method of "programming" them so that they always choose the good. Alex is chosen as one of those on which the new system is to be tested. The rest unfolds as a saga of the very human characteristic.

Lastly, I would like to say that you may be compelled to leave the movie in between, but if you are watching it for art and cinematic experience, I recommend you to sit through.