La loca de Chaillot

You have to see this movie twice. The first time I saw it, I was disappointed. With such a fabulous cast you would expect something more than talk-politics-symbolism, but the second time I watched it I discovered I really loved it. Its theme is timeless and the film is of course, full of great performances.

The wonderful Katharine Hepburn carries the burden of this entire fiasco, and under any other actress's supervision, this would simply not have survived. It is not at all an easy thing to make this whole wacky plot stick together, and somehow she does it. If she has trouble at sometimes, it is certainly not her fault. The part is incredibly challenging, even for one of Hollywood's most brilliant actresses. (I'd like to see Meryl Streep try to tackle this one!) Brynnor, Gavin, Kaye and the rest all do good jobs, but the spectator can't help but ask, what are they doing in this movie? Richard Chamberlain is delightful and he and Katharine Hepburn really are the driving forces.

Yes, the themes are overdone, the film is talky, a little confusing, and even boring at times - but it still works and is well worth watching.

The first hour of this film amazed me, it's a visual treat, especially the cafe scenes with Brynner, Pleasance et al talking weird, and Chamberlain and the whacky bomb-plot; towards the end it does tend to get a little bogged down in meaningfulness, the trial scene loses some impact from being overindulgent, but overall the Madwoman is a fascinating look at sixties idealism with eye opening performances from some top stars and enough zany weirdness in the script to keep a David Lynch fan happy. Well worth a look, in my book.

A delightful, gentle, quirky and poetic movie. The entire story takes place in the mind of the title character - an eccentric old dear who dreams of a world in which love is requited and evil is simply banished back into the darkness from which it came. The film is by turns moving, funny and magical - and the cast (especially Evans, Brynner, Homolka and Kaye) are a delight. If you are in the mood to be taken into a gentle, unfashionable, charming world of love, poetry and idealistic whimsy, then this movie is for you.

Jean Giraudoux who wrote The Madwoman Of Chaillot became a prominent French writer in the years between the two World Wars and died in 1944 a year before this play made its debut on the French stage. Those who were occupying France at the time Giroudoux died would not have wanted this item shown to be sure as it is an indictment against the greed and thoughtlessness of the modern age and the ruthless people in positions of power.

Katharine Hepburn plays the title role, a picturesque old woman who dresses in pre-World War I fashion as an outward manifestation of her rejection of the modern age. She would have looked out of place in 1944, in 1969 she and her fellow senior citizen rebels Edith Evans and Margaret Leighton look even more so. Right at the beginning of the film the age is established for us showing the student protests that rocked France in the late Sixties and we see Kate her best 1913 fashion just gliding through it all.

While she rejects the changing times, some power people who you would not think of at first as allies are meeting at a Paris café plotting to really upset her world in a way she can't escape from. Charles Boyer, Oscar Homolka, Donald Pleasance, Paul Henreid, John Gavin, and Yul Brynner who seems to be taking the lead in the group have discovered that Paris is sitting on a bed of shale with oil deposits that would rival the Middle East as a source. That would certainly make France a power to be reckoned with. In fact Paul Henreid who is a French general makes note of the fact that France has gone its own way politically which at the time Charles DeGaulle was doing, separating himself from America and that accursed island nation Great Britain.

Of course the site of oil derricks in and around those colorful parts of Paris that have their own legend separate and apart from the city as a whole is something that Kate can't permit. The scheme is brought to her attention by a number of the citizens who have overheard bits and pieces at the café and were shooed away. Yul Brynner took an especial delight in doing this.

Hepburn and her fellow mad women formulate a plan and try these people in abstentia. Parisian street character Danny Kaye, the ragpicker who is as far down the economic scale from the conspirators as you can get offers a great defense for them as lawyers do for their clients, but it's a done deal. And she's got an interesting fate in store for them.

When The Madwoman Of Chaillot made it to Broadway in 1949-50 and won a Tony Award for Martita Hunt playing the title role, theater goers then knew of the great Kettleman Hills oil strike which was close to Los Angeles city limits. There are still parts of the area where you can see functioning oil derricks even today. The image of a gusher coming out of a derrick next to Notre Dame or the Arc De Triomphe was really in the minds of theatergoers back then.

Hepburn does well in the part showing that maybe The Madwoman Of Chaillot and her mad friends really have a lot more sense than we might give them credit for. They may have rejected the 20th Century, but they rejected the mass wars that characterized it and the all consuming quest for domination and profits above all. There's still beauty in Kate's world and she'll fight to preserve it.

The Madwoman Of Chaillot might be a bit quirky for some tastes, but Katharine Hepburn's fans will love it.

A wonderful fable I happened to stumble across. The inimitable Katharine Hepburn as the title character conspires with other eccentrics to save Paris. Warm, funny, delightfully non-sequitur and deeply poignant, this film has messages about love, greed, happiness, fear, hope, dreams. . .life. Excellent performances by all, including some wonderful dramatic acting by Danny Kaye. I highly recommend this movie.