Todo en familia

In today's politically correct environment, a show like this could not be made today. This show dealt with the prejudices that ALL of us have in us. I am African-American and I admit that at times I have said things about other races that I now regret. I get that from my late father who was a Black version of Archie, even down to the favorite easy chair. Anyone can be a bigot and I feel that this show pointed it out in its own unique way.

Also, this show really dealt with issues besides predjudice. In fact it was groundbreaking due to the fact it dealt with so many controversial issues such as Vietnam, menopause, impotence, gun control and rape. In fact, the episode that pretty much stands out in a lot of peoples minds is when Edith had to deal with the fact that she was nearly raped on her birthday and what she went through to face her worst fear.

Simply no other show dealt racism, sexism, liberal elitism, class, homophobia, the generation gap and reality as it is on the ground in America better than "All In The Family" did. It blew the door off the hinges of any remaining concept of a sanitized "family hour" on television. The gritty, dirty, messy, tragic and yet hilarious lives of the working class in 1970s America was laid out and dissected with surgical precision. A lot of painful, infected boils were lanced, which had bee. laid bare by the Vietnam war and the race riots of the 1970s. Viewing AITF was and still is a form of socio-political catharsis. In the 70s, older adults and their children and grandchildren saw each other more honestly by sharing the laughter of this unique, groundbreaking sitcom. Nothing before or since has been equal.

Even though it took three years and three pilots to get All in the Family on network TV, it has become one of the most classic 70s sitcoms as well as the show that broke the genteel world of comedies like Ozzie and Harriet, Father Knows Best and Leave it to Beaver by featuring subjects that weren't explored on those shows. Subjects like bigotry, racism and menopause were controversial topics that were finally brought out of the closet and used as the basis for a number of episodes.

The four main actors, Carroll O'Connor as Archie, Jean Stapleton as Edith, Rob Reiner as Mike and Sally Struthers as Gloria had great chemistry but it was O'Connor's portrayal of Archie is what made the show a major hit after a slow start. His bigoted rants and numerous malaprops stood out and were very funny. Also, the many scenes with Archie and Mike clashing on a lot of subjects were also extremely funny, especially in the flashback episode where Archie met mike for the first time.

All in the Family's success paved the way for more shows with more controversial topics such as Maude and Mary Hartman, Mary Hartman. Besides Maude, the show also had two other spinoffs, the hit sitcom The Jeffersons and the not so successful Gloria.

As the years went by, I felt the show jumped the shark when Archie became a lot mellower after buying Kelsey's Bar and when Rob Reiner and Sally Struthers left the show. The episode about Mike and Gloria leaving for California was one of the saddest sitcom episodes I ever saw but it remains a classic. Mike and Gloria leaving also lost most of the show's edge since the Archie-Mike conflict was one of the show's centerpieces. Another shark jump was the addition of Edith's niece Stephanie, another example of a sitcom adding another kid.

All in the Family, despite all the racial slurs was one of my all-time sitcom favorites. There well never be another show like it.

The series was a powder keg immediately from the start as Civil Rights unrest and equal rights not only for minorities, but also women dominated headlines. And then there was Vietnam and Watergate. There was total chaos still in places in the south and in larger metropolitan areas in the north. Could television bring these public affairs to light in a comical and thought-provoking way? The answer was a resounding yes as "All in the Family" tore down perpetual American television programming walls with brash views, crazed situations, envelope-pushing elements and dominant film-making techniques (even though this was a sitcom) which all merged to paint a canvass of programming superiority that lasted for 212 mind-blowing episodes over nine years from 1971 through 1979. "The Andy Griffith Show" in the 1960s displayed how Americans wanted life to be, while "All in the Family" in the 1970s showed how American life really was. The result was a ratings monster pretty much from the word go as people watched to be entertained, to be disgusted, to praise and to criticize. The show itself was about a blue-collared New York dock worker (Carroll O'Connor) who has bigoted expressions because life continues to slap him in the face. O'Connor was definitely anti-woman, anti-minority, anti-youth and anti-liberal. He also had crazed views that would show him as being pro-Nixon and pro-Vietnam (real hot button topics back then). The show struck cords the nation over, but comedy was always mixed in and the series thrived due to both its supporters and its detractors. "All in the Family" fought problems in the U.S. by poking fun at very serious issues instead of sweeping them under the carpet like other programs of the period did. Jean Stapleton was priceless as O'Connor's kind, naive and somewhat dumb housewife. Sally Struthers was their only child, a liberal who showed the viewpoints of the Baby Boom generation. She was also married to a young man (Rob Reiner) who was O'Connor's emotional and verbal sparring partner. Reiner was of a Polish descent and that only fueled more fire between the volatile pair. O'Connor's Archie Bunker is arguably the deepest and most unique television character of all time as his crazed and sometimes silly views overshadow the fact that he is a highly sensitive middle-class man who is doing the best for himself and those around him. He is someone who does not always think before he speaks and therein lied his greatest weakness. Eventually most who saw the program embraced him as a flawed and tortured hero (not because of who he was, but because of who he really wanted to be). The lasting effect of "All in the Family" is something to think about, even today. The program continues to be vitally important to 1970s art, society and history. The success of the program even led to spin-offs galore. "Maude", "The Jeffersons", "Archie Bunker's Place" and "Gloria" were all the birth-children of this innovative, smart and completely original taste of Americana that still lives on strong today through many cable channels. 5 stars out of 5.

When All In The Family premiered in 1971 it took some chances. Remember that the CBS lineup at the time included The Beverly Hillbillies, Gunsmoke, and Green Acres - hardly the stuff of controversy. Controversial "Laugh-In" had been racking up big ratings for a couple of years, but second-rate NBC had nothing to lose by taking chances.

Besides broaching all of the controversial topics of the day - abortion, the Vietnam War, homosexuality, and race relations, the show dared to say something that was seldom said on stage or screen before - that bigotry and racism thrived north of the Mason Dixon line, and found particularly safe harbors in some of the urban areas of what is normally thought of as the heart of liberalism. In this case, the Bunker household is in Queens, New York.

The year is 1971, and before outsourcing is even a word, Archie Bunker is able to maintain a middle class lifestyle in New York City with a blue collar job and a stay-at-home wife, Edith. He will never be anything more than he is right then. Archie holds very conservative though not well thought out - or at least not well articulated - viewpoints. And then his 18 year old daughter Gloria marries a liberal. Mike is an atheist with a Polish Catholic background, and stands for everything Archie is against. The icing on the cake - he's a penniless student and he will be a guest in Archie's home for the next several years while he finishes the university degree that will enable him to look down on Archie forever afterwords. It's funny this last point is brought up only once, by the observant if subservient Edith, Archie's wife.

For a few seasons all was well, and then this show and MASH suffered a series of crushing blows - the Vietnam War ended, Nixon was disgraced, and the controversial views held by Archie's son-in-law Mike began to enter the mainstream. Thus the show had to come up with new angles to stay fresh, and it did that, even managing to negotiate the loss of three of the four main characters and a neighboring family that played an important supporting role, the African-American Jeffersons.

Today it looks somewhat tie-dyed, but it's still worth studying just to see mainstream viewpoints change before your eyes.