Sweet Kill

1950s matinée idol Tab Hunter here gets a juicy role into which he can sink his teeth, and does: he plays Eddie, a Phys. Ed. teacher in Venice, California, who's sad and lonely. He has a real problem when it comes to making love to women, and it stems from a traumatic incident in his childhood (no surprise there). When he accidentally kills one young women, it sets off something inside him, and then he graduates to actually murdering the sexy ladies of Venice.

Not that this film, written, co-produced, and directed by budding young talent Curtis Hanson ("L.A. Confidential", "8 Mile"), is really about jacking up a body count. It's more of a character study than anything else, and Hunter proves up to the task of helping us get to know this man with severe psycho sexual issues. The whole film is simply but effectively done, with some solid atmosphere and a bit of gore.

There's also a delectable dose of nudity in this thing; when originally released under the title "Sweet Kill", it wasn't too successful; (uncredited) executive producer Roger Corman then went to Hanson and ordered him to "sleaze up" his film a bit with additional sex scenes. Unfortunately, this move didn't help the films' fortunes. Still, it will make many a voyeur quite happy as the female co-stars show the goods.

Hunter is well supported by the appealing Latimer, Nadyne Turney as Barbara (the one well meaning woman with whom Eddie tries to make a connection), veteran actress Isabel Jewell as a landlady, a pre-fame Angus Scrimm as her husband, 70s drive-in starlet Roberta Collins as a call girl, and John Aprea of "The Godfather Part II" as Latimers' boyfriend.

With a chilling score by Charles Bernstein as accompaniment, this is well done overall and worth a viewing for trash devotees.

Eight out of 10.

A handsome and lonely gym teacher Eddie Collins can't perform sexually due to his constant watching of his mother undress while he hid in her closet as a child.His only recourse is to kill the women he tries to sleep with and stash them in a pigeon hutch on his roof.He hires a prostitute to dress as his dead mother,the only way he is able to achieve sexual gratification..."The Arousers" is the first film of director Curtis Hanson.Originally shot in 1971 under the title "Sweet Kill",this film lingered on the shelf until 1973 when executive producer Roger Corman had Hanson shoot two days of nudity inserts to spice-up the film.Angus Scrimm of "Phanatsm" fame has a small cameo here.Overall,this is a good piece of sleaze from the early 70's that should satisfy the exploitation fans out there looking for plenty of nudity,sex and violence.7 out of 10.

Careers in the movies on occasion take unexpected routes It is highly unlikely that anyone watching "The Arousers" would have guessed that it's director and writer Curtis Hanson would one day join the ranks of Hollywood's A list. The direction shows little flair, (to be kind), while the screenplay virtually non existent.

Tab Hunter, the golden boy of Warner Brothers of the fifties, plunged towards obscurity after leaving the studios who had found a new hopeful in the form of Troy Donahue. They had no belief in his acting ability and solely utilized his legendary looks as bait for the burgeoning and lucrative teen audiences of the time. This, despite the fact that with each movie he seemed to be developing as an actor with definite potential. I recently watched an unremarkable early movie of his "Lafayette Escradille" featuring in a very minor role with hardly any lines at all, a nondescript young actor by the name of Clint Eastwood - unexpected routes indeed.

Despite the thin material and weak supporting players (other than one Nadyne Turney), Hunter turns in a remarkably astute performance. In the light of his coming out as a gay man, there is an added poignancy in his playing a character who is impervious to the charms of the numerous sexy females who throw themselves on him. While the reasons for his psychopathic behavior do not stem from latent homosexuality but rather some extremely half baked mention of his mother, perhaps Hanson utilized something of Hunter's sexuality in casting him in this role.

There really is no reason to search this one out unless you have some interest in the varied careers of Hanson or Hunter. Others may steer clear.

"Sweet Kill" was the very first film of writer/director Curtis Hanson who would become reasonably successful and acclaimed more than twenty years later thanks to a couple of popular mainstream titles such as "The River Wild", the Oscar-winning "LA Confidential", "Wonder Boys" and the Eminem biography "8 Mile". But like so many other now famous & influential film makers (Francis Ford Coppola, Jack Nicholson, James Cameron, Joe Dante, Jonathan Demme…), Curtis Hanson in fact owes his entire career to the support and mentoring of one of the most important individuals in the history of cinema; namely Roger – "King of the B's" - Corman. Back when "Sweet Kill" was first released and quickly turned out unsuccessful at the box-office, it was executive producer Roger Corman who came to the rescue and instructed Curtis Hanson to add a lot more female nudity and change the title to "The Arousers". It didn't help all that much, but at least and thanks to Corman we're treated to copious amounts of gratuitous B, B and B (which stands for boobs, bums and bush). During the first five minutes, for example, 3 different nameless and totally random women are walking nonchalantly through the screen butt-naked! Not taking into account all the bare female flesh, "Sweet Kill" is half fascinating and half of a failure. The film is undoubtedly inspired (like countless of other movies) by Hitchcock's "Psycho", with another cinematic madman that is actually good- looking and sophisticated, but socially incompetent due to his sexual fixation on mommy. Hanson introduces Tab Hunter, a former poster-boy from the fifties, as an introvert serial killer slash gym teacher Eddie Collins. Numerous beautiful and predatory women literally throw themselves at Eddie, but he's only turned on when he pays a prostitute to dress up like his own mother. "Sweet Kill" opens quite promisingly, with the murder of some beach girl and subsequently the hiding of her corpse in the pigeon loft above his apartment (where she remains throughout the entire movie, by the way) but then the film gets gradually more boring, repetitive and predictable. I'm honestly convinced that Curtis Hanson wanted to draw a profound and insightful portrait of his protagonist serial killer, but Eddie Collins remains a bland and largely uninteresting character and he hardly ever succeeds in generating suspense or discomfort. It's a forgettable film, with a nevertheless good performance of Tab Hunter and a fairly uncanny score, and you could probably never guess from this early work that Curtis Hanson would hold an Oscar for best screenplay in his hands 25 years later.

This is part of a strange trend in the early 1970's of 1950's male matinée idols playing serial killers. First, Rock Hudson appeared in the wonderful black comedy "Pretty Maids All in a Row" as high school guidance counselor, football coach, and sex murderer. Then Troy Donahue appeared in the bizarre "Love Thrill Murderers" (aka "Sweet Savior") as a Mansonesque cult leader. And in this movie, years before more publicly exploding his screen image in John Water's "Polyester", Tab Hunter plays an impotent and murderous PE coach (is there any other kind?). The plot is pretty simple: Tab can't get it up, so in frustration he kills the many women who excite him or come on to him.

This movie is better made than many (like the "Love-Thrill Murders), but it is presented in a VERY serious manner and could have really used the black humor of a film like "Pretty Maids". The premise is pretty ridiculous after all. The film also follows another 70's/early 80's trend of being told from the POV of the deranged killer and trying to make him somewhat sympathetic. Again this can work if it's a well-made film (i.e. "Peeping Tom", "Taxi Driver")or if it contains a good dose of black humor ("Deranged"), but often the results ended up being either highly unpleasant ("Maniac", "Don't Go in the House") or just plain risible ("Don't Answer the Phone", "Mardi Gras Massacre"). This falls more into the latter category (despite some lingering misogyny). Strangely, in spite of the killer's occupation as a P.E. coach, the movie resists joining the teen sexploitation trend that was big at the time (with movies like "Pretty Maids", "The Cheerleaders", and Tom Loughlin's ridiculous "sex-with-the-babysitter movies"). Tab's victims are all collegiate age or older women (although I might point out to both the drooling perverts and clucking moralists that the same 18-to-30-year-old actress types were used in all these movies regardless of how old the characters were supposed to be). There is one minor subplot where Tab tries to help a troubled male teenage virgin, but it gets dropped pretty quickly.

Mostly this movie just isn't a lot of fun. It's hard to take seriously, but it contains little or no comedy. There is one scene where a hippie girl complains about her missing (murdered) roommate and the cops bust her for possession of marijuana, but this scene is really not mined enough either for humor or scathing social commentary. That really leaves only the generous female nudity to recommend this thing, and that may not be enough for most people.