Vivos o preferiblemente muertos

Notorious American B movie producer Edward L. Montoro retitled this spaghetti western "Sundance Cassidy and Butch the Kid" when he released it to American theaters in the '70s. But the only connection this movie has to "Butch Cassidy and the Sundance Kid" is that both are westerns and both have comic bits. If the makers of this spaghetti western had copied the American movie's quality, we might have had something here. Oh, there are a few minor amusing bits, and there is some impressive stunt work on display (some of it actually performed by the actors instead of their stunt doubles.) But on the whole, this is a tired enterprise that feels endless at times. The American print I saw was cut by about twenty five minutes, and judging from what survived the editing, I think the original Italian version would be much harder to sit through.

Oh great: another Italian Comedy Western that's low on laughs and everything else to boot. This is even more disappointing as it was directed by Duccio Tessari of Tony Arzenta fame, and it stars Guilliano Gemma of loads of great films fame. Sometimes these tongue-in-cheek comedies work (like Run Man Run and Fistful of Lead) but most seem to rely on lame slapstick that you've seen Charlie Chaplin do several hundred years previously.

This one involves two brothers who hate each other, but who also have to spend six months living together in order to receive an inheritance from a dead Uncle. Don't ask me why. There's a bunch of bad guys who are harassing Gemma's brother who periodically turn up throughout the film to ruin Gemma's increasingly dumb attempts at crime sprees (including robbing a bank where everyone who enters the bank trips over the same step…hmm).

Gemma does get to show off his trapeze skills and there's an axe fight on a train that results in an entire carriage being destroyed, but no one in their right mind is ever going to want to watch this unless they are obsessively watching their entire collections of Italian films. Ahem.

Other comedies not being reviewed any time soon: My Name is Trinity, My Name is Nobody, Cry! Onion, Life is Tough, Eh, Providence, Trinity is Still My Name etc etc.

This is a comedy western, but it isn't one of those totally awful ones that are more annoying than funny. This one genuinely provides some good laughs. Some of the slapstick in this film even reminds me of The Three Stooges. Especially one particular fight scene in a flooded hotel room.

I would probably have given this movie seven or eight stars if the music score was better. It isn't terrible or anything, but it just isn't spaghetti western style music. What we have here instead is the kind of music one would expect from a Hollywood western, with some vocals thrown in here and there. To me, the musical style is a very important component in the spaghetti western genre, and it can definitely make or break these films.

The acting is above average, and the quality of this film is decent. Giuliano Gemma always delivers a fine performance. The action scenes are well done, and the film features what would have been a very fancy and unique looking early automobile. I don't know what make it was.

Overall I found this movie to be quite entertaining. It is worth watching for fans of the genre.

This film is also known as Sundance and the Kid in the U.S. release. Starting as early as the 1970's most Euro-Westerns started going downhill in quality and budget. So Italian producers started combining the usually dramatic Spaghetti Westerns with comedy and later in 1970's with martial arts! This film, Sundance and the Kid, is just plain awful in everything from the acting to the screenplay. This turkey was cranked out to compete with the more original Spaghetti Western comedies with Italian actors Bud Spencer and Terence Hill such as Boot Hill, They Call Me Trinity, Trinity is Still My Name..etc. and also perhaps to certain extent the quality U.S. film Butch Cassidy and the Sundance Kid with Robert Redford and Paul Newman which is recommended if you want to see a quality made comedy-western.

Ironically, in my opinion, Italian directors made the very best westerns and the very worst westerns. On most all these Spaghetti Western-Comedies everything from the title of the movie to the names of the Italian actors, directors and sometimes even the production crew would change their names to American names and add awful English dubbing all designed to sound more American so it would sell better. In Spaghetti Westerns everything in fact is made in Italy but to make $$$ they had to make it look like an American made western as much as possible...but sometimes failed miserably as in this movie.

This Chorizo/Pasta Western displays noisy action , thrills , stirring adventures , shoot'em up , slapdash , and results to be pretty amusing . Two brothers , Monty (Giuliano Gemma) and Ted (Nino Benvenutti) , will inherit $300,000 from the valuable inheritance of their deceased uncle if they manage to live together for six months . This is an amusing film including booze , banks & broads! . The roguish brothers have their hands in everything , but especially on a beautiful young (Sidney Rome) who is kidnapped , she is daughter of a banker (Jorge Rigaud) to pay a huge rescue . Meanwhile , the funny couple helped by Barnds (Antonio Casas) carry out bank hold-up , assault stagecoaches , take on their nasty enemy Jim (Cris Huerta) and hoodlums (Alvaro De Luna , Simón Arriaga , Dan Van Husen , José Canalejas , among others) .

This amusing , engaging movie is crammed of fist-fights , punches , kicks , moving stunt-work , colorful outdoors and lots of humor . ¨Alive and preferably dead" or "Sundance Cassidy and Butch the Kid" is just a mildly amusing action comedy Western , about on the level of a lesser Bambino/Bud Spencer - Tritinity/Terence Hill movie . Giuliano Gemma is top-notch as a likable freewheeling rogue , meanwhile taking on an ominous villain , Chris Huerta . This is a nice and funny juvenile story for Giuliano Gemma fans , as he's delightful and attractive . It packs action , fist-play , slapdash , humor with tongue-in-cheek and is quite bemusing . This is an acceptable S.W. full of action , shootouts , fist-play and some touches of humor in charge of Giuliano Gemma/Monty Mulligan and Nino Benvenuti/Ted Mulligan characters . They are very fine , they ravage the screen , they jump , bounds and leaps , hit and run ; plus , lots of jokes , laughs , they are a complete show , delivering a nice chemical . Gemma starred several films of all kinds of genres as ¨Master touch¨ with Kirk Douglas , ¨Stay away¨ with Amidou , as well as ¨Africa Express¨ and ¨Safari Express¨with Ursula Andress and with similar artist and technician team , but especially Westerns as ¨Arizona Colt¨ with Fernando Sancho and Nello Pazzafini and ¨California ¨ with William Berger and Romano Puppo . This release ¨Vivi or Preferibilmente Morti (original title)¨ or ¨Alive or preferably dead¨ has some cool moments and a great number of hilarious scenes , adding a wonderful Sidney Rome as the kidnapped lady in mystery . The film isn't always good , sometimes is fresh and diverting and on a couple of memorable occasions , it's frankly delicious . The movie displays innumerable laughs , jokes and slapstick . In this very mild entertainment picture appears usual secondaries seen in several Spaghetti/Tortilla Westerns , many of them uncredited in brief appearances , such as : Antonio Casas , Julio Peña , Alvaro De Luna , José Canalejas , Simón Arriaga ,Luis Barboo , Victor Israel , Dan van Husen , Julio Pérez Tabernero , Miguel Del Castillo , Rafael Albaicin and special mention for the fatty Chris Huerta . It's a co-production Spanish-Italian and , of course , shot on location in Manzanares Del Real , La Pedriza , Colmenar Viejo and Madrid surroundings , that is well photographed in Eastmancolor by Manuel Rojas , though a perfect remastering is necessary because of the film-copy is washed-out . There are many fine technicians and professional assistant direction and decent production design by Antonio Cortés , a magnificent scenario on the villages , ranch , an spectacular assault on a train and barren outdoors , dirty landscapes under a glimmer sun and fine sets . The musician Gianni Ferrio -Spaghetti Western's usual-, composes an agreeable soundtrack and well conducted and splendid leitmotif ; it's full of enjoyable sounds and lively score , including catching ballads .

The motion picture written by Ennio Flaiano was middlingly directed by Duccio Tessari . This Italian writer/filmmaker Duccio Tessari so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He wrote several Westerns as ¨A fistful of dollars ¨, ¨A train to Durango¨ , ¨Seven guns for McGregor¨ , ¨The return of McGregor¨ . He directed five Westerns with abundant touches of humor as ¨Vivi o Preferibilment Morti¨, ¨Don't turn the other cheek¨ and ¨Zorro¨ with Alain Delon and , of course , ¨Ringo¨ and sequel ¨The return of Ringo¨ at his best , mostly starred with his fetish actor Giuliano Gemma . This is a passable entertaining juvenile that will appeal to Italian comedy buffs . Rating : Average , only for Giuliano Gemma and Spaghetti/Paella Western fans.