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IMDbPro

Se armó la gorda

Título original: And Now for Something Completely Different
  • 1971
  • PG
  • 1h 28min
PUNTUACIÓN EN IMDb
7,5/10
32 mil
TU PUNTUACIÓN
Se armó la gorda (1971)
ParodySatireSketch ComedySlapstickComedy

Desternillante recopilación de varios de los mejores números de los excéntricos y ácidos Monty Python.Desternillante recopilación de varios de los mejores números de los excéntricos y ácidos Monty Python.Desternillante recopilación de varios de los mejores números de los excéntricos y ácidos Monty Python.

  • Dirección
    • Ian MacNaughton
  • Guión
    • Graham Chapman
    • John Cleese
    • Terry Gilliam
  • Reparto principal
    • John Cleese
    • Michael Palin
    • Graham Chapman
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,5/10
    32 mil
    TU PUNTUACIÓN
    • Dirección
      • Ian MacNaughton
    • Guión
      • Graham Chapman
      • John Cleese
      • Terry Gilliam
    • Reparto principal
      • John Cleese
      • Michael Palin
      • Graham Chapman
    • 95Reseñas de usuarios
    • 30Reseñas de críticos
  • Ver la información de la producción en IMDbPro
  • Ver la información de la producción en IMDbPro
  • Vídeos1

    Official Trailer
    Trailer 2:39
    Official Trailer

    Imágenes62

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    Reparto principal25

    Editar
    John Cleese
    John Cleese
    • Announcer…
    Michael Palin
    Michael Palin
    • Gumby…
    Graham Chapman
    Graham Chapman
    • Brother…
    Terry Gilliam
    Terry Gilliam
    • Self-Defence Nun…
    Eric Idle
    Eric Idle
    • Prosecutor…
    Terry Jones
    Terry Jones
    • Stage Manager…
    Carol Cleveland
    Carol Cleveland
    • Deirdre Pewtey…
    Connie Booth
    Connie Booth
    • Bluenose…
    Lewis Alexander
    • Man in Restaurant
    • (sin acreditar)
    Artur Axmann
    • Self - Leader of the Hitler Youth
    • (metraje de archivo)
    • (sin acreditar)
    Michael Buck
    • Guard
    • (sin acreditar)
    Rodney Cardiff
    • Sound Man
    • (sin acreditar)
    Neville Chamberlain
    Neville Chamberlain
    • Self - with Munich Accord
    • (metraje de archivo)
    • (sin acreditar)
    Winston Churchill
    Winston Churchill
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    The Fred Tomlinson Singers
    • Themselves
    • (sin acreditar)
    Adolf Hitler
    Adolf Hitler
    • Self - Speech to RAD, from T.d.W.
    • (metraje de archivo)
    • (sin acreditar)
    Lesley Judd
    • Distraught Mother
    • (sin acreditar)
    King George VI
    King George VI
    • Self
    • (metraje de archivo)
    • (sin acreditar)
    • Dirección
      • Ian MacNaughton
    • Guión
      • Graham Chapman
      • John Cleese
      • Terry Gilliam
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios95

    7,532.2K
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    Reseñas destacadas

    8knightout

    Contractual Obligation

    This film really didn't need to be made - but at the time, after two excellent TV series, the Pythons were under pressure to produce a big-screen version for wider distribution.

    Thus a number of sketches from the first two series were rewritten, tightened up, and re-enacted, entirely on film. The actual new material is probably around 2% of the script, and I hold the view that many of the sketches were inferior to their TV versions, and much of the better series 1 and 2 stuff (Spanish Inquisition, Silly Walks etc.) didn't even make it to ANFSCD for some reason.

    It's interesting to watch the differences in production and compare this material to how it was originally done, and the new devices for linking one sketch to the next keep you on your toes.

    But ultimately if you want to watch early python sketches, the TV versions are more rewarding.
    8lost-in-limbo

    Dynamic team of comedy geniuses!

    Their first film 'And Now for Something Completely Different' was intended to introduce the group and their humour to the American market. It was nothing but their best and most silliest skits from their first two seasons of their British TV sketch show Monty Python's Flying Circus from BBC television. By that there's no real systematic narrative here, unlike in their later efforts in 'The Holy Grail' and 'Life of Brian'. It's made up of a selection of individual skits, which were mostly hilarious, even though two or three fall short, but it moves along swiftly that you get caught up in the comically cheeky and downright nonsensical humour that had me mostly in stitches. There appealing ludicrousness bellows stupidity, but its done in a straight face, which makes it more the merrier. A lot of it makes fun at its own expense, but also mocks that of political correctness and Americanism. They were so clever in the way structured it and it stills stands up rather well today. But a quick warning their humour is an acquired taste that's for sure.

    Some of these ambitious skits and segments are real ball, ranging from the lumberjack song, The dead parrot, The upper class twit of the year, Killer cars, Blackmail, Hungarian in the cigarette shop, the lion tamer and so much more. My favourite of the lot would be the Mountaineer expedition sign up. Going on throughout the film is Terry Gilliam's stunning and ultimately inventive cartoons which catch the eye and imagination. The animation is that of high standards and adds a whole new dimension to the silliness! You could see this eye for detail when he directed such flicks like 'Brazil' and 'Fear and Loathing in Las Vegas'. The boys involved John Cleese, Terry Jones, Eric Idle, Graham Chapman, Michael Palin and Terry Gilliam are nothing but entertaining in whatever they decide to come up with, by giving us a real good laugh.

    This landmark comedy team is always a delight to behold. A must see for any fan, though I doubt they haven't seen it already.
    didi-5

    supremely silly skits

    Monty Python used this collection of sketches from their first and second TV series (re-packaged and staged again) to break into the American market. A gamble, but a successful one.

    All the greats are here – Parrot Sketch, Dirty Fork, Hell's Grannies, Fresh Fruit Self Defence, Marriage Guidance – and more besides. The animated links, specially created for the movie, are funny and well put-together: and new versions of Killer Cars and the story of the Spot are excellent. In many cases the film versions of the sketches outshine those in the TV series and are more memorable, particularly those which first appeared in series 1.

    This is a very good introduction to the team and a strong reminder of their early work for the BBC.
    8magic_marker

    Strictly for Python neophytes

    To most hardcore Python fans, this film will be irrellevant, as they probably have every single sketch on DVD already, and this is essentially a "greatest hits album."

    So I am going to direct this review at those who have never heard of Python before.

    The film opens with a sketch called "How not to be seen," during which the narrator shoots several people in cold blood, blows people up, and then finally breaks down into hysterical laughter when he bombs a children's hospital.

    This sketch is hillariously, gut bustingly funny. Why? That is the great mystery of Python. Is it the impeccable timing, the wonderful acting, or the peerless gags? Could be. But I think it is more the brilliant sense of anarchy and loony logic that makes them so brilliant. It was, after all, those people's own bloody fault they were shot; they could be seen!

    Beyond this, there are the sketches that are so well known they have become cliches: the Dead Parrot sketch ("Listen mate, this parrot is dead! It's a stiff! Bereft of life it rests in peace; if you hadn't nailed it to the perch it would be pushing up the daisies! This is an ex-parrot!") the Lumberjack Song ("I chop down trees, I wear high heels suspenders and a bra!/I wish I'd been a girlie, just like my dear Mama!"), the Dirty Fork sketch ("A dirty, ugly smelly piece of cultlery!!") and so on.

    There is still no substitute for watching the show. Indeed many of their best sketches aren't on here; the Cheese sketch, the Adventure Holiday sketch, and my personal favourite, the Eric the Fish sketch ("Why should I be TARRED with the epithet "loony" simply because I have a pet 'alibut?"). Still this is a fairly safe introduction to their unique (That's putting it mildly) brand of humour.
    ayshecavidan

    Mash up of classic sketches

    The film itself contains some well written pieces, however it is more like a preview or 'mix tape' of some Monty Python sketches. I feel that the acting (though good),comparatively lacked the energy and feeling of spontaneity given in the original versions of the sketches which were performed on T.V. There were also small changes to the dialogue of the sketches that (though maybe just because I've seen the original sketches so many times), did not fit as well. The whole movie didn't tie together as well as the T.V episodes did. I can remember watching the movie in 2003 when I was seven or eight, it was my first introduction to Monty Python and I found it hilarious, but since watching their other work I have come to see this movie as a lower-quality version. Since this movie is simply strung together classic sketches of Monty Python, I recommend simply watching the episodes or their other movies instead. This was probably their worst work.

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    Argumento

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    • Curiosidades
      When Writer and Actor Terry Gilliam asked British animation legend Bob Godfrey if he could use his camera to re-create his animated sequences for this movie, Godfrey didn't know who Gilliam was and told him to "bugger off". Later, Godfrey found out that Gilliam was a member of the Monty Python team and helped him complete the sequences for this movie.
    • Pifias
      During the mountaineer sketch, Eric Idle clearly breaks character and suppresses laughter when John Cleese reads from the dictionary.
    • Citas

      Customer: Look, I took the liberty of examining that parrot when I got it home, and I discovered the only reason that it had been sitting on its perch in the first place was that it had been NAILED there.

      Owner: Well, o'course it was nailed there! If I hadn't nailed that bird down, it would have nuzzled up to those bars, bent 'em apart with its beak, and VOOM! Feeweeweewee!

      Customer: "VOOM"? Mate, this bird wouldn't "voom" if you put four million volts through it! 'E's bleedin' demised!

      Owner: No no! 'E's pining!

      Customer: 'E's not pinin'! 'E's passed on! This parrot is no more! He has ceased to be! 'E's expired and gone to meet 'is maker! 'E's a stiff! Bereft of life, 'e rests in peace! If you hadn't nailed 'im to the perch 'e'd be pushing up the daisies! 'Is metabolic processes are now 'istory! 'E's off the twig! 'E's kicked the bucket, 'e's shuffled off 'is mortal coil, run down the curtain and joined the bleedin' choir invisible! THIS IS AN EX-PARROT!

    • Créditos adicionales
      After the opening theme song, a "THE END" screen comes up, and stage manager Terry Jones apologises for the brevity of the film.
    • Versiones alternativas
      At the last minute, producer Victor Lownes insisted on having a big credit in the opening title sequence (which had no names otherwise), a static drawing which some animation was removed to make room for. Most copies of the film use this version, but some, such as an early German video transfer, retain the cut footage (between the title and the parachuting lady): about 4 seconds of a head bouncing around a landscape and finally shattering on a giant tack in the middle of the ground.
    • Conexiones
      Edited from Monty Python's Flying Circus (1969)
    • Banda sonora
      The Lumberjack Song
      Written by Michael Palin, Terry Jones and Fred Tomlinson

      Performed by Michael Palin and The Fred Tomlinson Singers

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    Preguntas frecuentes17

    • How long is Monty Python's and Now for Something Completely Different?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 30 de septiembre de 1971 (Reino Unido)
    • Países de origen
      • Reino Unido
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Monty Python's and Now for Something Completely Different
    • Localizaciones del rodaje
      • Black Park, Iver Heath, Buckinghamshire, Inglaterra, Reino Unido
    • Empresas productoras
      • Playboy Productions
      • Kettledrum Films
      • Lownes Productions
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 100.000 US$ (estimación)
    • Recaudación en todo el mundo
      • 6979 US$
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    Especificaciones técnicas

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    • Duración
      1 hora 28 minutos
    • Color
      • Color
    • Mezcla de sonido
      • Mono
    • Relación de aspecto
      • 1.85 : 1

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