Los asesinos del Kilimanjaro

ROBERT TAYLOR nearing the end of his career was still making robust adventure films and fitting the roles as well as he did earlier in time. Here he's the safari leader assigned to building a railroad and dealing with treacherous convicts and restless natives while venturing to take a trip through dangerous Watusha territory.

There's plenty of colorful location scenery to create a vivid picture of the long trek and the usual number of obstacles thrown into his path before he and his group reach their destination. It's a story that borrows heavily from the outline of "King Solomon's Mines" without delving into the background of its characters but just directed in routine adventure style by director Richard Thorpe, who had once guided Taylor through several of his MGM films in the old days.

ANTHONY NEWLEY lends breezy support as Taylor's bumbling assistant but the accent is not on the supporting cast of humans but the many African animals that are viewed along the way. Along for the search for her father is pretty ANNE AUBREY in a purely decorative role.

Summing up: Routine safari adventure is enhanced by some handsome location photography and the many wild animals spotted during the trek.

It's an hybrid of many things, this - and all set in the not very politically correct scenario of late 19th century colonial Africa. Robert Taylor is "Adamson" - a railway engineer tasked with completing a dangerous stretch of track between Mombasa and Lake Victoria. No mean feat as he must face duplicity from some, slave-trading, locals with vested interests and some hostility from the natives whose land he must cross. Adding to his difficulties, he is engaged by "Jane" (a pretty unremarkable Anne Aubrey) to try to track down her engineer brother - a man charged with the same task earlier, but who has disappeared. It's a solid boy's own adventure story this with plenty of stereotypes of the time peppering a tale that has little jeopardy but just enough action and beasties to sustain it for ninety minutes. The one thing I did struggle with was the curious casting of Anthony Newley as his assistant "Hooky" but otherwise this is just a sort of "King Solomon's Mines" meets "Northwest Frontier" type of film that lauded the pioneering spirit of empire at a time when that's what cinema audiences wanted. It's entirely forgettable fayre, and very much of a time long gone - in just about every fashion.

This is a clicked version of all the African adventure films that came out in the fifties.It might have had a chance with a youthful leading man.Robert Taylor looks an old man at 48 though it does not seem slightly risible to the writers that a romance with a 21 year old Anne Aubrey is somewhat unlikely.Well photographed scenery is about the only bright spot.Assuming it is not stock shots.

Taylor, an engineer, has been nominated for completing the first African railroad, to run from Mombasa to Lake Victoria in East Africa...

Taylor ends his journey with his sidekick, Anthony Newley (providing a sort of Sancho Panza character) and comes up with a young English girl (the red-haired Anne Aubrey) who is attempting to find her lost father and her fiancé who have disappeared in the jungle...

Though warned of the obstacles of the journey, Aubrey insists on going along, and soon falls in love with Taylor... Aubrey discovers that her father is dead and that her fiancé has become an alcoholic, but, of course, Taylor repays the two losses...

Gregoire Aslan portrays the magnificent enemy, an Arab slaver who wants to get the railroad to make easier the transportation of his slaves...

Photographed in Tanganyka and England with fascinating shots of a variety of wildlife, "Killers of Kilimanjaro" is an old-fashioned safari adventure full of action and wild animals...

This British-made safari adventure is yet another outing from Warwick Films (which would eventually evolve into Eon Productions with the James Bond series); although the title itself is meaningless, the plot awfully thin and the budget evidently restrained, the end results are quite pleasant and handsome to look at (despite the panning-and-scanning from the original 'Scope ratio). American Robert Taylor fills in the required "fading Hollywood star" spot for added marquee' value, while fetching redhead Anne Aubrey and amiably clumsy Anthony Newley – both reunited from the same team's THE BANDIT OF ZHOBE (1959; a screening of which, coincidentally, also came about for me on the same day I acquired this one!) are the proverbial young up-and-coming stars. While Taylor is ostensibly a railroad engineer accompanying Aubrey to seek out her long-lost father and fiancée (Allan Cuthbertson) in dangerous Warusha country, there is hardly a train in sight throughout the film but instead as much actual animal footage as their (limited) resources could buy. The cast is rounded-up by a would-be villainous Gregoire Aslan, his spunky son played by our very own John Dimech, (who joins Taylor's expedition and, bizarrely, orders the African porters around in his native Maltese tongue for a while but then swaps for what sounds like gibberish passing for authentic Swahili!), Martin Benson (as a treacherous head porter), Martin Boddey (as a rival German railroad engineer) and, very early on, Donald Pleasence as a ship's captain. It was amusing for me to watch Dimech sharing scenes with Newley and Pleasence since both these two stalwarts would themselves come to Malta – in the late 1960s (controversially) and early 1980s (obscurely, although I did manage to catch a glimpse of him drinking at the bar of a local Band Club) respectively!