El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.
- Dirección
- Guión
- Reparto principal
- Ganó 1 premio Óscar
- 5 premios y 7 nominaciones en total
Reseñas destacadas
The film offers two obvious, award-garnering career moves: Sal Mineo's masterful supporting performance, and Ernest Gold's beautiful musical score. Mr. Mineo (as Dov Landau) won a "Golden Globe" as "Best Supporting Actor"; and, arguably, he also deserved the year's "Academy Award". His subplot, played with pretty blonde newcomer Jill Haworth (as Karen Johansson), is far and away the most interesting story, thanks to Mineo's acting work. Mr. Gold's "Exodus" theme is also outstanding, selling well over a million copies of the Ferrante and Teicher version alone; it won not only an Oscar, but also a Grammy as 1960's "Song of the Year".
****** Exodus (12/15/60) Otto Preminger ~ Paul Newman, Eva Marie Saint, Sal Mineo
But we're not talking about a mythical future. The novel is about Israel's founding, but the issues still remain and Exodus should be required viewing for all who wonder about the need for a Jewish state. Wouldn't hurt to read the book either.
Exodus got only one Oscar, but there was really no competition there. Ernest Gold's musical score is one of the great ones done for the cinema. I remember how much it was played back when I was a lad. It's a vigorous and uplifting melody and like so many other good film scores it carries the viewer along in what is a lengthy movie.
Paul Newman and Eva Marie Saint are capable enough leads, but it is the supporting characters that really make this film. Two of my favorites are David Opatoshu as Akiva Ben Canaan, an Irgun leader and Gregory Ratoff as Lazavitch who was the rabble rouser on the ship Exodus. You will remember both of these people after viewing Exodus. Why the Academy overlooked either of them for nominations is beyond me. But that was a year rich in supporting performances.
Making this film must have been the highlight of the career of David Opatoshu. He was a leading actor in the Yiddish Theater and to be in this film must have been a dream come true. Seeing him in various roles, Opatoshu never gave a bad performance in his career.
Sal Mineo as Dov Landau was nominated for Best Supporting Actor,the young concentration camp survivor who joins the Irgun. Sal had some stiff competition that year. Other nominees were Chill Wills for The Alamo, Jack Kruschen for The Apartment, and Peter Falk for Murder, Inc. Groucho Marx made a public declaration that his vote was for Sal Mineo after an appalling campaign appeal was started for Chill Wills. But the winner was Peter Ustinov for Spartacus.
According to a new biography of Sal Mineo, he was very jealous of Ustinov's victory and would curse him out if his name was even casually brought up in conversation.
I'm convinced that Leon Uris in writing Exodus was influenced by the Diary of Anne Frank in creating the character of Karen played in the film by Jill Haworth. Funny also that the film version of the play came out the year before Exodus. It was as if Anne Frank had survived the camps and had come to the birthing of Israel. She's an innocent child who still retains her faith in people like Anne Frank did, making what happens to her all the more tragic. If you've read the book before seeing the film, Haworth's performance was all the more poignant.
Unfortunately Exodus is not history because the war is still being fought by the Jewish people against those who would wish and do evil upon them. Would that it were just history.
And it's likewise much harder to accept Paul Newman in the role of a Jewish freedom fighter; though he was already a big star in 1960 (which was no doubt the reason that he was chosen for the part), one cannot evaluate his performance here without recalling all the other high points of his career that were still ahead of him -- "The Hustler," "Cool Hand Luke," "Hombre," and of course his two big triumphs with Robert Redford, as Butch and Sundance and in "The Sting" -- not to mention a career that kept humming even into the 1990s. He's hardly remembered for this role at all today, and though even he isn't in every scene in a sweeping epic like this, it's hard to look at the movie without remembering all that would come later.
What stands out today more than Newman's performance, therefore, are the many secondary characters -- Sal Mineo as the tortured survivor of Auschwitz with secrets that lead him to the Irgun (and a performance that would earn him his second and last Oscar nomination); David Opatoshu as a Menachem Begin-like figure who believes violence is better than negotiation; and Jill Haworth, all of 15 at the time, and who would have a bevy of ingénue roles into the 1960s, but whose career would dribble out by the end of the next decade.
In particular, this was a great role for Opatoshu, who is probably best remembered today for his many guest shots on television (like Newman, most that came after this, in everything from "Twilight Zone" and "Mission:Impossible" to "Star Trek" and "Hawaii Five-O"). Though he is recognizable for those roles, it's worth remembering that he came out of Yiddish Theater and was a controlled, subtle performer who rarely got the kind of meaty role that he had here -- and one that no doubt was important to him.
So, while it's mainly remembered today for Ernest Gold's stirring theme music, "Exodus" is interesting as a window into a different time and a different way of thinking -- both about its subject matter and its main character . . . and the once and future star who played him.
¿Sabías que...?
- CuriosidadesAt the film's premiere, after three hours had elapsed, with twenty-eight minutes remaining, comedian Mort Sahl stood and shouted, "Otto Preminger, let my people go!" The incident became a legendary episode of Hollywood lore.
- PifiasAbout 1:15 into the movie Ari asks Kitty how many Minutemen were at Concord. When she doesn't know he answers 77. But he was mistaking Concord for Lexington Green, the first of British encounters, where there were only 77. By the time they reached the Old North Bridge in Concord, there were over 400 minutemen.
- Citas
Ari Ben Canaan: This is Taha, Mukhtar of Abu Yesha. And this is Karen, Secretary of the Rooms Committee, Bungalow 12, Gan Dafna. We have no Kadi to pray for Taha's soul. And we have no Rabbi to pray over Karen. Taha should have lived a long life, surrounded by his people and his sons. And death should have come to him... as an old friend offering the gift of sleep. It came, instead, as a maniac. And Karen, who loved her life, and who lived it as purely as a flame, why did God forget her? Why did she have to stumble upon death so young? And all alone? And in the dark? We of all people... should no longer be surprised when death reaches out to us. With the world's insanity and our own slaughtered millions, we should be used to senseless killing. But I am not used to it. I cannot and will not get used to it. I look at these two people, and I want to howl like a dog. I want to shout 'murder', so that the whole world will hear it and never forget it. It's right that these two people should lie side by side in this grave, because they will share it in peace. But the dead always share the earth in peace. And that's not enough. It's time for the living to have a turn. A few miles from here, there are people who are fighting and dying, and we must join them. But I swear, on the bodies of these two people, that the day will come when Arab and Jew will share, in a peaceful life, this land that they have always shared in death. Taha, old friend, and very dear brother. Karen, child of light, daughter of Israel. Shalom.
- Créditos adicionalesOpening credits shown over a background of flames.
- ConexionesFeatured in Chelovek ukhodit za ptitsami (1976)
- Banda sonoraGreensleeves
(uncredited)
Traditional English air
Selecciones populares
- How long is Exodus?Con tecnología de Alexa
Detalles
Taquilla
- Presupuesto
- 4.000.000 US$ (estimación)
- Recaudación en todo el mundo
- 12.634 US$
- Duración3 horas 28 minutos
- Relación de aspecto
- 2.20 : 1