El gran Jack

He is not dead...NOT HARDLY!! This movie was great. I can't believe I had never seen it. I loved the way he put his kids in place every time they got out of line. Especially that guy with the mustache (Wayne's real life son). I have seldom seen movies where there is so much suspense. The mean man with the blanket was super good also at being a MEAN AND BAD GUY!!!! John Wayne is the best cowboy ever. He looked and acted tough and was apparently TOUGH in real life. I wish Maureen O'Hara would have been in this movie more. She is so good looking. John Wayne was so fearless. I loved the way he bled RED PAINT. Back then, the blood looked like RED PAINT. Haha.

I give this movie a perfect 10!

Some comments here have mentioned how much the Western "Big Jake" reminds them of "Dirty Harry." Actually, both films were written by the same screenwriters -- Harry and Rita Fink -- though additional writers were brought in on "Dirty Harry." Both films were developed and shot around the same time. "Big Jake" came out in summer 1971, and "Dirty Harry" came out at Christmas 1971. John Wayne said he was offered "Dirty Harry" before Eastwood took it (but Dirty Harry was also supposedly offered to Paul Newman, Frank Sinatra, Bill Cosby and Walter Matthau before Eastwood, too!)

The twice-repeated "do you feel lucky?" speech in "Dirty Harry" and the twice-repeated "your fault, my fault, nobody's fault" speech in "Big Jake" prove to me that the same writers worked on both scripts.

Also, Richard Boone must be singled out. This powerful, amusing actor always made a great villain. Wayne had tried to get him as the villain for several films before "Big Jake" (he'd done a cameo in "The Alamo"). Boone finally said "yes" to "Big Jake" and the verbal showdowns between Big John and Big Boone in "Big Jake" are a wonder to behold.

BTW, Boone turned down a lot of movie parts during the 70's (like the Robert Shaw part in "The Sting") but came to help out his old friend Wayne twice in that decade: "Big Jake" and "The Shootist" (1976.)

Mark this down as a very entertaining western with more realistic gunfight scenes than most films, meaning the good guys get shot as well as the villains. John Wayne's "The Searchers," a very similar movie story-wise, gets a lot better press than this film but "Big Jake" is just as good, if not better.

To be fair, while the gunfights in here were well done, the fistfights were an insult. Whenever someone got slugged, such as Wayne belting his kids, it had no effect on them, except just to knock them down for a second or two. In real life, folks, chances are you will knocked unconscious if you are hit in the face, especially by a powerful man like Wayne. This has been a ludicrous fact-of-life, however, in all films for 100 years, not just here.

Other than that, the film is a straight hard-nosed one with Wayne and adversary Richard Boone both fascinating. The dialog between the two was especially fun to hear. Too bad there wasn't more of it. Boone did not have enough lines in this film. Wayne's real-life sons in this film didn't impress me with their acting but they weren't horrible either.

Bruce Cabot was a hoot as an old Indian friend of Wayne's. As with most westerns, there is some nice scenery so if you have the opportunity, watch this on widescreen DVD. It was nice-looking movie.

There has been no tougher or more formidable Western heavy than Richard Boone… He has occasionally depicted hard-bitten nobility, as his portrayal of General Sam Houston in "The Alamo" or the ageing cavalry officer in "A Thunder of Drums"—but more often his grim, craggy features have led him to villainy…

He was Randolph Scott's intelligent, embittered adversary, smooth as a rattlesnake and twice as treacherous, in the Tall T; he wrapped non-conforming farmers in barbed wire in Man Without a Star; as mean, sadistic Major Salinas, he persecuted Rory Calhoun in Way of a Gaucho; and he gave Paul Newman a rough ride in Hombre. In "Big Jake," he was—as always—a powerful presence and one of the screen's most efficient scene-stealer…

George Sherman's "Big Jake" was the Duke fifth and final film played opposite the lovely redheaded Maureen O'Hara who plays, here, his wife Martha McCandles…

The movie opens in 1909 where nine men crossing the Rio Bravo into Texas… Their leader—a sadistic gunrunner—John Fain (Richard Boone) is ready for his bloody McCandles' raid where ten people were slaughtered and Big Jakes's grandson, the 8-year-old Little Jacob (Ethan Wayne) is kidnapped, and a ransom note is left demanding one million dollars in $20 Bills for Jacob's safe return…

Martha—quite sure that this job requires an extremely harsh and special kind of man to attend it— called back her husband, absent for many years, to pay the ransom, and take back home the little boy alive…

Jacob McCandles (Wayne)—who has never seen his grandson—responds to his wife's call and organizes a hunting party to track down the dangerous and violent men…

With his two sons, his faithful Indian scout (Bruce Cabot), his loyal dog, and with a large red strongbox packed to the back of a good mule, McCandles initiates his very daring hunt…

There are some hard feelings among Wayne's resentful boys, and as the film progresses, Wayne's blue eyes were gentle and revealing a wonderful caring father but also his eyes turn to blue steel as he took that decision to get alive his grandson… The heart of the film is Wayne interacting with his wife and what he has in store for his sons next...

Patrick Wayne plays Wayne's older son who is short on ears and long on mouth… Christopher Mitchum rides a 'crazy bicycle,' carries a Bergman 1911, and a rifle with one fancy new telescope...

With great action scenes, great photography and with a terrific Elmer Bernstein musical score, "Big Jake" is one of Wayne best Westerns

A very entertaining John Wayne western. Richard Boone makes a great villian. It's action packed much more in the style of a Clint Eastwood Dirty Harry picture than a vintage John Wayne. Most highly recommended of Wayne's movies in the post-True Grit period.