Salvaje y libre

I saw "Run Wild, Run Free" only once -- when I was 11 or 12 years old (now 49) and have never forgotten the moving effect it had on me. It was the second movie I had ever seen that brought me to tears -- the first was "Bambi." However, it remains indelible in my mind.

In doing Internet research today, I just discovered that he mute boy (Phillip) in the movie was supposedly autistic (something of I had no knowledge back then). Interestingly however, I ended up participating as a para-professional behavior therapist in the UCLA "Young Autism" program run then by Ivar Lovaas, Ph.D. when I was an undergrad there.

Having recently joined Netflix, I was hoping to be able to rent it and view it again, but to my dismay, it's not considered a classic so not generally available on rental.

I am hoping that someday this movie will be available for rental or purchase on DVD.

Regards,

Cassandra2

Mark Lester hasn't spoken a word in years. He and his parents, Gordon Jackson and Sylvia Syms, live by the moors in Devon. Retired Colonel John Mills take an interest in the boy and the moor pony he wanders about with.

Since his starring role in OLIVER!, Lester was the great child actor of the British cinema, a position he would hold through the middle of the following decade. This movie tries to be a bit mystical, but is so obvious about its symbols that it is a bit off-putting. Nonetheless, it held my interest, mostly because of the beautiful cinematography of the foggy moors (thanks to cinematographer Wilkie Cooper), the subplot about the kestrel Mills, Lester, and young Fiona Fullerton are training, and Mills' performance.

The adults in the cast are a sterling lot, and include Bernard Miles in his last screen performance, sporting a stage West Country accent.

I thought the film was very well done. Mark Lester turned in another sensational performance. His portrayal of the disturbed child,Philip,was very believable. The other cast members did fine jobs,too. The ending was solid. Nice family-type movie.

"Ten year old Philip Ransome (Mark Lester) is the despair of his parents. From early childhood, he has been unable to speak. His emotions are centered on the wild creatures of the moors where he lives. An elderly recluse (John Mills) helps Philip to tame a wild pony and to train a baby falcon. When the pony is trapped in a treacherous bog, Philip finds at last the adult support he so desperately needs and achieves an emotional breakthrough into a real and loving world," according to the Columbia home video scribers.

Those who write the sleeve notes add, "Beautiful natural settings, a sensitive script and excellent acting makes 'Run Wild, Run Free' a classic of British cinema." The Dartmoor, England setting is indeed beautiful, and Wilkie Cooper photographs it exceptionally well. The story, however, is not entirely satisfying. Apparently, the boy "Philip" played by Mr. Lester is a selective mute. What causes his condition is never clear, so the dramatic climax of the story doesn't quite work; it's a resolution to an unknown conflict.

Secondary to the beautiful location is Lester's characterization, which is good considering the perimeters he was given. While not a better film than "Oliver!" (1968), this appearance shows stronger potential for Lester as an actor. During 1969-1970 he reached a peak level of cuteness in the pages of "Tiger Beat" and "16 Magazine", where newly popular Michael Jackson undoubtedly noticed him. Also interesting is that Mr. Mills, who talks herein, soon won acclaim for his even more mute role in "Ryan's Daughter" (1970).

******* Run Wild, Run Free (7/23/69) Richard C. Sarafian ~ Mark Lester, John Mills, Sylvia Syms, Bernard Miles

I enjoyed this movie, and indeed it was moving. But it was not Mark Lester's performance, good though it was, that impressed me. When one watches movies, here and there one sees a few brief moments in which an actor gives absolutely all they've got, when they just let go and some deep primeval emotion erupts from them. It doesn't happen very often. It happens with Juliet Stephenson's grief in Truly Madly Deeply. It happens with Michael Caine's fear in Sleuth, It happens with Anna Calder-Marshall's desperate passion in Wuthering Heights. In Run Wild, Run Free we see this rare phenomenon for a few moments in the acting of Fiona Fullerton when she fears that Philip will be lost in the bog. Her frantic, desperate attempts to control a child for whom she feels responsibility but who is totally beyond her control are to me absolutely unforgettable. This moment alone makes the movie worth watching.