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I watched The Babysitter as part of BCI Eclipse' Drive-in Cult Classics (featuring Crown International Pictures releases) on DVD. I think it is a very good film.

This movie packs a lot of story into a very short time. You have hippies, rock music, bikers, lesbians, sexual impropriety, blackmail, and murder, all in one spot!

The lead actors do a credible job. And, I found the intricately woven plot to be believable and interesting.

However, the supporting cast, primarily the bikers, delivers a stilted performance, particularly when asked to deliver lines with more than just a few words. Perhaps they used real bikers, instead of actors. A couple of the characters, in particular, were exceptionally believable.

The musical score is absolutely spot-on, for the times, the tempo, and for moving the story forward. I found the music a real treat. I noticed in the opening credits that the movie featured the music of "The Food," I googled them; but, couldn't find anything...

In any case, George E. Carey who wrote, produced and starred in this movie liked the idea so much (of a wayward married man brought to redemption through trials and tribulation; and, a little help - of course) that he wrote, produced and starred in "Weekend with the Babysitter."

The Babysitter: A hen-pecked prosecuting attorney begins an affair with his blonde bombshell of a babysitter--the aptly named Candy. Candy, by the way, says things like: "Wow, man--I totally dig you--you really turn me on!" and "Ciao, baby!" Unfortunately, a murder case he's working on involving a motorcycle gang prompts the gang leader's "old lady" to blackmail him for her boyfriend's release. There is also a thin subplot involving the attorney's lesbian daughter. Patricia Wymer is smokin' hot as the bubbly, music-loving not-quite-a-hipster babysitter.

Fun little movie! One of the best in the Drive-In Cult Classics collection.

Just watched this little piece of exploitation and somewhat enjoyed it. Obviously, its a cynical take on the free love era. The idea that a eighteen year old baby sitter would be able to sneak her friends into her employer's house for a groovy band practice while they're away is ludicrous yet pretty damn funny. That she turns out to be a tramp is believable but her vicious side toward the end seems a bit too much. I don't feel like I'm giving too much away by saying this seems almost like the fantasy of a square henpecked lawyer who wants to take advantage of the freedoms of sexual liberation without facing any of the consequences. For some that's the American dream: flouting laws and societal conventions and still getting to keep your job and social standing. For someone like myself who didn't grow up in that era, a lot of its seems alien and laughable at times. Even those riding the crest of the sexual liberation movement were quick to see its downside though. I guess i would prefer this movie too some rosy glasses colored film that really thought peace and love would conquer the world's overwhelming problems. A star rating seems really hard to do with something like this. It has a plot. It has some twists and turns. Overall, its trash but I didn't feel like I'd completely squandered my time.

A teenage babysitter seduces a middle-age assistant DA, causing trouble with his wife, and also causing him to be blackmailed by a biker's girl who wants her guy acquitted of murder charges.

Sure, the flick never rises above cheap exploitation. And I could have done without hints of masochistic sex. Still, the 70-minutes is rather competently made considering its campy genre. The editing is smoothly done, the settings well-chosen, while Carey and Bellamy do well as the quarreling married couple. Even the plot manages a few wrinkles beyond the clichéd teen-age temptress and older man. Too bad Wymer (Candy) looks the part, but has trouble with her lines. There's also a 60's counter-culture subtext where Candy tempts middle-age George with the hippie credo of "free love". George finds this seductive, as did many of his buttoned-down generation. Anyway, for fans of 36-C and 38-D, there's ample exposure. Otherwise, it's drive-in forgettable.

Another selection from 200 drive in cult classics from the good folks from mill creek.

Wasn't expecting much from this one. Figured it was going to be melodrama about older man falling for younger lady. But there is much more to this one. Blackmail, revenge and murder. Good explanation stuff here. I can totally dig it.

"George Maxwell" (George E. Carey) is a mild-mannered Assistant District Attorney who has been given the task of prosecuting a motorcycle gang member for committing the horrific murder of a young woman. His wife, "Edith Maxwell" (Anne Bellamy) has gone completely frigid after having a baby 8 months earlier and as a result George is both lonely and frustrated. It's at this time that Edith hires a sexy babysitter named "Candy Wilson" (Patricia Wymer) who promptly goes about trying to seduce George. At first George is able to maintain his discipline but eventually he succumbs to Candy's charms and things take an immediate turn for the worse after that. Now, rather than reveal any more of this movie and risk spoiling it for those who haven't seen it, I will just say that this particular film was one of eight included in a DVD set titled ""Drive-in Cult Classics, Volume 3" which contains motion pictures typically seen at drive-ins in the 60's and 70's. In most cases these movies were at best grade-B offerings meant to partially augment the lack of quality films available to drive-ins during this time. Most of them are low-budget, sexploitation projects and this particular film is no exception. Although filmed in black-and-white, this specific movie has a couple of things going for it which raises it a notch or two higher than some of the other pictures of this type. First, it has the luscious actress Patricia Wymer in a leading role and she practically carries this film all by herself. Additionally, George E. Carey performs in a professional manner which also helps this movie to a lesser extent. In short, while this certainly isn't a great movie by any means, I found it to be satisfactory for the most part, and I rate it as about average.

Actually, I was very surprised by this movie. The story is good and the main actors do a good job. There are some very bad scenes but that's what makes it so campy. Patricia Wymer lights up the screen as Candy , The Babysitter!

I'm sitting here stunned after watching The Babysitter. This movie addresses nearly every controversial topic of morality: Adultery to begin with, but the list only begins there with everything from blindly loving a murderer, blackmail, under age trolling by an older married man, sexual assault, etc. etc. The fact that it covers the gamut of human indecencies isn't really what bothers me though, it's the matter- of-fact way that in which they are portrayed. I know, I know, it's just drive-in pulp, but it never allows the audience to be comfortable.

There is a fair amount of soft-core sex in here, but it's not shot as passion, rather confused characters continuing to make bad decisions one after the other. The whole - having troubles at home? don't work em out, have an affair with a young chick who can promise you the moon - mentality is such an immature way of viewing an affair, and that's exactly what bothered me about this film. I think that it was written, produced, distributed, and moderately successful because this is a fantasy for people that they are not allowed to talk about openly.

American Beauty, for example, is a beautiful film for many reasons, but mostly because you get to watch the protagonist struggle with his attraction. Not here, as Grandpa dives right in and loves him some young lovin.

OK, so this is the wrong venue to get philosophical, but I just had to mention it because this film, more than a lot of the other drive-in trashy movies, dealt with issues of betrayal and hurt in a very raw, unfiltered way, and I am left to consider what it is I'm looking for in movies, and, as someone who is trying to write scripts, what it is people in general are looking for.

Rating: 20/40

I expected to hate this movie. Just needed something to put me to sleep oate one night. But actually it looked interesting the first part I watched so watched the rest a few nights later. While it advertises as another cheap-made softcore romp, it does have a story to it. While based on the old man having an appear with a younger girl, the relationship of the man with his wife adds great dramatic effect. So there are actually a couple of sub plots. There is some violence (part of the subplots) and there are real resolutions to the plot. Of course there are the mandatory bare boobs for a film like this. Still, there are other qualities which make this film very watchable. Plus you get to see some street scenes from the time.

This familiar story of an older man/younger woman is surprisingly hard-edged. Bikers, hippies, free love and jail bait mix surprisingly well in this forgotten black-and-white indie effort. Lead actress Patricia Wymer, as the titular "Candy," gives the finest performance of her career (spanning all of 3 drive-in epics). Wymer was precocious and fetching in THE YOUNG GRADUATES (1971), but gives a more serious performance in THE BABYSITTER. The occasional violence and periodic nudity are somewhat surprising, but well-handled by the director. Leads Wymer and George E. Carey sell the May/December romance believably. There are enough similarities between THE BABYSITTER and THE YOUNG GRADUATES to make one wonder if the same director helmed the latter film as well. Patricia Wymer, where are you?

Hailing from Seattle, WA, Miss Wymer had appeared as a dancer on the TV rock and roll show MALIBU U, before gracing the cover (as well as appearing in an eight-page spread) of the August, 1968 issue of "Best For Men," a tasteful adults-only magazine. She also appeared as a coven witch in the popular 1969 cult drive-in shocker THE WITCHMAKER.

THE BABYSITTER has finally made its home video debut, as part of the eight-film BCI box set DRIVE-IN CULT CLASSICS vol. 3, which is available from Amazon.com and some retail stores such as Best Buy.

Late 2011 update: the original camera negatives for THE BABYSITTER were found! Code Red released a far superior DVD of the film, mastered from the uncut negatives. It was available via direct mail order with Code Red, and occasionally on Amazon.com.

Cruddy drive-in flick, very amateurishly made. It stars Pamela Wymer as the (not particularly beautiful) babysitter, who ends up sleeping with her D.A. employer. The convoluted plot has a biker chick trying to blackmail the D.A. with the potential revelation of his daughter's homosexuality (just, for good measure, to put some not particularly sexy lesbian sex in the movie) to get her murderous boyfriend released. Wymer helps the D.A. turn the tables on the biker chick. For what it is, it's hardly the worst thing I've ever seen. There's some decent nudity (Wymer is the least attractive of the naked women), and, the one thing that makes it almost worth checking out, it has an awesome '60s soundtrack. I especially loved the theme song, "Candy", which sounds a little like The Assocation's "Windy".

Babysitter, The (1969)

** 1/2 (out of 4)

Fairly crazy drive-in flick has the future D.A. (George E. Carey) about to take on an important case of a biker killing a woman. He's having trouble at home with his unloving wife (Anne Bellamy) but soon finds comfort with his underage babysitter Candy (Patricia Wymer). The biker's girlfriend plans on blackmailing the D.A. because his daughter is a lesbian but she gets better stuff when she realizes the babysitter is doing more than just watching kids. This thing packs a lot of "story" into its short 75-minute running time but that's okay because it makes for one wild ride as far as "B" drive-in films go. This is certainly one of those "groovy" movies aimed at teenagers at drive-ins and on that level the film works because it's not a great piece of art yet it does keep you entertained with its nudity, silly story and insane dialogue, which includes plenty of "peace of love" hippie talk. The greatest line is when the elder D.A. says everyone would benefit from "a little hippie in them". Another great line is when the D.A., taking the babysitter out, says that he respects teens because of their willingness to try new things like tacos!!! Yes, tacos were apparently a way to show freedom. Wymer does a very good job in her role as the young babysitter who wants to experience life as well as teach an older man how to life. She's certainly cute enough for the role but she also has enough charm to make you understand how the old man would get caught up with her. She also comes off appearing to have a brain in her head, which also helps make her character more believable. Stone, who wrote the story for himself; imagine that, is pretty flat in his role, which doesn't demand too much except getting turned on by a teenager. He's pretty weak in the role, which doesn't help the film any. You really can't go into a film like this expecting anything great so the main goal should be to keep the viewer entertained and this film is successful at that. The nudity, silly rock music and wild story make for some decent fun as long as you know what you're getting into.

If it weren't for the casual nudity and sapphic silliness, this movie might have received the MST3K/RiffTrax treatment a while ago. This movie turned up as a recommendation on my Amazon Prime in July 2017, and like many of the obscure titles that have come up, this is hardly a diamond in the rough. It was clearly written and produced by a middle- aged SoCal Republican who saw the counter-culture movement as an excuse to be an uncivilized hedonist. (Think "Poison Ivy" meets "Slouching Towards Bethlehem.") The affair/blackmail plot at the center of everything probably would've worked with a younger actor, but maybe Don Henderson and George Carey were looking at this like wish fulfillment. At its best this is a competently made "message" movie bordering on exploitation, bogged down by one-dimensional characters and flat, hygiene-film acting.

Patricia Wymer plays The Babysitter who comes between unhappily married George Carey and Anne Bellamy. One weekend after she walks out he finds it impossible to resist.

But Wymer has an ulterior motive. Carey is an Assistant District Attorney and he's prosecuting one of Wymer's biker pals. But it all works out in the end.

Beautiful to look at, but Wymer can't act. That's Ok because she wouldn't stand out for that reason in this cast.

Pass it by but for the sex scenes.

Great fun. This is ostensibly a tale of an older man falling for a young girl but turns out to be such fun because the film makers, clearly worried that their tale might not hold up, pepper the movie with colours, music and dialogue of the moment. This may have seemed crass at the time but now makes for a wonderful time capsule of a movie. That the girls are only too glad to bare their breasts and bums helps too. There is a sub plot involving blackmail that could have held up proceedings but instead makes for more nudity and even bloody violence. George E Carey is effective as the older guy and Patricia Wymer a lovely and very willing babysitter. With nothing taken too seriously, this makes for a super drive in movie, for once worthy of the moniker, 'classic'.

An assistant DA (George Carey) is prosecuting a biker for a vicious murder. The lawyer's home-life meanwhile is a wreck: He has a nagging, frigid wife and a newborn son, and his adult daughter is a lesbian. Things go from bad to worse, however, when he is unable to resist the charms of his seductive underage babysitter (Patricia Wymer). Meanwhile, the girlfriend of the biker befriends the prosecutor's daughter, hoping to get some photos of her with her lover so she can use them to blackmail the father. She really hits the jackpot though when she stumbles upon the man himself en flagrante with his babysitter mistress. . .

This movie would be a lot more believable if the hero was a handsome thirty-year-old guy rather than someone like Carey who looks more like the elderly FATHER of a thirty year old. (Even in the "free love" 60's his sexual affair with a teenage girl really beggars belief). Fortunately, this movie doesn't take itself too seriously. For instance, the first time the babysitter, "Candy", is left alone in the house she calls a couple of "friends" over, who turn out to be a loud rock band complete with a couple of girls who dance naked to their groovy music! This movie is surprisingly hard to find these days, even though its sequel "Weekend with the Babysitter" is readily available. This is the better of the two by far largely due to Patricia Wymer. Although she is obviously several years older than her character here, she is simply a much better actress than the unknown Susan Romen who played this part in the sequel. Carey, meanwhile, not only starred in both movies, but he also wrote and produced both of them as well (which makes you wonder what kind of dirty old man he was in real life). Tom McLoughlin, who went on to do "The Born Losers" and "Billy Jack", directed both movies, but HE had the good sense to use a pseudonym. I'd recommend this movie I guess (if you can find it), but I wouldn't bother with the sequel.

This Crown-International release was in one aspect out of date when released, since it was in black and white, when that format, even in the B movie world, had pretty much passed on. Though despite the dated appearance of the movie, the filmmakers did manage to pack in a respectable amount of sleaze, including (but not limited to) lesbianism (the movie's two lesbian seduction sequences are unintentionally funny), nudity, sex, and a middle-aged man having an affair with a very young woman. This stuff is kind of fun, but the enjoyment from it is deflated by a very slow moving story that seems VERY padded, even though the running time is only 75 minutes. I personally don't think the movie quite makes it to a recommendation, but others here on the IMDb liked it, so I think this is one case where you'll have to watch the movie and decide for yourself.

THE BABYSITTER is a better movie than the title might suggest. Is it a low-budget, drive-in movie from the late 1960's? Yes. Does it feature bikers, nudity, and -egad!- "go-go dancing"? Indeed. However, it's the story that rises above the usual muck.

It's about George and Edith Maxwell (George E. Carey and Anne Bellamy) a middle aged couple who find themselves on the rocks, ever since their new, unexpected child was born. The marital tension is intense, with the wife blaming the husband, who shuts himself off completely.

Enter Candy Wilson (Patricia Wymer), the title character. She's young, pretty, and a very free spirit! In fact, she represents everything that has drained out of the Maxwells' marriage. She also has quite an effect on George.

Of course the aforementioned elements enter the picture, with lurid results. There's revenge, blackmail, and murder.

Still, the movie is solid enough to include the madness and remain watchable...