Mamá sangrienta

The most colorful epoch of criminality in America during the Depression era is brought to life in this story of a bank-robber family , in a period when any employment, even illegal, was cherished, ambition, money and power originated an interminable cycle of fury and violence. The infamous Ma Barker ( Shelley Winters)'s blood-thirsty gang of the 30s backed by his four rare sons ( Robert De Niro, Robert Walden, Clint, Don Stroud) carry out heists to banks and a crime spree that gets even bigger when she dreams up an abducting plot , its a fast road to ruin. A hooker ( Diane Varsi) appears to be falling for the moronic sibling (Don Stroud as the sadistic mama lover). Later on, they hook up with Robert Walden's (as the homosexual ex-con) prison lover, Bruce Dern. Meanwhile a wealthy businessman ( Pat Hingle) is kidnapped by the grotesques family led by the sadistic mummy. Based on the biography of the violent careers of Ma Barker, named Arizona Clark (1877-1935) and his perverted sons, who roamed the South robbing banks during the Depression as Missouri, Texas, and Florida . They're joined by nefarious criminal Alvin Karpis who doesn't appear at the movie.

This is a perverse stew of murders, pronounced bloodshed, sentimental blood bonding, action , lots of violence and with a bullet-ridden ending . Overacting by Shelley Winters as sex-crazed lady killer and machine-gun toting mother. Imaginative musical score and evocative cinematography by classic cameraman John A Alonzo . Director and producer( along with Samuel Z. Arkoff and James H. Nicholson : American International) Roger Corman skillfully blends extreme violence that was highly controversial and some good scenes action. Good camera work, slick edition and nice 1930s period sets in average budget.

Followed by ¨Big Bad mama¨ (1974) by Steve Carver with Angie Dickinson, William Shatner, Tom Skerrit and ¨Big bad mama II¨ (1988) with Dickinson, Robert Culp and Julie McCullough. And a remake titled ¨Public enemies¨(96) by Mark L Lester with Theresa Russel Eric Roberts, Alyssa Milano and Frank Stallone. Furthermore, ¨The Grisson gang¨ (1971) by Robert Aldrich with Kim Darby and Scott Wilson.

This is an amazing film for 1970, and a good film to watch by itself today. A true gangster story, with no romantics at all. Evil people do evil things, they just do them because they are stupid and degenerated. No social comment is being made, and this is actually the best decision the script writer and the director could make. Only a completly social careless society can let such people 'enjoy the freedom', with the execution squad being the only 'educational tool' it knows. The viewer gets it by itself. The mix of documentary with the true story is discrete and smart. I liked the movie, and gave it 8/10 on my personal scale.

A gleefully trashy Corman cheapie, with Shelley Winters as the sex-crazed head of a family of criminals. Very bloody and perverse, yet strangely campy, and with good support from Bruce Dern, Robert DeNiro and Don Stroud, in a brilliantly sadistic role. Add to this Winters' fascinatingly overblown performance and you have a classic. Based on a true story, but you'd never guess.

Some movies romanticize the life of crime, or make the criminals into sympathetic characters, but Roger Corman's "Bloody Mama" goes in the opposite direction with its depiction of the Barker crime family of the 30's and their ruthless murders, sadism, incest, drug addiction, and insanity. It's a morbidly colorful mixture of negative southern poor white trash stereotypes, encapsulated in a family of sociopaths, with a vintage Shelly Winters bringing her trademark intensity to the role of Ma Barker and a great cast as her sons and their associates, including Don Stroud, Robert Walden, Bruce Dern, Diane Varsi, and Robert DeNiro. A mishmash of humor and repugnancy, it's definitely not for the squeamish.

Fun movie about a gun toting Ozark clan that rebels against their Depression-era poverty by stealing, threatening, robbing banks, kidnapping, and killing their way into infamy. The clan's leader is colorful Ma (Kate) Barker (Shelley Winters), self-confident, forceful, and determined to get some high-style living for her and her four boys, whatever is required.

Interspersed through the plot are real-life B&W flashbacks to the 1920s and 30s, which enhance a sense of realism, as does the casting of non-actors in minor roles in some scenes. The dialogue is at times clever, like during one of the B&W flashback scenes when, in V.O., Ma tells us: "1929 was a bad year for a lot of folks. The rich men was jumpin' out of the windows and, as usual, they fell on the poor".

In addition to clever dialogue, Shelley Winters makes the film fun, mostly as a result of her over-the-top Southern accent. And there's something quite ironic about her character. For all of Kate's gun-loving ways, she's actually quite religious and anti-war. In one sequence, she sits down at the piano to play, and starts singing a song to spark some life into her four dejected sons; they eventually join in. "I didn't raise my boy to be a soldier; I brought him up to be my pride and joy … there'd be no war today, if mothers all would say, I didn't raise my boy to be a soldier", which also sums up her familial bond with her sons.

The film's color cinematography is acceptable, though nothing special. Prod design and costumes seem accurate for the era, though Shelley's long eyelashes look more like something from the 1960s than the 1920s. The film's songs are good; I really like that title song.

A lot of viewers don't like this movie, for a variety of reasons. No, it isn't a realistic portrayal of the real Ma Barker. And no, the story is not altogether accurate, though some plot points are. But it's a fun movie and worth watching, mostly for the entertaining performance of Shelley Winters.