Salvaje y libre

"Ten year old Philip Ransome (Mark Lester) is the despair of his parents. From early childhood, he has been unable to speak. His emotions are centered on the wild creatures of the moors where he lives. An elderly recluse (John Mills) helps Philip to tame a wild pony and to train a baby falcon. When the pony is trapped in a treacherous bog, Philip finds at last the adult support he so desperately needs and achieves an emotional breakthrough into a real and loving world," according to the Columbia home video scribers.

Those who write the sleeve notes add, "Beautiful natural settings, a sensitive script and excellent acting makes 'Run Wild, Run Free' a classic of British cinema." The Dartmoor, England setting is indeed beautiful, and Wilkie Cooper photographs it exceptionally well. The story, however, is not entirely satisfying. Apparently, the boy "Philip" played by Mr. Lester is a selective mute. What causes his condition is never clear, so the dramatic climax of the story doesn't quite work; it's a resolution to an unknown conflict.

Secondary to the beautiful location is Lester's characterization, which is good considering the perimeters he was given. While not a better film than "Oliver!" (1968), this appearance shows stronger potential for Lester as an actor. During 1969-1970 he reached a peak level of cuteness in the pages of "Tiger Beat" and "16 Magazine", where newly popular Michael Jackson undoubtedly noticed him. Also interesting is that Mr. Mills, who talks herein, soon won acclaim for his even more mute role in "Ryan's Daughter" (1970).

******* Run Wild, Run Free (7/23/69) Richard C. Sarafian ~ Mark Lester, John Mills, Sylvia Syms, Bernard Miles

My only comment is that when I was a young girl I must have seen this movie three times. I have never done that for any other movie. It was one of the most beautiful movies I have ever seen in story line and cinematography. I am very, very disapointed that I will never be able to ever see this movie again, because I can not find it on video anywhere. If any one has information on where I can see it again please let me know. Thank you.

Mark Lester plays the part beautifully of an autistic child. When the film was made in 1969, little was known about autism. The child is locked inside and unable to communicate or understand the ways of people around. Ahead of it's time, we nowadays accept and understand that animals relate to human vulnerability and judge the true nature of the person. Young Philip is aggravating and irritating to those who he has to live with. The parents try hard to help but are unable to get a satisfactory relationship with the boy. Being accepted by the horse helps the child to communicate and understand the meaning of relationships. When Philip harms the falcon inadvertently, he is stricken with grief. Fiona Fullerton is totally believable in her role. I think all the actors were first class. It's a beautiful and realistic story and a study of life with autism. The scenery is wild and beautiful yet chills the soul when the fog falls. A very enjoyable film for young and old.

If you can ignore the ghastly musical score hampering every scene, this fine family film has much to offer: Excellent performances by the leads - Mark Lester and veteran John Mills, engaging and thought-provoking story, and the beautiful scenery of the moors. Whether the boy has autism or a case of anxiety-based mutism, the relationships developed between the boy (Mark Lester) and a wild pony and the moorman (John Mills) who befriends both is natural and affecting. Special mention must be given to the cinematographer, Wilkie Cooper, for his beautiful work in capturing the magical beauty of the misty moors.

I enjoyed this movie, and indeed it was moving. But it was not Mark Lester's performance, good though it was, that impressed me. When one watches movies, here and there one sees a few brief moments in which an actor gives absolutely all they've got, when they just let go and some deep primeval emotion erupts from them. It doesn't happen very often. It happens with Juliet Stephenson's grief in Truly Madly Deeply. It happens with Michael Caine's fear in Sleuth, It happens with Anna Calder-Marshall's desperate passion in Wuthering Heights. In Run Wild, Run Free we see this rare phenomenon for a few moments in the acting of Fiona Fullerton when she fears that Philip will be lost in the bog. Her frantic, desperate attempts to control a child for whom she feels responsibility but who is totally beyond her control are to me absolutely unforgettable. This moment alone makes the movie worth watching.