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Éxodo

Título original: Exodus
  • 1960
  • 14
  • 3h 28min
PUNTUACIÓN EN IMDb
6,7/10
12 mil
TU PUNTUACIÓN
"Exodus" (Saul Bass Poster) 1960 Columbia Pictures
Trailer for this epic
Reproducir trailer2:48
1 vídeo
56 imágenes
Political DramaSword & SandalActionDramaWar

El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.El estado de Israel se creó en 1948, lo que resultó en una guerra con sus vecinos árabes.

  • Dirección
    • Otto Preminger
  • Guión
    • Dalton Trumbo
    • Leon Uris
  • Reparto principal
    • Paul Newman
    • Eva Marie Saint
    • Ralph Richardson
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,7/10
    12 mil
    TU PUNTUACIÓN
    • Dirección
      • Otto Preminger
    • Guión
      • Dalton Trumbo
      • Leon Uris
    • Reparto principal
      • Paul Newman
      • Eva Marie Saint
      • Ralph Richardson
    • 107Reseñas de usuarios
    • 35Reseñas de críticos
    • 70Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Ganó 1 premio Óscar
      • 5 premios y 7 nominaciones en total

    Vídeos1

    Exodus
    Trailer 2:48
    Exodus

    Imágenes55

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    + 49
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    Reparto principal59

    Editar
    Paul Newman
    Paul Newman
    • Ari Ben Canaan
    Eva Marie Saint
    Eva Marie Saint
    • Kitty Fremont
    Ralph Richardson
    Ralph Richardson
    • Gen. Sutherland
    Peter Lawford
    Peter Lawford
    • Maj. Caldwell
    Lee J. Cobb
    Lee J. Cobb
    • Barak Ben Canaan
    Sal Mineo
    Sal Mineo
    • Dov Landau
    John Derek
    John Derek
    • Taha
    Hugh Griffith
    Hugh Griffith
    • Mandria
    Gregory Ratoff
    Gregory Ratoff
    • Lakavitch
    Felix Aylmer
    Felix Aylmer
    • Dr. Lieberman
    David Opatoshu
    David Opatoshu
    • Akiva Ben Canaan
    Jill Haworth
    Jill Haworth
    • Karen
    Marius Goring
    Marius Goring
    • Von Storch
    Alexandra Stewart
    Alexandra Stewart
    • Jordana Ben Canaan
    Michael Wager
    • David Ben Ami
    Martin Benson
    Martin Benson
    • Mordekai
    Paul Stevens
    Paul Stevens
    • Reuben
    Betty Walker
    • Sarah
    • Dirección
      • Otto Preminger
    • Guión
      • Dalton Trumbo
      • Leon Uris
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios107

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    6Galina_movie_fan

    "Exodus", the book and the movie

    Adapted from one of the best books of the last century, Otto Premenger's "Exodus" (1960) had all the components of an exiting, deeply moving masterpiece. It was made by a very talented and celebrated director ("Laura" , "Anatomy of a Murder"); most scenes of the film were made in locations where the original events had occurred; one of the best ever American actors(Paul Newman) played the main character, Jewish hero, a fearless Freedom fighter, Ari Ben Canaan; Sal Meneo gave an absolutely compelling performance as Dov Landau, a young man, a boy really who had survived the horrors of Auschwitz, the only survivor of a big family from Warsaw. Ernst Gold won an Academy award for his truly magnificent musical score. Sadly, "Exodus" is not a masterpiece – it is an overlong, heavy handed, and rather unimpressive movie that caused satirist Mort Sahl to say, "Otto, let my people go" as he watched the film's 220-minute preview. Ironically, with all this running time, the best, the most inspirational parts of the book did not make it to the film. Among them are historical events dealing with the origins of ghetto system, pogroms in Russia, the long and fascinating journey of two brothers from a small Russian town to Palestine by foot, the ideas of Theodor Herzl, the birth of kibbutzes in Palestine, and enormous labor of kibbutznicks to make the land fertile, to grow plants and trees where the desert, rocks, and swamps had been, as well as the tragedy of European Holocaust and dramatic story of United Nations voting for partition of Palestine in 1947 and the war of the infant state against its multiple and hostile neighbors for the right to exist and be an independent country. I watched the movie just before I left for my trip to Israel a few weeks ago and I took the book with me there. Reading the book while be able to see the places it describes with such passion and love, to see the land that is called "promised land" or "Holy land" WAS one of the most emotional and unforgettable experiences in my life, watching the movie was not. It is just an illustration to the fantastic book – no more, no less. IMO, the book deserves the same treatment that Puso's "Godfather" had received – it should've been adapted into several movies, not just one. Like in Godfather, Part II, the scenes of the past and present should've alternated, given the viewers deeper insight in the events and the passions and politics behind them. Or even better, perhaps "Exodus" should've been adapted into TV mini-series format where every important character would've had enough time for his/her story.
    6wes-connors

    Call Me Israel

    Otto Preminger's presentation of Leon Uris' novel "Exodus" tried to evoke comparisons, in its trailer, to "Gone with the Wind" and "The Birth of a Nation". Those films overcome ideological flaws, and remain genuine, undeniable classics. Despite the starry cast and sweeping grandeur, "Exodus" fails to achieve its epic intentions. Mr. Preminger, coming off the superb "Anatomy of a Murder", gives it a long and dull direction. Paul Newman (as Ari Ben Canaan) and Eva Marie Saint (as Kitty Fremont) are quite unconvincing, in the leading roles. Still, there are some good characterizations, and nicely staged scenes.

    The film offers two obvious, award-garnering career moves: Sal Mineo's masterful supporting performance, and Ernest Gold's beautiful musical score. Mr. Mineo (as Dov Landau) won a "Golden Globe" as "Best Supporting Actor"; and, arguably, he also deserved the year's "Academy Award". His subplot, played with pretty blonde newcomer Jill Haworth (as Karen Johansson), is far and away the most interesting story, thanks to Mineo's acting work. Mr. Gold's "Exodus" theme is also outstanding, selling well over a million copies of the Ferrante and Teicher version alone; it won not only an Oscar, but also a Grammy as 1960's "Song of the Year".

    ****** Exodus (12/15/60) Otto Preminger ~ Paul Newman, Eva Marie Saint, Sal Mineo
    8bkoganbing

    The fighting heart of Israel

    Growing up in Brooklyn in the Fifties and Sixties, I can tell you that every Jewish household seem to have a copy of Herman Wouk's Marjorie Morningstar and Leon Uris's Exodus. The characters in Exodus among the people I grew up with became as known as family members. So when Otto Preminger made the film, he had a built in audience, almost in the same way that every Star Trek movie has.

    But we're not talking about a mythical future. The novel is about Israel's founding, but the issues still remain and Exodus should be required viewing for all who wonder about the need for a Jewish state. Wouldn't hurt to read the book either.

    Exodus got only one Oscar, but there was really no competition there. Ernest Gold's musical score is one of the great ones done for the cinema. I remember how much it was played back when I was a lad. It's a vigorous and uplifting melody and like so many other good film scores it carries the viewer along in what is a lengthy movie.

    Paul Newman and Eva Marie Saint are capable enough leads, but it is the supporting characters that really make this film. Two of my favorites are David Opatoshu as Akiva Ben Canaan, an Irgun leader and Gregory Ratoff as Lazavitch who was the rabble rouser on the ship Exodus. You will remember both of these people after viewing Exodus. Why the Academy overlooked either of them for nominations is beyond me. But that was a year rich in supporting performances.

    Making this film must have been the highlight of the career of David Opatoshu. He was a leading actor in the Yiddish Theater and to be in this film must have been a dream come true. Seeing him in various roles, Opatoshu never gave a bad performance in his career.

    Sal Mineo as Dov Landau was nominated for Best Supporting Actor,the young concentration camp survivor who joins the Irgun. Sal had some stiff competition that year. Other nominees were Chill Wills for The Alamo, Jack Kruschen for The Apartment, and Peter Falk for Murder, Inc. Groucho Marx made a public declaration that his vote was for Sal Mineo after an appalling campaign appeal was started for Chill Wills. But the winner was Peter Ustinov for Spartacus.

    According to a new biography of Sal Mineo, he was very jealous of Ustinov's victory and would curse him out if his name was even casually brought up in conversation.

    I'm convinced that Leon Uris in writing Exodus was influenced by the Diary of Anne Frank in creating the character of Karen played in the film by Jill Haworth. Funny also that the film version of the play came out the year before Exodus. It was as if Anne Frank had survived the camps and had come to the birthing of Israel. She's an innocent child who still retains her faith in people like Anne Frank did, making what happens to her all the more tragic. If you've read the book before seeing the film, Haworth's performance was all the more poignant.

    Unfortunately Exodus is not history because the war is still being fought by the Jewish people against those who would wish and do evil upon them. Would that it were just history.
    7Aldanoli

    Hard to View Today as it Was in 1960; Best Remembered Now for its Score

    Seeing "Exodus" early in the 21st century, one is robbed of the experience that moviegoers of the early 1960s would have had; it's impossible to see a movie about the birth of Israel now without the perspective of the Six-Day War of 1967, which changed the perception many non-Jews had of Israel. That, and the events that the Six-Day War led to, have eroded the moral assurance that many of the main characters of "Exodus" espouse about Israel and its founding, and would eventually lead to the moral quagmire found 45 years later in Steven Spielberg's "Munich." Today, "Munich" is much closer to the grayness of who is right or wrong in the modern-day Middle East than the black-and-white assumptions that drive the characters of "Exodus" in 1947 -- or its creators in 1960.

    And it's likewise much harder to accept Paul Newman in the role of a Jewish freedom fighter; though he was already a big star in 1960 (which was no doubt the reason that he was chosen for the part), one cannot evaluate his performance here without recalling all the other high points of his career that were still ahead of him -- "The Hustler," "Cool Hand Luke," "Hombre," and of course his two big triumphs with Robert Redford, as Butch and Sundance and in "The Sting" -- not to mention a career that kept humming even into the 1990s. He's hardly remembered for this role at all today, and though even he isn't in every scene in a sweeping epic like this, it's hard to look at the movie without remembering all that would come later.

    What stands out today more than Newman's performance, therefore, are the many secondary characters -- Sal Mineo as the tortured survivor of Auschwitz with secrets that lead him to the Irgun (and a performance that would earn him his second and last Oscar nomination); David Opatoshu as a Menachem Begin-like figure who believes violence is better than negotiation; and Jill Haworth, all of 15 at the time, and who would have a bevy of ingénue roles into the 1960s, but whose career would dribble out by the end of the next decade.

    In particular, this was a great role for Opatoshu, who is probably best remembered today for his many guest shots on television (like Newman, most that came after this, in everything from "Twilight Zone" and "Mission:Impossible" to "Star Trek" and "Hawaii Five-O"). Though he is recognizable for those roles, it's worth remembering that he came out of Yiddish Theater and was a controlled, subtle performer who rarely got the kind of meaty role that he had here -- and one that no doubt was important to him.

    So, while it's mainly remembered today for Ernest Gold's stirring theme music, "Exodus" is interesting as a window into a different time and a different way of thinking -- both about its subject matter and its main character . . . and the once and future star who played him.
    6harvhil

    Exodus Succeeds In Its Mission

    The film version of Leon Uris' Exodus was intentionally scripted for an American audience unfamiliar with Holocaust and Jewish themes. In fact, the film harps on major character Kitty's discomfort just being around Jews. Exodus is a 1960's Hollywood version of the creation of the modern State of Israel "for dummies", and in this it succeeds. While not having any religious Jewish content whatsoever, the film discuss themes of Jewish identity after the Holocaust, the plight of Jewish refugees under the British, the internal struggle of the Haganah versus the militant Irgun, and major historical incidents in the War for Independence 1948. While inaccurate about the actual Exodus ship incident, the film was a milestone in American Jewish cinema and identity. To this day, the film's music remains a mainstay in Jewish American homes.

    Más del estilo

    El cardenal
    6,7
    El cardenal
    El Álamo
    6,8
    El Álamo
    La ciudad frente a mí
    7,4
    La ciudad frente a mí
    Hud, el más salvaje entre mil
    7,8
    Hud, el más salvaje entre mil
    Marcado por el odio
    7,5
    Marcado por el odio
    Con el agua al cuello
    6,5
    Con el agua al cuello
    El largo y cálido verano
    7,3
    El largo y cálido verano
    Los que no perdonan
    6,5
    Los que no perdonan
    Quo Vadis
    7,1
    Quo Vadis
    La sombra de un gigante
    6,3
    La sombra de un gigante
    La gata sobre el tejado de zinc
    7,9
    La gata sobre el tejado de zinc
    El Cid
    7,2
    El Cid

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      At the film's premiere, after three hours had elapsed, with twenty-eight minutes remaining, comedian Mort Sahl stood and shouted, "Otto Preminger, let my people go!" The incident became a legendary episode of Hollywood lore.
    • Pifias
      About 1:15 into the movie Ari asks Kitty how many Minutemen were at Concord. When she doesn't know he answers 77. But he was mistaking Concord for Lexington Green, the first of British encounters, where there were only 77. By the time they reached the Old North Bridge in Concord, there were over 400 minutemen.
    • Citas

      Ari Ben Canaan: This is Taha, Mukhtar of Abu Yesha. And this is Karen, Secretary of the Rooms Committee, Bungalow 12, Gan Dafna. We have no Kadi to pray for Taha's soul. And we have no Rabbi to pray over Karen. Taha should have lived a long life, surrounded by his people and his sons. And death should have come to him... as an old friend offering the gift of sleep. It came, instead, as a maniac. And Karen, who loved her life, and who lived it as purely as a flame, why did God forget her? Why did she have to stumble upon death so young? And all alone? And in the dark? We of all people... should no longer be surprised when death reaches out to us. With the world's insanity and our own slaughtered millions, we should be used to senseless killing. But I am not used to it. I cannot and will not get used to it. I look at these two people, and I want to howl like a dog. I want to shout 'murder', so that the whole world will hear it and never forget it. It's right that these two people should lie side by side in this grave, because they will share it in peace. But the dead always share the earth in peace. And that's not enough. It's time for the living to have a turn. A few miles from here, there are people who are fighting and dying, and we must join them. But I swear, on the bodies of these two people, that the day will come when Arab and Jew will share, in a peaceful life, this land that they have always shared in death. Taha, old friend, and very dear brother. Karen, child of light, daughter of Israel. Shalom.

    • Créditos adicionales
      Opening credits shown over a background of flames.
    • Conexiones
      Featured in Chelovek ukhodit za ptitsami (1976)
    • Banda sonora
      Greensleeves
      (uncredited)

      Traditional English air

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    • How long is Exodus?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 2 de enero de 1961 (Brasil)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • Títulos en diferentes países
      • Èxode
    • Localizaciones del rodaje
      • Acre, Israel
    • Empresa productora
      • Otto Preminger Films
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

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    • Presupuesto
      • 4.000.000 US$ (estimación)
    • Recaudación en todo el mundo
      • 12.634 US$
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    Especificaciones técnicas

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    • Duración
      3 horas 28 minutos
    • Relación de aspecto
      • 2.20 : 1

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