Oro sangriento

This is one of the most wonderfully cartoonish and over-the-top spaghetti westerns ever.

The great Lee Van Cleef plays Sabata, the bounty hunter who has more tricks than Bugs Bunny. Van Cleef was born to be in spaghetti westerns. Nobody plays these roles better. He is to spaghetti westerns what Bela Lugosi is to Dracula. He is as great as ever in this movie. William Berger is superb also in the role of Banjo, the cool, laid-back, and deadly musician. He and Sabata have a similar on-again-off-again "partnership" to the one that Blondie and Tuco share in "The Good, the Bad, and the Ugly." Franco Ressel is perfect as the weird over-the-top villain, "Stengel."

The music score is excellent, especially the title tune, which is one of my favorite spaghetti western theme songs. I also really like the use of the organ in the score. It's a nice touch.

All spaghetti western fans should have this movie. It's a classic of the genre.

Lee Van Cleef stars in the first of the Sabata films. Here he plays cat and mouse games with the leaders of a town who have attempted to steal an army payroll. Sabata stops their scheme and then attempts to blackmail them for his silence, a price that climbs with each failed attempt on his life.

This is a fun western full of great action, twists and wisecracks. Van Cleef is the perfect western hero, a man of few words (and most of them smart ass remarks) he is clearly up to something, although what it is is never fully apparent. He is enjoyably helped by Carrincha a large civil war hero who is forever broke, and his pal a tall silent acrobat. The pair make for one of the best sidekick teams I've ever run across. Also wandering through the film is William Berger as Banjo, a man of decidedly mercenary loyalties, who is Sabata's equal in cracking wise, and who is forever waiting for the right angle to act act upon.

I really liked this movie a great deal, even if it really isn't clear whats going on at times. The main flaw of the movie is that after the first twenty minutes the film simply becomes attempts to blackmail the town fathers by our hero and their attempts to kill him. There's nothing wrong with this since the see saw battle is excellently done, rather it just engenders a sense that you're missing something since you would think something more should be happening.

Definitely one of the better westerns of I've seen. This should be something that those with a desire for good action should seek out.

Lee van Cleef is Sabata, yet another one of those bounty hunters and mavericks who populate the genre. During the story Sabata however interacts with people from all social classes which makes this spaghetti-western one of the most social ones. Specific to the Sabata series are the many special weapons which are not only used by Sabata himself but also by his evil opponents. Added to the rivalry of good Sabata and bad Stengel there is a third party competitor called Banjo (William Berger) who mostly helps Sabata but also wants more than his share of the bounty. Mr. Maltin (from the Guide) obviously hasn't seen this film well. Despite playing a high stake Sabata is not a gambler. This Western is fun.

Regarding the score the main theme is one of those tunes that catch you and don't give up soon. Cinematography is stylish, often with dark bluish foregrounds and natural-source(?) yellow-lighted backgrounds.

8 / 10.

Several spaghetti westerns inspired a number of sequels focussing on a particular kind of shady hero. Beside the widely known "man with no name" there are (amongst others) Django, Sartana, Ringo, Spirito Sancto and this one, Sabata.

Sabata is partly inspired by 'For a few dollars more', since Lee van Cleef plays the bounty hunter Sabata as a character with similar features to his Colonel Mortimer. Especially noticeable is his collection of shooting gadgets. Western fans are used to the never-reload always-hit one-mile -range magic revolvers of classic westerns. In this film, Sabata wins a shoot-out by simply staying out of the range of his opponents revolver and shooting him with one of his long-range weapons.

Despite being a bounty hunter, Sabata has his peculiar code of honor, as opposed to the villain of the piece, the sleazy rich land owner Stengel, played superbly by Franco Ressel. As you might expect there is little doubt how it will all end but director Parolini keeps us guessing about Sabata's next moves.

A superior spaghetti western.

Gianfranco Parolini's "Ehi Amico... C'è Sabata, Hai Chiuso!" aka. "Sabata" is a stylish and excellent Italian Cult Western starring one of the greatest Western icons of all time (THE greatest in my book), the incomparable Lee Van Cleef. Van Cleef is a blessing for any movie, and "Sabata" is, besides "For A Few Dollars More", "The Good, The Bad And The Ugly", "The Big Gundown", "Day Of Anger" and "Death Rides A Horse", one of the most important films starring this great actor. Although this film is was followed by only two sequels (one of them starring Van Cleef, the other starring Yul Brynner), the "Sabata" series could very well be described as the most important series of Spaghetti Westerns alongside the "Sartana" series starring Gianni Garko and, of course, the "Django" series (which isn't really a series, since "Django" of 1966 was followed by dozens of unofficial "sequels" that mostly had little to nothing to do with the original).

Sabata (Lee Van Cleef) is a typical antihero of the Italian Western, who longs for money and his own benefit more than for anything else. After killing a whole gang of outlaws and bringing their loot back for the money, Sabata stays in town for a while, in order to make some more money. He soon has two sidekicks, Carrincha (Ignazio Spalla) and Indio (Aldo Canti), and he furthermore runs into an old acquaintance, the constantly relaxed banjo player Banjo (William Berger)...

Lee Van Cleef is the perfect cast for Sabata, and delivers a great performance in the lead as always. Another highlight of this movie is William Berger, who is coolness incarnate as Banjo. Franco Ressel is great as the villain and Ignazio Spalla and Aldo Canti make two great sidekicks, especially Spalla is funny as hell. The movie is perfectly photographed in the Spanish Alméria, the greatest location for a Spaghetti Western, and very stylish from the first minute. The score is great, especially Banjo's theme, which he constantly plays on his banjo, is a great piece of soundtrack and a very catchy tune that I'll never forget. "Sabata" is an essential Spaghetti Western and a great film in any aspect, and fans of the Italian Western can not afford to miss this. Highly recommended.