Beatrice Cenci

Those expecting a typical horror movie will be disappointed, as the horror depicted here is the Catholic Church's use of torture in the Middle Ages, and their greed. Fulci doesn't flinch from presenting the evil that was the church in that time.

Those who do not like period pieces may find this film dull, but Fulci does a great job producing a work that is both beautiful and interesting.

Adrienne Larussa was beautiful and did a very good job as the title character. Her father, played by Georges Wilson, was an evil man who kept her locked up. Wilson does a very good job portraying someone you really want to see die.

You have to love a strong determined woman. Even in the face of torture by the church, she remained strong.

Definitely not a movie for faithful Catholics.

I recently watched the Italian film 🇮🇹 Conspiracy of Torture (1969) on Tubi. The story centers on a castle ruled by a tyrant who abuses his daughter, mistreats his wife, and is no better to his servants. When the daughter devises a plan to kill her cruel father and free the family from his grip, the question becomes: can she trust her co-conspirators, or will they betray her when it matters most?

Directed by Lucio Fulci (The New York Ripper), the film stars Tomas Milian (Traffic), Adrienne Larussa (Terror at Alcatraz), Georges Wilson (The Longest Day), and Ignazio Spalla (Sabata).

The film evokes the feel of a Hammer production, with its gothic castle setting, period costumes, and atmosphere of moral decay. The cast gives solid performances, and the characters are entertainingly drawn. As expected in the genre, there's no shortage of beautiful women and flashes of horror nudity. The torture scenes are creatively staged, featuring unique contraptions and memorable kills. While the practical effects are minimal and the blood looks like red paint, the film maintains a consistent level of tension and intrigue throughout.

In conclusion, Conspiracy of Torture is a well-executed period horror film, full of gothic flair, striking women, and engaging twists. I'd give it a 7/10 and recommend watching it at least once.

I have to say that a lot of effort and great work has gone into producing such a fine Blu-ray print. I once tried to watch this some time ago and it was just too washed out but this is wonderfully sharp and colourful - a real treat for the eyes. Trouble is I must have lost concentration now and again what with all the Latin, the religious ceremony and the general historic recreations, for I seemed to miss the back and forth time lapses and got terribly confused. Got the lengthy torture scenes loud and clear and eventually caught up but this is not an obvious pleasure but certainly a magnificent looking number for Fulci completists.

I read the 12 reviews (at this time), and not much to add really. It really feels like the 16th century. There is something special about the detail put in to the costumes and set designs. The acting is really 1st class, and Fulci really works them to get convincing performances. The story line deserves a lot of credit, this being a 1969 flick. Its non-linear structure is maximised to full effect. Sadly its literally unheard of, despite coming out 2 years before The Devils (1971). Would have thought the controversial content, would have at least have kept it in the spot light over the years. Its a fine period piece, and I can see why Fulci was proud of it.

Lucio Fulci. Just hearing the name will make most cult cinema fans think of blood and gore - and for good reason since the great director was responsible for some of the best gory highlights ever made, and for that reason; he's just about the last director you would expect to make a period drama. Fulci did have a varied career, making films in many of Italy's most famous genres, from westerns and Polizi flicks to Giallo and the blood and gore films with which he made his name...however, it would seem that period dramas were not his thing as Beatrice Cenci will not feature in my list of favourite Fulci flicks! The plot is actually a decent base for a film and is set in 16th Century Italy. The title character, Beatrice Cenci, is the daughter of a rich landowner named Francesco Cenci. Francesco is a cruel man who keeps his daughter locked up in a room and tortures her. Naturally, she's not best pleased at this arrangement and since she's not the only one who dislikes her father, she doesn't have a hard time getting some other people to help her murder him.

I have to admit, part of the reason why I didn't like this film is because I'm not a fan of period dramas. Naturally, my only reason for watching this is because I'm a big Fulci fan and I'll watch anything that the director's name is attached to, even if it is something from a genre I have no love for. Even though I found the film rather dull, I do have to admire the great director's work on it. He may be best known for his gore flicks, but Fulci's talent came out best in his earlier films and here he creates a great atmosphere and manages to pull good performances out of his cast. Aside from Fulci at the helm, this film also features another great cult luminary in an early role, in the form of the always watchable Tomas Milian. He is joined by Adrienne Larussa who takes the title role and does a good job with it. Despite the fact that this is a departure from what Fulci is best known for, it's not completely devoid of the elements that won him his fan base as the film does feature some rather nasty torture scenes. Overall, I can respect the craftsmanship on this film but I won't pretend to like it! Recommended to hardcore Fulci fans only.